• Record Label: Island
  • Release Date: Jan 21, 2022
User Score
7.8

Generally favorable reviews- based on 27 Ratings

User score distribution:
  1. Positive: 21 out of 27
  2. Negative: 1 out of 27
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  1. Jan 21, 2022
    9
    This band jams. I'd describe Yard Act as a kind-of British version of Parquet Courts, and that's just fine with me.
  2. Mar 8, 2022
    10
    Playing like a dementedly delightful mashup of Slint's jagged, muscular guitar lines, The Dead Milkmen's winkingly humorous lyricism, and Cake's droll talk-singing vocal delivery all delivered by a more indie-inflected IDLES cousin, "The Overload" effectively coalesces such wildly disparate musical elements into a singular sonic identity that's all Yard Act's own and will prove pleasing toPlaying like a dementedly delightful mashup of Slint's jagged, muscular guitar lines, The Dead Milkmen's winkingly humorous lyricism, and Cake's droll talk-singing vocal delivery all delivered by a more indie-inflected IDLES cousin, "The Overload" effectively coalesces such wildly disparate musical elements into a singular sonic identity that's all Yard Act's own and will prove pleasing to fans of any number of those bands. Expand
  3. Jan 22, 2022
    8
    The debut album from Yard Act came out of nowhere and it was a welcome surprise... Hard hitting and poignant ideas are a constant theme throughout the record, being delivered in an almost spoken word fashion...

    The subject matter is wide spanning from unanimously relatable things such as capitalism guilt, or "the constant burden of making sense", to more UK related social/economic
    The debut album from Yard Act came out of nowhere and it was a welcome surprise... Hard hitting and poignant ideas are a constant theme throughout the record, being delivered in an almost spoken word fashion...

    The subject matter is wide spanning from unanimously relatable things such as capitalism guilt, or "the constant burden of making sense", to more UK related social/economic issues. This serves as an interesting view in, being an American...

    Pretty much no skips, this band rocks!

    I'm giving it a strong 7 to light 8
    Expand
  4. Mar 11, 2022
    8
    At times, its great but most of the time it's a bit better than ok. Although not from the same genre, imagine a post punk version of Franz Ferdinand. A bit silly, a bit sarcastic decent tunes but arguably lacking in soul or gravity. The lyrics can be quite clever and cutting as well as accurate but the lack of variety in the delivery takes from them to an extent. Dry Cleaning did thisAt times, its great but most of the time it's a bit better than ok. Although not from the same genre, imagine a post punk version of Franz Ferdinand. A bit silly, a bit sarcastic decent tunes but arguably lacking in soul or gravity. The lyrics can be quite clever and cutting as well as accurate but the lack of variety in the delivery takes from them to an extent. Dry Cleaning did this record last year but with much more originality and quirk. Worth checking out but the hype is extremely questionable. Expand
  5. May 20, 2022
    10
    I'm a post-punk fan, and a fan of the recent talk-sing-sometimes-post-rock post-punk wave. Of them this and Squid's debut last year stand above to me. Fontaines D.C., black midi, Black Country, New Road are all very strong but I keep returning to this one. It's the British wit, Talking Heads grooves, occasional hip hop or disco injection, each song (bar Quarantine the Sticks) just asks toI'm a post-punk fan, and a fan of the recent talk-sing-sometimes-post-rock post-punk wave. Of them this and Squid's debut last year stand above to me. Fontaines D.C., black midi, Black Country, New Road are all very strong but I keep returning to this one. It's the British wit, Talking Heads grooves, occasional hip hop or disco injection, each song (bar Quarantine the Sticks) just asks to be listened to over and over again. The final three really bring it home strong too. Expand
  6. Oct 24, 2022
    9
    This review contains spoilers, click expand to view. "The Overload" might be a contender for my favourite album of the year. When this album hits, it really hits, however some songs have a tendency to lean more towards making a statement, and one of my main criticisms of this album is that it often fails to combine its powerful, anti-establishment messages with the incredible writing seen in some of the tracks like the titular "overload". Despite this, the album is far from dull and has some catchy, lyrically intensive songs and shows what potential Yard Act have. Expand
  7. Mar 30, 2022
    9
    Fantastic. I’ll never give an album 10/10 but this is the closest yet this year to April. Clever lyrics great sound. To start with thought of this as a cross between Blur and Sleaford Mods - but they have there own sound and style. Love it!
  8. Jul 29, 2022
    10
    Perfectly political and nonsensical in equal measure. There are no dull moments on the overload, with dense lyricism, and catchy melodies- it's almost danceable. Punk is in safe hands with Yard Act.
Metascore
85

Universal acclaim - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 17 out of 17
  2. Mixed: 0 out of 17
  3. Negative: 0 out of 17
  1. Feb 3, 2022
    80
    The Overload is quite the debut.
  2. Jan 25, 2022
    68
    The Overload has enough interesting touchstones, but unfortunately, how Yard Act aim to utilize them within their songwriting MO is still a bit of a jumble. Many of the sounds and textures don’t really add much expressive gusto to Smith’s thespian qualities, and I feel the group can cover a lot of ground here on upcoming releases.
  3. Jan 25, 2022
    81
    A little bit Sleaford Mods, a helping of The Fall and a dash of Pulp, the group craft smart vignettes of modern life with a confident, witty delivery across their debut full-length, The Overload.