User Score
Generally favorable reviews- based on 95 Ratings
User score distribution:
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Positive: 76 out of 95
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Mixed: 7 out of 95
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Negative: 12 out of 95
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BrianG.Jul 15, 2008Another gay album from a gay band.
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MichaelE.Jul 16, 2008Boring, old-fashioned in a not-so-inspired way. Some call it "Dad Rock", but if you compare this to old albums that are similarly rooted in American traditions - Little Feat, the early Allman Brothers - you might get skeptical about all these enthusiastic reviews, I think. No strong melodies, no great hooks, al sounds a bit similar!
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LawrenceH.Jul 28, 2008
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NickC.Aug 20, 2008The Hold Steady tried to change things up and failed miserably. Stay Positive leaves very little to stay positive about. I would rather listen to the brokerdealer than this shit.
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tgbSep 28, 2008Weak riffs. 100% ordinary. I hate when bands put out a "dynamic coming out record" and it's just worn territory from the beaten path served to us on a silver platter with a sprig of parsley. Then the band stands by their work like its all original, or at least an authentic homage to the bands they would love to emulate, but it's just ends up a stupid fucking indie fart.
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SandeepM.Jul 16, 2008Warmed over Counting Crowes. Why are people falling all over themselves, for this?
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StaashBJul 18, 2008Sounds like the Counting Crows to me. Should be added to the "Stuff White People Like" blog.
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RobertH.Jul 19, 2008Just don't understand all the praise.
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BrendanDAug 11, 2008This is exactly what Wilco's "Sky Blue Sky" would've been if Tweedy didn't know how to catch us off-guard. What a horrible record from one of the most seminally overrated bands in the world.
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Awards & Rankings
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Ultimately, Stay Positive achieves the admirable feat of being a record you can listen closely to or rock out to, equally adaptable to late-night wallowing and the party at the water tower.
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It is not only the Hold Steady's best record, but acts as a culmination of all of the ideas, stories, musical paths and character journeys that they've so pointedly led us down before.
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Despite some subtle new touches --a harpsichord, a banjo, light strings--the sound proposes constancy.