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UncutMar 12, 2014The sound they've fashioned is glossy and supersaturated while still exhibiting the subversive impulse that yielded the supremely catchy but subtly sinister smash "Pumped Up Kicks." [Apr 2014, p.74]
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Mar 17, 2014With Supermodel, his goal is not to make you like him, but rather to give you a sense of what it's like to be him. He pulls it off, and he throws in plenty of hooks along the way.
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Mar 18, 2014Unlike Torches, Supermodel doesn’t have instant stickability. Instead, it is a slow grower. It’s worth it though, so be patient.
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Mar 27, 2014Hook-laced in all the right places, melodic, rhythmic, intelligent, addictive and slightly quirky: they don’t skimp on any of the ingredients here.
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Mar 25, 2014While nothing on the album quite reaches those lofty heights [of Pumped Up Kicks], Supermodel far outshines Torches as a whole.
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Mar 24, 2014It’s a collection of snapshots of a band stretching towards a brilliantly kaleidoscopic, eclectic new sound--and almost reaching it.
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Mar 21, 2014Forward isn’t always better. But for Foster the People, on Supermodel, it was the right direction.
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Mar 20, 2014[An] album, which is comfortingly straightforward, despite Mr. Foster’s jagged sentiments.
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Mar 18, 2014Supermodel unfurls with bright, sunny melodies that bloom on songs that pick up where its Grammy-nominated debut, “Torches,” left off.
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Mar 17, 2014If Torches scratched the surface of twenty-something angst, then Supermodel takes that exploration a few steps deeper, revealing a more introspective, enigmatic, world-weary tone.
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Mar 12, 2014Working on an epic, operatic canvas, Foster and his bandmates hide the spinach of existential angst into sweetly binge-worthy dance pop.
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Mar 20, 2014The band experiments with world music (“Are You What You Want To Be?”) and psychedelia (“Pseudologia Fantastic,” “A Beginner’s Guide To Destroying The Moon”) but falls short.
Awards & Rankings
User score distribution:
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Positive: 135 out of 183
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Mixed: 35 out of 183
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Negative: 13 out of 183
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Mar 18, 2014
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Jul 3, 2014
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Jul 28, 2014