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The unpretentious intelligence and skillful wordplay of Weaver's lyrics go a long way towards making The Ax in the Oak a richly satisfying work for grownup listeners, and the imaginative surroundings Weaver, Deck, and a handful of sympathetic musicians have crafted for these songs only make them stronger and more affecting.
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MojoTrue, there are some facinating arrangements on songs written during a summer in Berlin. But those songs, bar the first and last track sound oddly wanting. [Sep 2008, p.108]
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All of this might make The Ax in the Oak sound like a stylistic exercise that’s better in theory than in practice, but the album’s actually one of Weaver’s most accessible efforts so far.
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UncutWhile he doesn't quite kick like he used to, Weaver's lugubrious voice and ear for the creepiness inherent in old-time folk make for an engrossing listen. [Sep 2008, p.98]
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Under The RadarDisappointing, however, are the intrusive flashes of electronics. [Fall 2008, p.89]