Coheed have always been a band adept at finding that middle ground between radio-friendly catchiness and prog-rock legitimacy. Their landmark album "IV" (I know that's not the full title) has singalong classics and prog epics galore, appealing to all sorts which speaks to why it was their breakout effort.
Vaxis II however, seems to have sacrificed all of that. It's not pop-rock catchyCoheed have always been a band adept at finding that middle ground between radio-friendly catchiness and prog-rock legitimacy. Their landmark album "IV" (I know that's not the full title) has singalong classics and prog epics galore, appealing to all sorts which speaks to why it was their breakout effort.
Vaxis II however, seems to have sacrificed all of that. It's not pop-rock catchy nor is it prog-rock complicated, it's just dull and uninspired from top to bottom. The first 10 songs on this 13-song album run no longer than 4 minutes and they all sound very similar and have a very similar tempo. Production on the album is bland and flat, drowning out instruments, burying the vocals and removing any rise and fall from the songs. Vocals are crowded and rushed, with frontman Claudio developing a severe case of verbal diarrhoea, resulting in vocal lines being long, run on sentences. Almost as though there is too much story to tell and not enough time to tell it.
However, the runtime of this album is a relatively svelte 53 minutes. Compared to Vaxis I's runtime of 79 minutes, you have to wonder why they went with this approach. Perhaps, as with most underwhelming things, we can blame it on the Pandemic and lockdowns, but plenty of other bands produced great albums between 2020 and 2022, so I doubt it's that.
Story-wise, the album is much like it's production - bland and one-note. It's about a boy named Vaxis, the child of our protagonists from Unheavenly Creatures. He's born, but he's in a coma. Then there are 11 songs of his parents asking him to wake up and one where a "Bad Man" comes along and tells us he's a bad man and it's bad.
I love Coheed and Cambria, I've loved them for 15 years. They are the soundtrack to some of the best days of my life and I was very excited for this album. I wanted to love it, I have listened to it several times trying to fall in love with it, but there is nothing there to fall in love with. It's 53 minutes of half-baked ideas performed by a band who seem to have forgotten what their instruments can do.
It sounds like Claudio locked himself in a room for a month, listening only to The Weeknd, Imagine Dragons and early 2000's pop-punk. Then he convinced himself everyone wants to hear more songs about his son and made the entire album alone while half asleep.… Expand