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The resultant pieces feel so alive that you can almost sense the pressure of Frahm’s fingers alighting on each key as these solemn improvisations begin to weave their magic.
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The Bells is an excellent foothold into the baffling world of neo-classical composers. This is well worth a shot.
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Possessing a grandeur that never descends into pomposity and a restraint that could never be mistaken for bland aural wallpaper, this is undoubtedly one of the most beautiful releases you’re likely to hear over the coming months.
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MojoThis is spare, emotionally charged piano music which always errs toward the melodic side of melancholy. [Mar 2010, p.99]