Metascore
82

Universal acclaim - based on 19 Critic Reviews

Critic score distribution:
  1. Positive: 18 out of 19
  2. Negative: 0 out of 19
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  1. Mar 13, 2014
    60
    Gibbs' rough edges scrap up against Madlib's strings, and sometimes Piñata sounds like a low-key affair. It also feels a little dated, because Madlib has been practicing this kind of project for a decade.
User Score
8.7

Universal acclaim- based on 223 Ratings

User score distribution:
  1. Negative: 10 out of 223
  1. Apr 4, 2014
    10
    For fans of Madlib, and for those walking around still with an anticipation for a "Madvillainy" follow-up, this record from Indiana rapperFor fans of Madlib, and for those walking around still with an anticipation for a "Madvillainy" follow-up, this record from Indiana rapper Freddie Gibbs and the one and only master producer Madlib, is the closest piece of work we get to it. Simply put, that this is a pretty damn fantastic collaboration from the two.

    Gibbs is one hard-hitting rapper, with more rough, punch and hunger on the mic than example what a MF Doom would be spitting, or to say, your average rapper today. And he some what delivers quite monotone at times.
    Though I know Gibbs is a spitter, that I know, never denied his skills when it comes to his lyrics, flow and punch-lines. Though that, Freddie Gibbs is a rapper I've never fully been into or given a full try for the tapes released. Projects, songs I always ended up tagging them as a bit boring and redundant, maybe I should let it sit with me more?

    But, here, here this landed, here on, Gibbs managed to stick with some interesting concepts, raps, versatility. With this, he made me a fan, a fan I am at last.

    Madlib, as usual provides the MC with some beautifully, dusty, catchy layered production, such as the personal favorite cut of mine, "Shame", featuring a great, loving sample with a top off that a hook from the beast, BJ The Chicago Kid smoothly adding on his vocals. Too much goods going on, from the loops to just the vocals and lyrical- subject. A killer track, with a killer melody.
    **** a muddy, schizo, fast track with another ear-grabbing hook, and hard painted verses by Gibbs. A track that could have easily made it's way through OutKast's LP "Stankonia", sonically if whatnot.

    Gibbs is self aware about his flaws. What he once seen as right during youth and decisions made, seen later on becoming the wrong.
    Gibbs is relatable, and so strongly seen on the introspective track like "Deeper".
    Madlib's production through out feels dirty to it's backdrop, despite yet soulful and yummy as seen on the Odd Future affiliates Domo Genesis and Earl Sweatshirt appearance on "Robes". Sometimes, going from string sections and tingling instrumentals, to jazzy or in a more funky rythm.
    It's a warm feel, a warm ride with this.
    A ride, I'll confidentiality can say, will end up topping the year, when out of twenty-fourteen.
    A record that will get better with time, and can surely enough last the test of time.
    An LP I'll come back to.
    From humorous skits to gun-clapping, siren haunted tracks. This is one must experience to have, and to be sitting with phat.

    Freddie Gibbs & Madlib's "Piñata", is what's to love about hip hop and music overall.
    Full Review »
  2. Apr 7, 2014
    9
    Really tough, this album is downright kick-ass, smooth gangster, dusty tape-deck wonderland. I feel like I'm listening to Madvillany's youngerReally tough, this album is downright kick-ass, smooth gangster, dusty tape-deck wonderland. I feel like I'm listening to Madvillany's younger cousin from Longbeach. The one who just got out of county for a possesion charge, and moved back east to live with family because, 'some crazy chicken-head claims she's having my baby'. And these songs are all the hood stories of the past few years back in Cali. Gibbs does a great job of painting a 40oz soaked picture of this compassionate thug. Who will cuss out a corner store clerk, and then give a kid a few bucks for a snack while he's walking out the door. Madlib's perfected execution of creating an aesthetic with his mixture of samples and snippets is as strong as ever, and he really shines on this awe-inspiring record. Without a shade of doubt in my mind, Piñata stomps on this years timeline as not only the best hip hop project of 2014 thus far, but possibly of the year all together. I couldn't be any more satisfied with it. Every listen, I finish this album just staring at the wall, thinking...we've got a classic on our hands here. REALLY. Full Review »
  3. Mar 27, 2014
    10
    Wow! This was one hell of an album! Amazing production from Madlib (as usual) and I was never much of a Freddie Gibbs fan but this album justWow! This was one hell of an album! Amazing production from Madlib (as usual) and I was never much of a Freddie Gibbs fan but this album just completely changed my mind about him. Standout tracks for me were "Deeper", "Thuggin", **** and "Robes". I also like the diss track "Real" I love it how it is not a subliminal diss unlike a lot of diss tracks these days. Album of the year and if it was released last year, It would be the best album of 2013 too! I absolutely love this album and I am constantly bumping it! Cop it if you haven't yet! Full Review »