- Record Label: Interscope
- Release Date: Mar 29, 2019
User Score
Generally favorable reviews- based on 1208 Ratings
User score distribution:
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Positive: 955 out of 1208
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Mixed: 74 out of 1208
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Negative: 179 out of 1208
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Mar 31, 2019
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May 9, 2019This is a super generic 'im edgy' pop album. The same repetitive effects are used on every song and she relies on her 'deep' lyrics to soothe the population. One or two songs are catchy, but they're not worth buying the entire album for. I really liked dont smile at me because it displayed her vocals nicely.
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May 13, 2019Never liked the mental health/ substance abuse theme probably because there are no actual roots for it. Also the constant distortion effect and mumbling vocal style are so annoying that the last guitar songs even felt a bit fresh to me.
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Apr 26, 2019
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May 22, 2019
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May 27, 2019the hazy sad creepy vibe holds for the first couple of tracks after which it becomes repetitive. It's alright but just not gripping enough to listen to in one go.
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Oct 5, 2019Its catchy in some ways but boring in some other ways.Also,its lacks originality. Its seems stolen from other artists and put together into one record.
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Apr 2, 2019I don’t know where we all go when we go to sleep but I do know that I almost fell asleep listening to this.
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Jan 16, 2020Not sure what everyone sees in this. After 3 listens this is mediocre at best. It would seem we really are in the age where we celebrate mediocre as the second coming of Christ. She better show more range than the sad sack persona she seems to have cultivated here or she will be a footnote in the history of pop.
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Apr 1, 2019Solid album, nice production but the vocal is not interesting for the most part
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Nov 15, 2020She has potential, but I know she will have a better album and I look forward to it
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Nov 29, 2020Low-rent Lorde demos by someone whose hair matters more than her lazy voice. The audio equivalent of a man-bun. Billie's licensed "Bad Guy" to so many UK commercials - maybe she's cashing in because she knows her success will be short? Enough body-shaming of her, people - focus instead on her brother being in her bedroom so much. Ewww.
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Apr 14, 2019
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Sep 3, 2020I’m not a big fan of Billie, but this album is actually great, with some heartfelt lyrics and nice instrumentals and harmonies but, in my opinion, a lot of Billie’s songs just sound the same, very sleepy and slow.
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Apr 16, 2019I'm gonna be real with you. I vibe with bad guy and bury a friend. But everything else is pretty boring and not as "experiemental" or "groundbreaking" as everyone says it is.
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Aug 17, 2019I don't have the same love for this everyone else seems to have but the last 3 to 4 tracks really hit home for me. Love or hate her music you can't deny Billie's voice is Incredible. Excited to see where she goes from here.
Best Tracks:i love you,ilomilo,listen before i go,when the party’s over
Worst Tracks:my strange addiction,8 -
Aug 23, 2019Альбом абсолютно проходной, есть пару неплохих песен на которых держится весь релиз, однако альбом для "не такие как все". Загробное звучание, некоторые песни имеют неплохой текст. Но в общем - плохо.
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Nov 3, 2019Just a couple of years ago, I was blown away by Billie’s album ‘don’t smile at me’. However, this album seems a bit rushed and many of the songs sound very similar. Bad guy, although becoming a top hit in several countries, came across to me as very boring. A few songs were good, though. A shame since her firstborn album was so good.
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Jan 14, 2020
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Jan 17, 2020If i want eliminate one song from album, it was "Bad Guy", but album have that. It's good album, but without "Bad Guy", it would have been better.
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Aug 28, 2020Ok, esta bien. Pero no supera a sus patronas infravaloradas amén, y asi pues solo no es malo ni bueno amena
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Feb 15, 2021i believe it's a good album,but it's ridiculously overrated in my opinion. just because it's made by a young artist doesn't mean giving much more merit
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Nov 19, 2021I don't know why this album won album of the year over thank you, next.
For the most part, When We All Fall Asleep is stiflingly dull and bloated.
Awards & Rankings
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Dec 3, 2019When We All Fall Asleep Where Do We Go? is a startlingly good introduction to Billie Eilish, an album full of attitude but with the talent to back it up. Where she goes from here will be fascinating to see.
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Oct 4, 2019The 17-year-old sensation takes pop iconography and musical status quo and lacerates it, opting out of femme fatale for tomboy cargos and goth macabre, and sleek soundscapes for creepy eccentrics.
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Q MagazineApr 9, 2019This surprising, haunting album will speak powerfully both to her peers and to anyone who remembers how youth can sometimes feel like an overwhelming weight. [Jun 2019, p.110]