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Sep 13, 2013Every track gives you something new and exciting, while holding tightly on to Emilíana’s flawless voice and melodies.
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Q MagazineJan 27, 2014Warm and addictive. [Oct 2013, p.112]
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MojoOct 11, 2013Like most of ET's work, it's worth the wait. [Nov 2013, p.90]
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Sep 9, 2013It’s Torrini's most insular yet assured collection of songs to date.
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Sep 9, 2013A long delayed follow up, it has emerged in its own time as a gentle triumph.
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Sep 9, 2013[An] extremely poised new album.
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UncutSep 9, 2013Much of the album mediates on Torrini's new status as a mother but does so through some intensely poetic lyrics. [Oct 2013, p.75]
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Oct 18, 2013Tookah is a frustrating album because there are a couple examples of something fantastic happening in Torrini’s musical mind but it doesn’t quite deliver in the end.
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Under The RadarDec 4, 2013She finds too many ways to distract from her voice elsewhere. [Nov-Dec 2013, p.99]
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Sep 11, 2013Too much of the album feels as if she’s chosen the comfort of being back home, retreating from the brief spotlight she’d been slowing stepping toward since 2008.
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Sep 10, 2013While her latest record is certainly not a jumbled mess, there’s a definite decline in inspiration.
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Oct 30, 2013Torrini and collaborator Dan Carey envisioned the record as a chance to explore the possibilities of the studio, and it does sound lovely, in a New Age kind of way. It seems, however, that this has come at the expense of strong songwriting.