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Mar 21, 2017Boman and Talabot seem to have enjoyed themselves coming up with these gritty, off-the-cuff tracks, and The Night Land is easily enjoyable without being too safe or conventional.
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Mar 21, 2017This preference for impulsiveness and reaction off of one another when making their music comes through in the warm, emotive feel of the whole record.
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Mar 31, 2017Each track takes you to some very unexpected places. In the process, each delivers feelings much more potent than a lot of the supposedly “emotional” dancefloor music currently flooding the market at the moment.
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MojoMar 21, 2017John Talabot and Axel Boman share a rep for expressive, expansive rhythms aimed at forward-thinking dancefloors--music that can stand in its own right, away from the club. Thrust together, it's an approach that the Catalan/Swedish twosome maintain. [May 2017, p.91]
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Mar 22, 2017On “Loser’s Hymn” and the closing “Dins El Llit,” they keep the pace brisk but downplay the drums, and the results, a kind of dance music with its head in the clouds, are both invigorating and meditative--like the album itself.
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Mar 21, 2017The Night Land lands in beautiful and occasionally unexpected places.