• Record Label: RCA
  • Release Date: Jan 1, 2016
User Score
5.6

Mixed or average reviews- based on 57 Ratings

User score distribution:
  1. Positive: 29 out of 57
  2. Negative: 20 out of 57
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  1. Apr 6, 2016
    0
    another trash marketing album, this songs are boring and repetitives it seems like a one hour song
    i'm sorry rachel but this album it's pure garbage...
  2. Jan 28, 2016
    2
    The album pretty much sucks. She just got lucky with Fight Song thats it. No offence she's one of those artist who only have ONE good year in their career like Carly Rae, Robin Thicke, Mackelmore and Iggy Azalea
    Sorry Stand by You is also disappointing!
    Better luck next time Rachel!
  3. Jan 14, 2016
    0
    I don't really know on why the GP likes this girl so much. Her songs are beyond basic and dated. This album as a whole was just really dreadful. Girl, empowerment songs are so 2010. Move on!
  4. Jan 18, 2016
    3
    Wow, this album is so bland and forgettable, no wonder this was released in January. Rachel's singing does have some personality, but she just can't carry the weight of the subject matter. She isn't a great songwriter either, it can be passable at some points, but it mostly just sounds like bad high school poetry. The production and instrumentation isn't interesting at all, its the sameWow, this album is so bland and forgettable, no wonder this was released in January. Rachel's singing does have some personality, but she just can't carry the weight of the subject matter. She isn't a great songwriter either, it can be passable at some points, but it mostly just sounds like bad high school poetry. The production and instrumentation isn't interesting at all, its the same percussion heavy pop production that's popular. I doubt that I will remember that this album even exists in about a month. Expand
  5. Feb 3, 2016
    3
    This album is basically the result of a car crash between Carrie Underwood and Taylor Swift. Rachel took the worst from both and mixed it into a collection of impersonal, bland, forgettable songs that are supposed to be the work of several years, but that don't even manage to sound better than a rushed album recorded in three months. I don't exactly understand what Rachel is trying toThis album is basically the result of a car crash between Carrie Underwood and Taylor Swift. Rachel took the worst from both and mixed it into a collection of impersonal, bland, forgettable songs that are supposed to be the work of several years, but that don't even manage to sound better than a rushed album recorded in three months. I don't exactly understand what Rachel is trying to convey to the listener with these songs, but it certainly left me with nothing. It was a rather boring experience, you know. The lyrics are also pretty bad on most songs, with an abuse of clichés (something Katy Perry and Taylor Swift do too, but they use the clichés in a smart way). But now let's move on to the positive things about the album. The cover. Expand
Metascore
52

Mixed or average reviews - based on 4 Critic Reviews

Critic score distribution:
  1. Positive: 0 out of 4
  2. Negative: 0 out of 4
  1. Jan 11, 2016
    50
    The wounded “Better Place” and soothing “Superman” stand out, showing how Platten’s songwriting skills can be used to tease out emotional subtleties. But too often here she’s battling stuffed-to-the-gills arrangements.
  2. Jan 11, 2016
    60
    Wildfire is the work of a determined singer/songwriter who prizes craft over poetry or introspection. Platten specializes in skyscraping melodies and big, bombastic surfaces and these are the elements that not only fuel Wildfire, they distinguish it from the singer/songwriter's clear antecedents.
  3. Jan 11, 2016
    40
    Efficient in conjuring intense emotion, the album has the hallmarks of a temporary success, but Platten’s identity gets lost. This chameleon-like character is a mutant of pop artistry--a country twang occasionally slips into her intonation, and the ghosts of Carly Rae Jepsen, Shakira and Katy Perry haunt the lofty choruses.