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Beyond simply being a fantastic musician, he’s a master of imaginative storytelling, and manages to perfectly capture the feeling of such a cruel yet contemplative season.
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The EP manages to stand alone in its own right, with the seven pieces here each offering subtle developments on that wonderful album's sound.
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Valuable remainders from last year’s Ferndorf sessions, these playful-yet-stark instrumentals beckon us invitingly into the terribly clever worlds of Terry Riley and Steve Reich.
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MojoLess like leftovers from a previous album than another move forward, creating out of his prepared piano and mini string section something fresh, subtle and beguiling. [Apr 2009, p.106]
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While none of the tracks here equal the individual brilliance of the album standouts ‘Rode Null’ or ‘Barfuss Durch Grass’, Snowflakes and Car Wrecks hangs together far better than a collection of offcuts might reasonably be expected to.
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As its name implies, Snowflakes and Car Wrecks is meant for winter listening. But the open space on this EP is good for curled up meditations in any weather.
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Despite its occasional limpid-to-the-point-of-fading-away feeling, Snowflakes and Carwrecks is the work of an important figure on the intersecting edge of classical and electronic music. It’s well worth a listen.