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- Critic score
- Publication
- By date
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Jul 25, 2016Hazy and mellifluous, theyesandeye possesses a Nick Drake-like attention to detail.
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Jul 20, 2016It’s an attractive, still beguiling attitude that courses through the album like ambrosia, offering a welcome, if unworldly, alternative to pop’s prevailing discourse of acquisitive antagonism and automated emotions.
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Jul 18, 2016The arrangements for all 11 songs are exquisite; much has been said about the proliferation of vintage echo and reverb machines used during recordings but much more central is the orchestration and use of instruments, with Tom Moth’s diaphanous but pulsating harp particularly notable.
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Jul 29, 2016Tthe way she's moved forward on this date, wedding her musical identities, makes for a striking if uneven listen and bodes well for future recordings.
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UncutJul 18, 2016A quietly eloquent, simply persuasive record that chimes well with the current taste for bucolic abstraction, and moves Rhodes forward. [Aug 2016, p.79]