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8.8

Universal acclaim- based on 2264 Ratings

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  1. Jul 15, 2014
    10
    It's an album that does not have a very wide variety different songs. But lyrically is wonderful and rich.
    Lana could do something to the previous level, but with more mastery. It's a beautiful album and will undoubtedly still far, wait a Grammy nomination, and it deserves a lot. All involved are to be congratulated.
  2. Jun 19, 2014
    0
    I didn't get in to Born to Die but thought Lana Del Rey had potential, then came Paradise and I felt disappointed again but Ultraviolence is so different a direction it just doesn't work. Ultimately it's depressing and dreary, bringing back the 50/60s isn't something new!! it's a rehash and that's exactly what this album sounds like a rehash of the 30s-80s I can here every other song I'veI didn't get in to Born to Die but thought Lana Del Rey had potential, then came Paradise and I felt disappointed again but Ultraviolence is so different a direction it just doesn't work. Ultimately it's depressing and dreary, bringing back the 50/60s isn't something new!! it's a rehash and that's exactly what this album sounds like a rehash of the 30s-80s I can here every other song I've ever heard in there with no passion and all produced in a muffled, slow, snooze fest drone that makes a reply unbearable. I really thought there was more to Lana but there isn't it's not new or genius to rehash old tunes and not make them sound like your own. Very disappointed tbh she hasn't got what it takes she's too shallow and superficial to take me on a mental journey with the music and lyrics it's just painfully boring and so lacking that genius touch. If you haven't got it you haven't got it. Expand
  3. Jun 17, 2014
    1
    this album is a true trash without some, the concept does not exist content, is a typical album to lay musical matter, if we ask what the true identity of the album will not know the answer, it proves that the album has nothing to impress. More garbage thrown in the music industry.
  4. Jun 17, 2014
    1
    Lana wants to be heavy and deeper than she is... Her voice is good and she has some moments here and there, but this album feels rushed and just kinda there. All the songs sound the same (and there are no songs like Born To Die - Summertime Sadness / Blue Jeans) I was hoping for more. Don't recommend the album.
  5. Jun 17, 2014
    9
    Upon first listen, Ultraviolence is a complete musical departure from her debut. Produced by Dan Aurebach of The Black Keys, Ultraviolence has replaced the bombastic string and melodramatic orchestral climaxes with understated, pulsing guitar riffs, echoing drums and various layers of Del Rey’s now totally confident and poised vocals. The album opener, ‘Cruel World’ sets the tone for theUpon first listen, Ultraviolence is a complete musical departure from her debut. Produced by Dan Aurebach of The Black Keys, Ultraviolence has replaced the bombastic string and melodramatic orchestral climaxes with understated, pulsing guitar riffs, echoing drums and various layers of Del Rey’s now totally confident and poised vocals. The album opener, ‘Cruel World’ sets the tone for the rest of the record; a slow burning song featuring purposely-imperfect vocals that forces the listener to experience the hurt and dystopian world that Del Rey does. This is nothing new – Born To Die provided the same offering – however the subdued tone of Ultraviolence is much more fitting with its oppressed and dark thematic nature.

    Elsewhere, lead single, ‘West Coast’ provides a relatively upbeat and gritty sound in comparison to the rest of the album, and ‘Money Power Glory’ showcases Del Rey’s unique and astounding vocal range. ‘F***** My Way To the Top’ demonstrates that – unlike Born To Die – less is more, with Del Rey’s silk-like vocals floating above a pulsing beat and faint guitar strums. ‘Old Money’ is the most Lana Del Rey song that Lana Del Rey has ever made; an absolutely stunning ode 1960s America with herself reminiscing the “sunset, small towns… red racing cars”, and ‘Flipside’, a slow-burning Western-influenced track which – had it been around during the 90s – would have been perfect for the epic yet tragic final scene of Thelma & Louise.

    The album is not without its flaws, however; Del Rey’s cover of ‘The Other Woman’ doesn’t fit whatsoever with the atmosphere the rest of the album has conjured up until that closing track, and provides an incredibly underwhelmed finish to an album that sounded well thought out. Some of the lyrics are questionable and grow irritating, such as Del Rey repeating "dope and diamonds" sixteen - yes, sixteen - times during 'Money Power Glory', and there are certain tracks that beg for more of a climax than they are given.

    Ultraviolence, then, is an overall winner; the stripped-back, low-key and understated burning progressions of the songs create an intense, unique and totally encapsulating experience. Whilst there are missteps, it is a massive step forward for an artist that is consistently panned for being a one-time act.
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  6. Jun 17, 2014
    10
    Lana's new album proved she's alternative music's queen. Her collaboration with Auerbach is just comparable to Adele's collaboration with Epworth. Pure magic. This only shows Del Rey will be around us for a long time, and will be remembered as one of the greatest talents of the century.
  7. Jun 17, 2014
    10
    Ultraviolence is like a rare work of art that everyone should have at home. Never once something seemed so poetic and touching. Lana shows us what some already knew a few years she came to stay.
  8. Jun 17, 2014
    9
    Maybe the songs are really very similar, but it makes her album get a vibe that only Lana can do. Her voice and melodies have perfect sync. She's not the best singer yet, but she does what she knows do better in her work. Anyway, we can't wait something different from her and it's not a big deal if she keep doing songs so good like that album. She made a good work in Ultraviolence albumMaybe the songs are really very similar, but it makes her album get a vibe that only Lana can do. Her voice and melodies have perfect sync. She's not the best singer yet, but she does what she knows do better in her work. Anyway, we can't wait something different from her and it's not a big deal if she keep doing songs so good like that album. She made a good work in Ultraviolence album and I really think she can be the Queen of Alternative Indie Music!! Expand
  9. Jun 18, 2014
    10
    Amazing album! reminds me of Lizzy Grant. It's really quiet and not loud, it's just a masterpiece! I think this would be my favourite Lana Del Rey album. Album of the year!
  10. Jul 8, 2014
    1
    After how much she's been beaten up for her millionaire dad trying to buy success for her, buying back her rights and changing her name after she failed as Lizzy Grant, bombing on SNL anyway, maybe-dating Axl Rose for attention, desperately taking the gig at Kimye's wedding (now that's an instant indie cred killer), etc., I actually started rooting for her -- heck, there are a millionAfter how much she's been beaten up for her millionaire dad trying to buy success for her, buying back her rights and changing her name after she failed as Lizzy Grant, bombing on SNL anyway, maybe-dating Axl Rose for attention, desperately taking the gig at Kimye's wedding (now that's an instant indie cred killer), etc., I actually started rooting for her -- heck, there are a million people trying equally hard to get famous, who are every bit as phony, why single her out to hate? Unfortunately, this record fails to transcend, it's merely mediocre gloom (nevermind her lame quotes about wishing she was dead). It sounds exactly like they hired the latest amalgam of "top producers" to manufacture yet another pose for her -- starker this time, a tad quirkier, but keep it safe, throw in random disjointed radio hooks, refer to Lou Reed, "borrow" from great old songs that will feel familiar to people, but they won't quite put their finger on right away (although even I have a soft spot for the allusion to "Edge of Seventeen" in "West Coast"). The more I hear these songs, the more she annoys me. In sum it sounds like simply one more calculated commercial mishmash, the record company trying to create a darker Selena Gomez to fill another niche. Too bad, she's not entirely untalented, she had a chance to do better than this insincere-ennui snoozer. By the way, the avalanche of absurd 10 posts from people who'd never posted a review before, and say things like "favorite artist of all time," or "one of the greatest talents of the century" -- come on people, if Lizzy's publicity machine extends now to soliciting posts here, at least give her a 7 or 8, that's far more credible. Expand
  11. Jun 17, 2014
    10
    SHOKK DE MONSTRO RAINHA Lana Del Rey DESTRUIU MERECE 100 DA 100 PRA ESSA MULHER DESTRUIDORA VENDE MILHÕES RAINHA DO PLANETA DO URBAN CONCEITUAL DO MUNDOOOO
  12. Jul 25, 2014
    0
    I'm hoping this will become a grower as BTD is still one of my favourite albums. I do miss the hip hop beats but understand she wanted to explore a different hence the collaborations on this album. Unfortunately her new direction has not resonated with me as yet. Not as good as BTD I'm afraid.
  13. Jun 17, 2014
    2
    Ultraviolence proves that without her fauxchestra and bombastic hip hop beats, Lana Del Rey is a one trick pony. Most songs are drone-like retreads of past material, low on hooks and high on bad lyrical content. LDR was better off as a flawed but unique pop starlet. This is a laughable desperate grab at credibility.
  14. Jun 18, 2014
    10
    Well... I really loved Born To Die style, but this is more in my comfort zone, so deep and sad, dark, guitars and drums... I really really adore every track. For me is PERFECT!
  15. Jun 19, 2014
    9
    First off, I'm a big fan of hers. I tried to get tickets to her concert in Vegas and Frisco but they sold out in minutes. I drove 7 hours to Phoenix just to sit in the second deck. So now that you have some perspective on me..
    I was prepared to be indifferent with this album, because I love Born to Die and I just figured this would not measure up. I was wrong, and I'm so glad.
    This
    First off, I'm a big fan of hers. I tried to get tickets to her concert in Vegas and Frisco but they sold out in minutes. I drove 7 hours to Phoenix just to sit in the second deck. So now that you have some perspective on me..
    I was prepared to be indifferent with this album, because I love Born to Die and I just figured this would not measure up. I was wrong, and I'm so glad.
    This disc opens up with a gem-of-an-anthem called Cruel World that is long and powerful. Ultraviolence is another of my favorites. Shades of Cool and Brooklyn Baby provide a slight/nice change of pace, and some light-heartedness to soften the mood a bit, and then West Coast really puts it into full swing. Sad Girl is a lovely song that you may get lost in. Pretty When You Cry I also enjoy, as well as Money Power Glory. F***ed My Way to the Top is SO satisfying, in the same vein as Cola was, if you're into that type of thing (Lord knows I am). Old Money is a really sweet song and quite emotional, and The Other Woman is a real change of pace, right in time for, in my opinion, the big surprise on the disc: Black Beauty. This is a huge, sweeping anthem. Guns and Roses and Florida Kilos are fine as well, but not at the top of my list. I would have scored this album a 10 but i'm allowing her some room to grow in the next album, which I understand she is already thinking about. God, I hope so.
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  16. Jun 17, 2014
    0
    The songs are very similar, and all have an air of sleep. She needs to do more happy songs, this album may depress others. The songs are cloying and all that was written seem lazy. I do not think she has a vocal power, she does not leave her calm and boring style.
  17. Jun 18, 2014
    8
    Não superou Born To Die, mas é um ótimo álbum. Acho que ele não deveria ter usado tanto efeito na voz. Mas ela mostrou nesse álbum que ela é uma verdadeira representante do Indie Music.
  18. Jun 18, 2014
    7
    its another flawed record from Lana in my opinion. Simply for the fact that the songs feel a little samey the further through the album you get.. but that doesn't necessarily mean that the tracks themselves are.
    If it makes sense, I personally feel that every song is well written and put together (if not for the lyrics) and all the choruses are big, powerful and even beautiful at times.
    its another flawed record from Lana in my opinion. Simply for the fact that the songs feel a little samey the further through the album you get.. but that doesn't necessarily mean that the tracks themselves are.
    If it makes sense, I personally feel that every song is well written and put together (if not for the lyrics) and all the choruses are big, powerful and even beautiful at times. but when they're all put together... that's where the sameness feeling comes for me.
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  19. Nov 9, 2014
    9
    Lana vërtetë e tejkalon atë në këtë album . Trading hop udhëtim / hip prodhimit me një shkëmb alternative të ndjehen të përzier me disa pop ëndërr nga The Black Keys Dan Auerbach . Vocals Lana janë pasuruar edhe në të gjithë LP përbërë nga këngë të përhershme deri në 6 minuta . Unë do ta quaja " albumin e errët " të këtij Lana ndërsa qenë më të mirë të saj . Nëpërmjet këtyre vlerëson ,Lana vërtetë e tejkalon atë në këtë album . Trading hop udhëtim / hip prodhimit me një shkëmb alternative të ndjehen të përzier me disa pop ëndërr nga The Black Keys Dan Auerbach . Vocals Lana janë pasuruar edhe në të gjithë LP përbërë nga këngë të përhershme deri në 6 minuta . Unë do ta quaja " albumin e errët " të këtij Lana ndërsa qenë më të mirë të saj . Nëpërmjet këtyre vlerëson , Lana ende duhet të punojë për kah lirika e saj . Tracks si **** My Way To The Top dhe Sad Girl janë gjysmë të mirë dhe mund të ketë qenë hedhur larg për versionin luksoz . Gruaja tjetër është edhe një nga këngët më të mira të formuluara nga Lana , pasi ishte shkruar fillimisht për Nina Simone . Në përgjithësi , Ultraviolence mund të jetë një nga albumet më të mira të 2014

    10/10
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  20. Jun 23, 2014
    9
    A well crafted affair that seems like if it was made in another era. Lana del Rey keeps her way into make the industry and mainstream public believe that there´s more possibility for music if we look at the past rather than the future.
  21. Jun 24, 2014
    9
    This is an excellent album and much better than I thought it was going to be. It's hard to top an album like Born To Die but somehow Lana did just that. I find that most albums have a few good songs in the beginning and then fizzle out with a lot of filler. This does not happen on Ultraviolence. Yes, there are one or two songs I could probably do without but, as a whole, there are just soThis is an excellent album and much better than I thought it was going to be. It's hard to top an album like Born To Die but somehow Lana did just that. I find that most albums have a few good songs in the beginning and then fizzle out with a lot of filler. This does not happen on Ultraviolence. Yes, there are one or two songs I could probably do without but, as a whole, there are just so many damn good songs here.
    If you are a fan and loved BTD, you will love Ultaviolence. It's a little slower and lacking some of the up tempo beats of BTD, but that is not a bad thing. Lana Del Rey makes beautiful and emotive music that is intoxicating and she is in peak form here. If anything, Ultraviolence has an equal or even more amount of feeling and emotion than BTD. I would highly recommend Ultraviolence to anyone who is a fan of Lana and her type of music. I think this album will catapult her to a whole new level of success. I ordered the deluxe mp3 with three extra songs and was glad I did. Buy it, you won't be disappointed.
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  22. Jun 25, 2014
    9
    Amazing album. My favorites songs are 'Sad Girl', 'Old Money', 'Money Power Glory' and ****** My Way Up To The Top. Lana is amazing. I can't believe that some reviews are a **** I love the album, The album of 2014. But I still wait Adele's new album.

    XO
  23. Jul 8, 2014
    9
    Ultraviolence has done something music for the last twenty years has failed to do. Become a masterpiece in it's own sub-genre. Stripped back from the lush strings and heavy beats of Born To Die, Ultraviolence focuses on the dark, seedy underbelly of the West Coast, delivering vintage rock and roll drums to the back of the sound field and reverb drenched vocals and rhodes arrangements toUltraviolence has done something music for the last twenty years has failed to do. Become a masterpiece in it's own sub-genre. Stripped back from the lush strings and heavy beats of Born To Die, Ultraviolence focuses on the dark, seedy underbelly of the West Coast, delivering vintage rock and roll drums to the back of the sound field and reverb drenched vocals and rhodes arrangements to the front.

    Lana has developed far more vocal confidence and hit the ground running on this second album. I have a feeling it will achieve Cult status in time and critical acclaim. The lyrical content is both sombre and playful, it is deliciously dark and the freedom in musicianship invokes a band feel reminiscent of the 70's.

    Ultraviolence is her best work yet.
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  24. Jun 27, 2014
    0
    Really this is just bad. And dull. I first heard West Coast on the radio, and almost kinda thought it started out kind of cool. But then it spun off into disconnected styles and nonsense. When I heard the full album, it just got worse from there. She's done.
  25. Jun 17, 2014
    8
    I like it. This album is moody and has clear identity, we know this is Lana! Altough it lacks obvious hits and might be forgotten soon. I think this is a best release from artistic view. Less hype, less industry influence.
  26. Jun 18, 2014
    10
    'Ultraviolence' is truly a great album that comes together very, very well. The track listing flows nicely and it's definitely a step up in sound from Born To Die. Personally, I love Born To Die - I didn't think she could top that, but she did. This is a by far more mature album, and Auerbach and her did a great job at making it come together. For me, Guns & Roses could've been left out,'Ultraviolence' is truly a great album that comes together very, very well. The track listing flows nicely and it's definitely a step up in sound from Born To Die. Personally, I love Born To Die - I didn't think she could top that, but she did. This is a by far more mature album, and Auerbach and her did a great job at making it come together. For me, Guns & Roses could've been left out, but just like any Lana song, it will grow on me. Standouts of the album would include Shades of Cool, Old Money and Cruel World. Lana Del Rey hit a home run with this album, and I can't wait to see what she has in store for her next. Expand
  27. Jun 17, 2014
    7
    A long time fan of Del Rey's music (from the Ray Days to all the unreleased and leaked tracks), I am proud to say that Ultraviolence does not disappoint. Ultraviolence has the scope of a cinematic western movie that has been dreamed up in the dark hours of night when we are left to our own devices and forced to reflect, and this album is obviously a deeper reflection on Lana than in BornA long time fan of Del Rey's music (from the Ray Days to all the unreleased and leaked tracks), I am proud to say that Ultraviolence does not disappoint. Ultraviolence has the scope of a cinematic western movie that has been dreamed up in the dark hours of night when we are left to our own devices and forced to reflect, and this album is obviously a deeper reflection on Lana than in Born to Die, and what is more, it is beautiful in it's ambition as it aspires to overcome the shortcomings of it's predecessor. The record is a mix of low rock melodies and anticlimaxes, which short bursts of exuberant outcries that break through the shades of gray in a brilliant fire that makes even the worst songs on this album so brilliant. Inspired by the classic 'A Clockwork Orange', Lana creates her own modern classic as the voice of the album resounds long after the song has finished.

    The leading singles of this album underwhelmed, yet songs such as 'Old Money', 'Black Beauty', 'Money Power Glory', and 'Cruel World' shine brightly in the dark night Lana has constructed with her vocals and the unique sound of this album; yet, the album becomes tiresome in it's constant use of heavy background vocals that sound much more freshman than junior in that, they tend to wash out the power of her main vocals. What is more, this album features much less chorus than Born to Die, and much more narrative, original and inventive storytelling that allows for a much finer experience all together I think, this is not to say that the chorus is no longer the main mode of transport for the delivery of this album, but it does take somewhat of a backseat in Ultraviolence.

    The lyrics of each song, though, do tend to fall into Old Paul's (Video Games) in that, while these lyrics are far less fantastical than those in Born to Die, they do tend to become airy and overly dark and cliche. What is more, for all of it's opulence, this album is repetitive in it's songs as Lana presents the same story in some form or fashion in every other song, such as loving an older man in 'Shades of Cool' and 'Brooklyn Baby'. This causes Lana to become self-cliched as she continues to use the same ideas as though to invent a Lanaverse akin to that of Stephen King and James Joyce as she continues to build on and construct the artificial history of Lana Del Rey which is veiled with created experiences as well as subtle references to her very own life, yet it is much less obvious in comparison to Born to Die which was 'The Hobbit' to her 'Lord of the Rings' as she introduced us to her persona that we have fallen in love with. Multiple tracks on the album also tend to borrow the style of West Coast the first single from this album and could easily be the title track, and this becomes somewhat bothersome because it creates a very easily tired musical experience that could cause some to continuously bounce between this album and Born to Die as I have.

    Overall, fans of Del Rey will enjoy this sequel which shows that Lana has become both more confident in her work and much more adept in her conception and creation, even so, if you are much more use to her vocals and sound in Born to Die, the sudden shift to an even moodier and darker Lana will take some getting used to. Ultraviolence is beautifully dark and hauntingly magical in it's artificial realism, and that's what makes it so great.
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  28. Jun 18, 2014
    8
    Ultraviolence is beautifully compiled and with the help of Dan Auerbach, this album has feels much more complete compared to her preceding album, Born to Die. She takes on a persona in this album, a heartbroken but sultry girl and encapsulates them into each song. Each song is idiosyncratic in some way, however it is amazing how Lana Del Rey maintains the theme throughout each song toUltraviolence is beautifully compiled and with the help of Dan Auerbach, this album has feels much more complete compared to her preceding album, Born to Die. She takes on a persona in this album, a heartbroken but sultry girl and encapsulates them into each song. Each song is idiosyncratic in some way, however it is amazing how Lana Del Rey maintains the theme throughout each song to deliver an accomplished album. The extra songs within the deluxe album are a great treat for Del Rey fans, adding something extra, especially Florida Kilos where she take the undertone of innocence and allows a breath of fresh air to flow into her dark album. However, some songs were repetitive, but they should not ruin the adventure she takes you through when listening to this album. Overall, Lana have outdone herself and created a masterpiece that will not be forgotten. Expand
  29. Jun 18, 2014
    7
    Wow! I didn't think Lana could do Born to Die again, and you know what, she didn't! and I'm kind of surprisingly relieved. To be honest, I WANTED BORN TO DIE AGAIN! I mean, I liked the simplicity and melancholy of her first album but here with Ultraviolence Lana hasn't just dished out more of what she thought we'd all like, No! she's taken her shtick of morose pop but sprinkled just aWow! I didn't think Lana could do Born to Die again, and you know what, she didn't! and I'm kind of surprisingly relieved. To be honest, I WANTED BORN TO DIE AGAIN! I mean, I liked the simplicity and melancholy of her first album but here with Ultraviolence Lana hasn't just dished out more of what she thought we'd all like, No! she's taken her shtick of morose pop but sprinkled just a little bit of sophisticated, hopeful colour throughout it, partly, due to some great floating vocals during a lot of the choruses. But does Lana lose her apathetic sound from this little spark of brightness? I don't think so at all, if anything it makes the comedown feel so much lower. That and each song seems to either slow down during the chorus(Brooklyn Baby, Shades of Cool) or speeds up (West Coast). It's this constant change in pace which TELLS the listener how to feel, and it’s exactly this constant flux in mood which I wasn't expecting!

    Lets be honest with ourselves, we all think we know Lana's sound and we listen to her precisely because we like to indulge in our own fantasies of self pity, of which Lana's previous album Born to die did so well; Self Pity and apathy. But even Lana is thoughtful of the fact that there is so much self pity we can come to accept from a multi million dollar star. because really, an artist whose theme is based on woe and sadness eventually loses there creditability once they start to become (even more) wealthy.

    Instead of treating myself to the self induced moody state I've come to expect from Lana, I was instead forced to prick up my ears, and then suddenly calm down as each song on Ultraviolence constantly shifted from lull to high. This is an album that demands your attention in its own subtle way as it unexpectedly turns from hope to sorrow, constantly teasing the listener from one state to another. And this is exactly what this album is all about, that is; you have to be prepared to listen to it. It's not an intense album per se, but it's more thoughtful than her last, so just be prepared (and you'll be rewarded!) Lana still has that washy jazzy Twin Peaks sound that can be heard in the percussion and groaning cello, but there is a brightness in the guitar and light strings that is slightly more noticeable and which adds a great bitter sweet contrast. I think this is especially pronounced in "Old Money" or "Shades of cool" which almost sounded like it was going to burst out into a bond song with those opening chords, but then her angelic vibrato voice kicks in with that hint of contrived imperfection and really hits the spot in the way we've come to expect from her previous work, but with a little extra. Lana is really coming into her own with this second album (third? if you count Paradise) and she is by no means a one trick pony.

    I really think Lana is pushing her passive listeners with this one. I mean, the fanbase with grow to like it, they're just committed that way. But I'm not too sure if any of these songs stick out as radio friendly. Which leads me to my overall summary, and that is; Ultraviolence doesn't have the instant wow factor of Born to Die, but really, how could she ever make an album that sounded even sadder, yet at the same time still retain the pop elements that helped establish her unique, accessible sound? Anything else would just be venturing into experimental jazz territory, which might be applaudable, but it's not what people expect from Lana. For those who take the time I think this album might provide a longer and more rewarding listening experience than Born to Die with its more sophisticated production and thoughtful music composition, as well as Lana's obviously developing vocal talent.
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  30. Jun 17, 2014
    9
    Oh she is so mysterious and beautiful! I like this so much because it is not as boring as Born To Die. It has more focus and she doesn't just mumble on this album. It is well produced and beautiful.
  31. Jul 17, 2014
    0
    Finally got around to listening to this after hearing a couple songs on indie radio, Sirius XM, etc. I'm not getting what the fuss is about. Then I read the user reviews on here, many of which don't jive at all with the relatively lukewarm reception to the left for Critics Reviews -- um, "Album of the year" or "favorite of all time," what does her label pay you to log on and give her a 10?Finally got around to listening to this after hearing a couple songs on indie radio, Sirius XM, etc. I'm not getting what the fuss is about. Then I read the user reviews on here, many of which don't jive at all with the relatively lukewarm reception to the left for Critics Reviews -- um, "Album of the year" or "favorite of all time," what does her label pay you to log on and give her a 10? Is that one of those work at home jobs I see advertised all the time in the comments sections of gossip sites? There's a reason this peaked immediately on Billboard and is quickly fall off the charts, it's just not that good. She's just not that good. And every time she opens her mouth, a la her latest Rolling Stone interview, she reminds us that she's a creation of others, and when she has to stand up and sing, on SNL for example, or speak for herself in Rolling Stone, she's just not that interesting or talented. Expand
  32. Aug 4, 2014
    4
    Being a big fan of Born To Die, I was very disappointed with the mediocre 'Ultraviolence' which, nearing two months on, still hasn't grown to my ears. The album has been completely over-praised by fans and even the most prestigious music critics, likely for her edgy/different sound. Ultraviolence fails to produce any unique and different sounding songs. In fact, the majority of the songsBeing a big fan of Born To Die, I was very disappointed with the mediocre 'Ultraviolence' which, nearing two months on, still hasn't grown to my ears. The album has been completely over-praised by fans and even the most prestigious music critics, likely for her edgy/different sound. Ultraviolence fails to produce any unique and different sounding songs. In fact, the majority of the songs on the album sound almost completely the same and it's often hard at times to distinguish between them. There's been times when I've listened to the album in the background and all of the songs on the album just flow into this same-sounding blur, making you forget you're even listening to anything at all. the only time I think I ever realise I'm listening to the album is at the very end when 'Florida Kilos' plays, which is of a much higher quality to the rest of the sound of the album. I can only hope that Lana listens to the real critics of the album so she can continue to write the timeless classics such as those from her debut album, and so that I can continue to be a fan of her. Expand
  33. Sep 1, 2015
    10
    A dark and cinematic masterpiece. This is truly Lana's best album with standout tracks like Shades of Cool, Brooklyn Baby, West Coast, Florida Kilos, etc. I highly recommend a listen if you're into songs with substance that give off an indie rock 70's vibe.
  34. Aug 19, 2015
    10
    Uno de sus mejores trabajos hasta ahora, ese Dream Pop Alternativo acompañado de las guitarras pesadas es lo que hace a Ultraviolence el trabajo con la mayor influencia de la música Alternativa de Del Rey, cada canción tiene ese toque de Rock Alterno que te embriaga y te hace pedir más; Lana destaca también sus influencias del Jazz y el estilo Gangsta.
  35. Jan 27, 2017
    10
    The greatest success and challenge of the young Lana del Rey. Demonstrating that an artist can be multifaceted while preserving her quality over the years.
  36. Sep 1, 2019
    10
    the queen of music proving once again who she truly is. old money and brooklyn baby my favorites !
  37. Oct 21, 2021
    10
    This review contains spoilers, click expand to view. La reina del rock y del alternativo escribiendo e interpretando sentimientos reales y siendo honesta con ella misma Expand
  38. Aug 20, 2022
    10
    it is lana's best album of all time, nothing can match the sound with electric guitars, the soft and deep tones to the world of time that makes it so addictive IT IS UNIQUE
  39. Aug 20, 2022
    0
    This review contains spoilers, click expand to view. worst lana album ever including her most cringeworthy lyrics, a stain on her discography Expand
  40. Dec 1, 2020
    7
    After being surprised by how much I liked and rated "Born To Die", I was curious to see if Lana Del Rey could follow it up on "Ultraviolence". The answer is a resounding yes. "Cruel World" is an understated epic and opens the record with a big dramatic sound. It sounds amazing without saying too much and is probably as good as anything that follows on the album. The title track follows andAfter being surprised by how much I liked and rated "Born To Die", I was curious to see if Lana Del Rey could follow it up on "Ultraviolence". The answer is a resounding yes. "Cruel World" is an understated epic and opens the record with a big dramatic sound. It sounds amazing without saying too much and is probably as good as anything that follows on the album. The title track follows and is another track that is sounds stripped back yet is highly produced. It has a hazy, chilled vibe yet there is darkness looming in the sound which mirrors the lyrical content, ("he hit me and it felt like a kiss"). This is a description that could be applied to the record as a whole. "Shades of Cool" is based on a slowed down James Bond theme and you could easily imagine this track being a Bond song. "Brooklyn Baby" keeps with the aesthetics of the album, big and cinematic. **** My Way to the Top" is the standout of the 2nd half of the album. This is an album about style and texture rather than necessarily about great songwriting, although there is some of that there too. I did feel that the songs lack variation as it goes on. It is a record made for great speakers or headphones to fully appreciate the work done on this in the studio. The whole album sounds huge, lovely guitar tones mixed perfectly with unintrusive slow building bass lines and drums. Vocally Del Rey is on amazing form alternating between her smoky whispers and full blooded calls to arms. Lacks a truly memorable single but a solid follow up to her highly enjoyable "Born to Die". Expand
  41. May 15, 2018
    10
    An absolute masterpiece. This is Lana del Rey's best album yet by far. If you like music, this album is for you, especially the song "Cruel World", aka the best song on the album.
  42. Jan 8, 2019
    8
    This album shows her growing as an artist, but she still needs to make a more cohesive project to reach real superstar level in the history of pop-music.
  43. Jun 2, 2015
    10
    This album is so much different than any other Lana Del Rey record, especially her major-label debut Born To Die. Good different. The amazing hip hop beats are gone, only to be replaced with magnificent guitars. The deep sad lyrics vanished, only to be replaced by even sadder and more bitter words. Lana's confidence is on top, her vocal performance is very passionate and very on point. TheThis album is so much different than any other Lana Del Rey record, especially her major-label debut Born To Die. Good different. The amazing hip hop beats are gone, only to be replaced with magnificent guitars. The deep sad lyrics vanished, only to be replaced by even sadder and more bitter words. Lana's confidence is on top, her vocal performance is very passionate and very on point. The record has this big summer-y feel to it, even though it's the saddest thing I have ever heard. Standouts are Money, Power, Glory; Sad Girl; and Brooklyn Baby. Go miss Grant! 8/10. Expand
  44. Sep 9, 2019
    7
    Lana has stepped her game up with this album. Adding a blues rock feel to her otherwise poppy synth style is the perfect blend. There are still problems with her identity but a huge step in the right direction.
  45. Aug 27, 2018
    8
    Though Ultraviolence seems to about a character condoning the abusive nature of her relationships because her men are complex, it is probably the best produced and written record of Del Rey's career. Her truck-stop Lolita character is starting to grow up. Download: Ultraviolence, West Coast, Cruel World, Shades of Cool.
  46. Sep 23, 2015
    10
    De longe um dos melhores álbuns que eu já ouvi. Mostra uma evolução muito grande da Lana Del Rey em relação ao seu disco anterior. Aqui ela finalmente se encontrou e mostrou a que veio
  47. Sep 20, 2015
    10
    Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing. Amazing.
  48. Jan 14, 2016
    10
    Depois de certo tempo com preconceitos com esse álbum, finalmente decidi ouvi-lo e perceber oque eu tinha perdido. Lana del Rey e Dan são uma ótima combinação, a melancolia natural de Lana del Rey continua desde seu debut sob novo nome porém com o rock psicodélico de Dan, oque poderia dar errado?
    Lana explora a guitarra em todo álbum, com toda a inspiração no hip hop e uma notável
    Depois de certo tempo com preconceitos com esse álbum, finalmente decidi ouvi-lo e perceber oque eu tinha perdido. Lana del Rey e Dan são uma ótima combinação, a melancolia natural de Lana del Rey continua desde seu debut sob novo nome porém com o rock psicodélico de Dan, oque poderia dar errado?
    Lana explora a guitarra em todo álbum, com toda a inspiração no hip hop e uma notável semelhança com AM do Arctic Monkeys na estética toda rock n' roll com direito á jaquetas e cigarros oque, notavelmente, Lana já tinha nos mostrado em Born To Die, mas desta vez mostrando talvez uma sonoridade mais "obscuras", impossível não se apaixonar por esse álbum, é uma pequena chama que realmente nunca se acaba.
    Expand
  49. Nov 24, 2018
    10
    Ultraviolence is THAT album. Definitely her best work yet, deserved waaaay more recognition. Old Money is a masterpiece, one of the few songs that can make me cry! But my favorite song of the album is the title track, just the instrumental is enough...

    @AA2 sis, spill the tea! Another great album by M.
  50. Oct 11, 2015
    10
    Pensei que nada pudesse superar o BTD, mas taí que o Ultra veio e me deixou no chão. O sentimento dese album te leva pro céu e pro inferno numa mesma jornada, arrasou, Diva! Merecia um 80, ao menos.
  51. Sep 10, 2015
    10
    This album is sooooo dark and amazing. Couldn't been better. This is Lana at her best, as good as Born To Die and Paradie.
    It definitly is...
    ........
  52. Sep 7, 2015
    6
    For some reason, I feel like this is Lana's weakest effort. Don't get me wrong, there are some really good songs on this album, but as a whole, I found myself bored and despite her "new" sound, found Ultraviolence a disappointment.
  53. Nov 21, 2015
    8
    It's a step forward, so much better than Born to Die. Ultraviolence has a dark atmosphere, where her soft voice contrasts with the rough instrumentals. The best tracks are "Ultraviolence" and "The Other Woman", I definitely loved these. In fact, all tracks are pretty good, except for "Pretty When You Cry" and **** My Way Up to the Top", which I really don't like.
  54. Sep 13, 2015
    10
    I really love Lana and this album made me love her more than before. This is way better than BTD and there isn't a song I don't like. Well done Lana! :)
  55. Aug 5, 2017
    10
    Impecável. West Coast com certeza foi o lead single mais surpreendente de toda a sua carreira, apresentando uma nova era, mais madura musicalmente e numa esfera mais alternativa. Ultraviolence carrega o peso de um relacionamento conturbado, trazendo em si tristeza, raiva, solidão, um leve sarcasmo e um desconfortável descaso/conformismo com o futuro. Melancólica, apresentando um vocalImpecável. West Coast com certeza foi o lead single mais surpreendente de toda a sua carreira, apresentando uma nova era, mais madura musicalmente e numa esfera mais alternativa. Ultraviolence carrega o peso de um relacionamento conturbado, trazendo em si tristeza, raiva, solidão, um leve sarcasmo e um desconfortável descaso/conformismo com o futuro. Melancólica, apresentando um vocal mais limpo e expressivo, Lana Del Rey navegou e submergiu na retratação de sua vida pessoal, de suas angústias e desejos mais profundos e profanos, e não pecou. Expand
  56. Jan 12, 2018
    10
    So far, this is her best album
    Lyrics and productions are great. Cohesive, goes right to the point. Masterpiece.
  57. Mar 19, 2021
    10
    loveeeeeeeeeeeeeeeee this albummmmmmmmmmm so cooooooool
    love it so much!!!!
  58. Sep 18, 2015
    10
    O melhor álbum de 2014. Como sempre, muito bem esperado de Lana Del Rey. Cada música, juntamente com suas letras, chega a arrepiar. Ela é única, e merece todo o amor, e sucesso do mundo.
  59. Sep 18, 2015
    10
    this album is a true masterpiece, a big improvement since Born To Die, so proud of lana. "cruel world" "brooklyn baby" "florida kilos" and "old money" are truely amazing
  60. Oct 11, 2015
    10
    This album is a masterpiece. One that really takes you somewhere, and perhaps the best i have ever had the privilege of hearing. Lana delivers hypnotic, feisty and extremely sad lyrics that i found very relatable. She managed to get some emotions out of me, and music that can do that is good music indeed. I love this album and I thank Lana for creating it. Favourite songs for me are PrettyThis album is a masterpiece. One that really takes you somewhere, and perhaps the best i have ever had the privilege of hearing. Lana delivers hypnotic, feisty and extremely sad lyrics that i found very relatable. She managed to get some emotions out of me, and music that can do that is good music indeed. I love this album and I thank Lana for creating it. Favourite songs for me are Pretty When You Cry, Money Power Glory, Black Beauty, Brooklyn Baby and Is This Happiness. But truly, I loved every song. Expand
  61. Oct 16, 2015
    10
    É otimo esse album, som da guitarra e voz de Del Rey combinam perfeitamente. Eu gosto muito desse album, é sem duvidas um dos melhores de 2014, musicas e encarte do album perfeitas
  62. Oct 28, 2015
    10
    She knows what She wants, Lana look for it, chase for it and make it happen. Ultraviolence is the top of Lanas maturity, vocal and musically. Also, I believe She decided to explore her dark sides for this album. For many people, this is the most boring album Lana have done; To me, it is a real deep and exquisite work of art.
  63. Jan 13, 2016
    8
    01. Cruel World - 90/100
    02. Ultraviolence - 100/100
    03. Shades Of Cool - 85/100 04. Brooklyn Baby - 80/100 05. West Coast - 60/100 06. Sad Girl - 80/100 07. Pretty When You Cry - 85/100 08. Money Power Glory - 100/100 09. **** My Way Up To The Top - 75/100 10. Old Money - 80/100 11. The Other Woman - 85/100 12. Black Beauty - 90/100 13. Guns And Roses - 85/100 14. Florida
    01. Cruel World - 90/100
    02. Ultraviolence - 100/100
    03. Shades Of Cool - 85/100
    04. Brooklyn Baby - 80/100
    05. West Coast - 60/100
    06. Sad Girl - 80/100
    07. Pretty When You Cry - 85/100
    08. Money Power Glory - 100/100
    09. **** My Way Up To The Top - 75/100
    10. Old Money - 80/100
    11. The Other Woman - 85/100
    12. Black Beauty - 90/100
    13. Guns And Roses - 85/100
    14. Florida Kilos - 90/100
    15. Is This Hapiness - 95/100
    Média: 85/100

    Sombrio, emocionante e com pitadas de rock. Essa e outras qualidades tornam o Ultraviolence o melhor álbum da carreira da Lana.
    Expand
  64. Jan 26, 2018
    9
    I'm not so sure why metascore of this album is only 74 , for me this or Lust For Life is the best Lana's album to date. Love the lyrics, the darkness of the album. Favorite tracks: Brooklyn Baby | Least favorite: The Other Women (it just didn't fit the album atmosphere it should have been on Honeymoon I think)
  65. Jun 16, 2017
    8
    Ultraviolence shines as an album with more maturity than its 2 predecessors. But still, shows an artist that has a lot to grow. Ultraviolence works more efficietly as a contrast to her debut Born to Die than a follow up. Anyway, here is where we see Lana - actually, Lizzy Grant - in her most confortable and sincere record yet.
  66. Jan 23, 2021
    9
    Anyone who craves for dark dramatism will certainly love this. Ultraviolence risks likeability to be truly compromised and it pays off. It's a masterpiece.
  67. Jun 10, 2016
    9
    Um álbum minimalista. O que mais atrai em todo álbum é como ele soa. A forma minimalista e a produção com guitarras e baterias casa perfeitamente com a proposta do Ultraviolence. Lana sempre acerta em suas letras, porém o que chama a atenção são todos os arranjos perfeitamente elaborados.
  68. Jul 11, 2016
    10
    Sem sombra alguma de dúvidas, esse é o melhor álbum da Lana lançado até hoje. Isso não é apenas um álbum qualquer, é uma verdadeira obra-prima, eu realmente acho baixíssima a nota dada pelos críticos, porque esse álbum facilmente merecia uma nota 90/100. Cada música do álbum parece que te transporta para um lugar diferença, te passa uma sensação diferente. As letras são como poemas, vocêSem sombra alguma de dúvidas, esse é o melhor álbum da Lana lançado até hoje. Isso não é apenas um álbum qualquer, é uma verdadeira obra-prima, eu realmente acho baixíssima a nota dada pelos críticos, porque esse álbum facilmente merecia uma nota 90/100. Cada música do álbum parece que te transporta para um lugar diferença, te passa uma sensação diferente. As letras são como poemas, você se sente tocado por cada palavra dita por ela. A produção do álbum é incrível, uma sonoridade "obscura" que te faz querer sempre ouvir ele pra ter calma e pensar na vida. Eu realmente não sei o que seria de mim sem esse álbum, sem sombra alguma de dúvidas, um dos melhores álbuns que eu ouvi em toda minha vida. Expand
  69. Dec 20, 2016
    8
    Lana with the grave sounds of her throat releases the monster sound: Ultraviolence. That's the major piece of Del Rey's career that brings up the spirit of a hard contralto, making it sound like a mermaid in the dephts of the sea. The singer and songwriter of caught the public with "sweet scissor-hands", making Ultraviolence the an album that is soft and aggressive at the same time". TheLana with the grave sounds of her throat releases the monster sound: Ultraviolence. That's the major piece of Del Rey's career that brings up the spirit of a hard contralto, making it sound like a mermaid in the dephts of the sea. The singer and songwriter of caught the public with "sweet scissor-hands", making Ultraviolence the an album that is soft and aggressive at the same time". The ballads and the poetry of music are so heavy that can make a fan want to see the world in black and white or in a vision of a Lo-Fi, meaning that the visual content of Ultraviolence is really connected to it's content, that sounds like a early 80's record. Just phenomenal! Expand
  70. Feb 28, 2017
    10
    Grant presenta su tercer álbum de estudio (cuarto si contamos su EP, Paradise), Ultraviolence, un álbum que fácilmente puede colarse entre los mejores trabajos de la historia. Del Rey presenta un álbum cohesivo, oscuro y triste. Cada canción parece un poema, y la voz de Lana les da el toque perfecto con su oscuro tono. La producción y las letras son sencillamente magistrales yGrant presenta su tercer álbum de estudio (cuarto si contamos su EP, Paradise), Ultraviolence, un álbum que fácilmente puede colarse entre los mejores trabajos de la historia. Del Rey presenta un álbum cohesivo, oscuro y triste. Cada canción parece un poema, y la voz de Lana les da el toque perfecto con su oscuro tono. La producción y las letras son sencillamente magistrales y psicodélicas. Mención especial al cover The Other Woman. Un merecido aplauso a Lana por tan excelente producción. Expand
  71. Jul 25, 2017
    10
    Just SO PERFECT. ultra violence changed my life literally. Timeless piece. greatest record, deserved grammies. I don't see why people show hate to this album, it deserves more acclaim!
  72. Jun 22, 2017
    10
    This work of art defines what is melancholy and happiness, taking us to a place where happiness is unattainable
    Ultraviolence and makes me remember the great happiness that all we have ever had in life shows us that every day should be happy
  73. Jun 28, 2017
    10
    This review contains spoilers, click expand to view. Nostalgia en su máxima expresión.
    En este alburm Del rey le canta al pasado y vive a través de su música, la nostalgia que uno siente al recordarlo, ella canta a la tristeza de la luna de miel que ya termino y nunca volverá pero que también le dejó una gran felicidad que durará para siempre.
    Expand
  74. Apr 8, 2018
    8
    No tocar, es arte. Su mejor album junto a Honeymoon, realmente de lo mejor.
  75. Aug 30, 2019
    10
    God bless Lana after this album, NFR's mother&father. love-it, love-it, looooove-it
  76. Jul 21, 2017
    10
    Such an amazing album it is. I love how she creates such artistic songs in the album. This album is definitely 10-worthy. I love it so much. Totally would recommend it.
  77. Sep 2, 2019
    10
    esse album é um dos albuns mais perfeitos da Lana, com influencias rock o que torna ele mais sombrio e interessante, pura arte.
  78. Jul 21, 2017
    10
    Bu albüm gelsin ağzıma sıçsın yani daha nasıl bu kadar mükemmel albüm yapılır bilemiyorum mükemmel ötesi ztn Yüce Ultraviolence diyorum hep. BROOKLYN BABY ve OLD MONEY ilahi olabilir mi ? THIS IS NOT ALBUM OF THE YEAR
    THIS IS ALBUM OF THE LIFE
  79. Jul 21, 2017
    10
    Such a heartbroken record. But surely inbetween of one of her most dark and best. It's such a lyrical masterpice and the songs themselves too. It's a ride, that no one should miss.
  80. Jul 21, 2017
    10
    melancolic and perfect
    i love her so much, brig me dark vibes, iconic and legendary, the queen of alternative, lana del rey you go girl luv u xoxo ((:
  81. Jul 24, 2017
    8
    Ultraviolence is a very interesting evolution. The roots inspirations are mixed with pop music and rock music. It's greatly produced, really grainy and sometimes almost lo-fi, a real sensual pleasure. The only point I don't like is that some songs don't fit the rest of the album, like Old Money for example, it's a very charming song, but its production is way cleaner than the rest of the record.
  82. Jul 24, 2017
    10
    Everything that was negative in 'Born To Die', Lana Del Rey turned into brilliant in the new work. Sinking in a desert rock tone with melancholic vocals, 'Ultraviolence' is the best material of 2014, possibly the best of the decade.
  83. Sep 28, 2019
    10
    Esta é uma obra prima, com qualidade dramática e de enredo, explorando os nuances da toxicidade de um relacionamento abusivo e da solidão. Algo atemporal
  84. Jul 25, 2017
    8
    Tiene muchas cosas buenas, pero equipara muchas malas. Mientras hay tracks hermosos como 'Old Money' y 'Ultraviolence' y el incluido en el deluxe 'Florida Kilos' y es un álbum cohesivo, suave y estético, muchas canciones son demasiado similares o con el mismo gusto dramático de Lana.
  85. Jul 25, 2017
    10
    Best album I have ever listened to. It defines my life. There is something for everyone and it will not disappoint at all. Lana is queen for dark yet airy lyrics and amazing instruments.
  86. Aug 30, 2019
    10
    Very magical record!!! Of course, it’s very important part of Lana’s discography and her life !!! Very sad, poetry and mysterious album
  87. Aug 6, 2017
    10
    Instrumentals of this albums are soo good that they can be released as an album. also acapellas are soo good. this album is the best album which was released so far. i hope she will put out another record like this.
  88. Dec 6, 2017
    8
    Esta claro la racha de Lana del Rey, una señorita mimada por sus padres, rebelde, sin temor de vivir la vida al máximo, sin embargo esa máxima energía se concentra solo en hablas de drogas, sexo y ser la sugar baby de un viejo millonario.
    Cruel world: 8/10
    Ultraviolence 4/10 Shades of cool: 10/10 Brooklyn baby: 10/10 West coast: 8/10 Sad girl: 8/10 Pretty whe you cry: 8/10 Money
    Esta claro la racha de Lana del Rey, una señorita mimada por sus padres, rebelde, sin temor de vivir la vida al máximo, sin embargo esa máxima energía se concentra solo en hablas de drogas, sexo y ser la sugar baby de un viejo millonario.
    Cruel world: 8/10
    Ultraviolence 4/10
    Shades of cool: 10/10
    Brooklyn baby: 10/10
    West coast: 8/10
    Sad girl: 8/10
    Pretty whe you cry: 8/10
    Money powey and glory: 8/10
    **** my way up to the top: 10/10
    Old money: 10/10
    The other woman: 10/10
    Black beauty: 10/10
    Guns and roses: 10/10
    Florida Kilos: 10/10
    Expand
  89. Jan 4, 2018
    10
    ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ıı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it ı love it Expand
  90. Sep 3, 2019
    10
    All the tracks on the album are really good. I have no words for the vocals. Her voice sounds like magic. Totally amazing
  91. Aug 31, 2019
    10
    It is a masterpiece of decade. This album described a dark world that would exist inside every person's heart. Once you are hit by the magic, you will be addicted to this.
  92. Nov 15, 2017
    10
    ultraviolence, como eu posso começar a descrever o ultraviolence? esse album deveria ser sinônimo de um album perfeito, pra quando alguem lançar um álbum topperson a pessoa falar ¨meu deus esse album é tão ultraviolence¨. essa obra de arte simplesmente inventou a guitarra, tem faixas perfeitas LANA O MUNDO TE ACLAMA. 1111111 money power glory musica do milenio quem concorda respira.
  93. Mar 20, 2018
    10
    The guitars on Ultraviolence fit so well. Cruel World is an amazing opening track. Lana's voice is real and emotional. Though the best track without a doubt would be Shades of Cool - one of the best tracks I have probably heard in my life. The instrumental, the vocals, omg.
  94. Dec 21, 2017
    10
    best album of all time, mom delivered, theres not a song i don't like, loved it!!1
  95. Sep 24, 2019
    10
    This is still Lana's magnum opus to me, 3 albums later. Not only is recording live rare nowadays, but Lana has just this vibe and persona in this album that makes you feel like you're actually the fictional woman whose eyes we see through.
  96. Jan 12, 2018
    10
    This album is incredible and timeless. Unlike everything that Lana Del Rey has done, she explores her vocals very well throughout the album, and her instrumental pieces are very well produced, highlighting sounds of guitars and drums. This is THE TRUE MILLENNIUM ALBUM!
  97. Jan 25, 2018
    10
    lana has done this album with great care so the album is really amazing with very quiet songs that if you are stressed and listen to it will help you to relax the sounds and rhythms are typical of it to my appear are good
  98. Mar 8, 2018
    10
    Her best album in my opinion. Really shows off her talent with her amazing vocals after hearing born to die I didn’t think any Lana project could beat it till I heard this masterpiece. Even after hearing honeymoon and lust for life, nothing can live up to this masterpiece of an album ultraviolence. Thank you Lana
  99. Mar 17, 2018
    10
    this record had completely a different vibe but overwall i loved it with all my heart!bravooo!
  100. Apr 22, 2018
    10
    My favorite album by Lana Del Rey. It is a long shot from its predecessor, Born to Die. Ultraviolence is so much different than Born to Die's production and theme as this album is much more graphic, melodramatic, and haunting. Alongside Del Rey's vocal acrobatics and prowess, the vibe of this album is incomparable and unfathomable by words. Moreover, her lyricism in this album is myMy favorite album by Lana Del Rey. It is a long shot from its predecessor, Born to Die. Ultraviolence is so much different than Born to Die's production and theme as this album is much more graphic, melodramatic, and haunting. Alongside Del Rey's vocal acrobatics and prowess, the vibe of this album is incomparable and unfathomable by words. Moreover, her lyricism in this album is my favorite as she successfully painted a picture of hedonistic acts and taboos of violence, sex and drugs while being a masterpiece. This is her Magnum Opus. Expand
Metascore
74

Generally favorable reviews - based on 35 Critic Reviews

Critic score distribution:
  1. Positive: 25 out of 35
  2. Negative: 1 out of 35
  1. A shake up in the lyric department would be nice to see next time around, but on this outing Lana Del Rey is able to sell it with striking vocal performances and breathtaking compositions.
  2. Mojo
    Aug 20, 2014
    60
    While her David Lynch qualities remain, there's also something of the masochistic Lars Von Trier heroine in the resigned drowse of these songs. [Sep 2014, p.92]
  3. Aug 4, 2014
    70
    Underwhelming ending aside, it’s fair to say that Del Rey (and her collaborators) have more than risen to the challenge of keeping her a part of the pop culture conversation, for all the right reasons.