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If anything, the album almost feels like a spiritual sequel to their full-length debut, "Methodrone," with its similarly lengthy tracks and more studio-focused approach rather than live rock & roll bash and crash, but where that album drowned a bit in the end, Who Killed Sgt. Pepper? finds its creators at a remarkable new high.
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Half remembered, half acknowledged, half understood, it is, in short, very subtly brilliant.
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Flitting between ambient sequences and army-of-guitars maelstroms, this 71-minute magnum opus was recorded in Berlin and Iceland, but loaded with rampant Anglophilia, evident in a Joy Division homage and John Lennon interview clips.
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FilterFrom the album's opening electro-tribal groove to Tunger Hnifer's distorted bass and scratching vocals, the instrumentation throughout Who Killed Sgt. Pepeer? is both massive and of the varied type. [Winter 2010, p.98]
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As always the songs veer wildly from ambient interludes, funky Beta Band-esque workouts to fierce garage rockers. Looking at the material here though, they remain a band to be reckoned with. Their lo-fi, experimental psych rock is as potent as ever with Newcombe a character to be cherished.
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There will be those who'll look at the sleeve, read the controversial title and dismiss the record on the assumption that Anton Newcombe has lost his marbles again. However, venture beyond Who Killed Sgt Pepper's disparaging parameters and there's several exquisite gems to be discovered here.
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Pepper finds the band attacking a multitude of oddball genres--the disc spins from post-rock to electronica to rock to sheer noise--with a frightening focus for such sonic stream-of-consciousness exploits.
User score distribution:
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Positive: 7 out of 9
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Mixed: 1 out of 9
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Negative: 1 out of 9
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Feb 6, 2012
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Dec 17, 2013