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Q MagazineDec 18, 2018Forty albums into his career, Morrison might just be summoning a new creative burst. [Feb 2019, p.115]
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Dec 10, 2018Pleasingly, it’s Morrison’s new songs that impress most. ... Of the covers, Hooker’s Dimples is the standout, but in truth there isn’t a weak link here. Excellent songs, expertly rendered--what is there to dislike?
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Dec 7, 2018Satisfying and wholly enjoyable album.
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Dec 7, 2018Clocking in at over an hour, The Prophet Speaks breezes through its run-time with memorable performances and joyous vibes. This is a late-career surge that is all the more remarkable because Morrison really seems to be enjoying himself--he continues to hunger after the music that inspired his vocation in the first place.
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Dec 6, 2018It’s impossible to not get caught up in the sheer joy exuded by Morrison and company as he cranks out yet another winner in a bulging catalog filled with them.
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Dec 6, 2018By mining such masters as John Lee Hooker, Sam Cooke and Solomon Burke, he negates any risk that the material might lapse. ... Besides, these are hardly rote performances. His stutter and scat on “Rollin’ and Tumblin’” gives the song a distinct new twist. Likewise, his playing on sax and harp is as assured as always, adding to his credence and conviction. The backing band, including his current foil Joey DeFrancesco, is polished and professional, giving Morrison room to play with his phrasing and weave his way through the melodies.
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UncutDec 6, 2018The likes of John Lee Hooker's "Dimples" and Sam Cooke's "Laughin' and Clownin'" are intimate, effortless-sounding exercises in sublime jazz phrasing, his voice at 73 as supple as ever. [Jan 2019, p.22]