It's always fascinating to hear Barnes take Forest Swords' distinctive musical vocabulary in different directions, especially when the results are as eloquent as Bolted.

The EP's wistful quality combined with its brevity can make The Rest seem almost unassuming, but it's not slight: it's a welcome coda to the relative exuberance of The Record.

While it plays a less-sure hand than classic predecessors like YHLQMDLG, it nonetheless proves a welcome gift for the star's dedicated fanbase.

At its heart, it's nothing more than the Rolling Stones knocking out some good Rolling Stones songs, which seems like a minor miracle after such a long wait.

It may not be the second -- or third to be more precise -- coming of Lush, but it's good to have Anderson back and making music as pretty, sweetly sad, and ultimately comforting as Pearlies.

Overall, it feels less like a comeback and more like the latest chapter in the ongoing saga Skinner has been spinning since 2002.

While this is far less downcast, the joy, wonderment, and fond reminiscences in the songs are complicated by worry, uncertainty, and longing.

One More Time... plays like a love letter, both to fans who stuck with them and to each other -- a letter that doesn't so much ask for forgiveness as offer it willingly, passionately, and without conditions.

More accessible than past Slauson Malone releases, Excelsior is still a strange, mysterious creation that warrants extensive, engrossed listening.

Chock-full of brusque rhymes that, even with occasional respite with the odd slow jam, become mind-numbing over the course of its hour-long duration, Scarlet is a fascinating follow-up to Planet Her.

Though Crazymad, For Me lacks a bit of the wit of If My Wife New I'd Be Dead, anyone who has had their heart stepped on in the past 20 years will embrace it as their own.

The deep involvement of McClenney, assistance from additional producers such as Wynne Bennett and Alissia Benveniste, and the familiar presence of Peter CottonTale all nudge and stretch Woods' sound into new realms of left-field pop, folk, and funk without squeezing out a drop of soul.

Goat prove once again on Medicine that they deserve to be in the top echelon where the groups, past or present, who play this style of music with an incalculable amount of imagination and an unquenchable desire to scale new heights of sound are nobly enshrined.

Tomorrow's Fire may be the most melancholic of Squirrel Flower's albums, but its sense of drama is captivating.

His growth is evident on every one of Jonny's touching, impressive moments and near-perfect blend of all the sides of the Drums' music -- and that makes his artistic triumph all the sweeter.

It's ambient music at its absolute best, providing a space that the listener can be enveloped in completely just as easily as they can drift away from it without noticing.

Every bit as creative and trippy as L'Rain's first two albums, I Killed Your Dog has some of the artist's most relatable lyrics, and cuts closer to the bone.

Perspective displays how her music has evolved from its roots in club culture to the realm of contemporary composition, retaining such a distinctive sound that the boundaries crumble.

Not many groups sound more mysterious four albums into their career than when they began, but these shifting, shadowy visions suggest Vanishing Twin have more tricks up their collective sleeve.

It might not be the worst Drake album, but it's in the conversation for sure.

Working with around a dozen producers and co-writers, among them Life Support's Leroy Clampitt and One Love, its more intimate character was at least partly inspired by Lana Del Rey.

We Buy Diabetic Test Strips feels like a step forward from a duo whose discography has been consistently innovative from the start.

Compared to the debut, the songs are a little tighter in structure, communicate more, and bounce from style to style -- whereas Lost & Found presented an evolved, commercially minded brand of street soul -- with introspective R&B always somewhere in the mix.

Javelin is an album about the need to be loved, agape and philia, and Stevens shows that he can write about both without trivializing or minimizing the importance of either.

Layover is a gorgeous dose of adult-oriented pop that might be unexpected for those expecting the big BTS sound, but that's a big part of the allure.

Hostile Environment is a triumphant comeback effort, and it continues On-U Sound's run of late-career highlights from veterans like African Head Charge and Horace Andy.

Smith helps give Blues Deluxe, Vol. 2 a loose, lived-in feeling that contrasts with the eager fire of the 2003 record. It's a change that suits Bonamassa.

The Dark Side of the Moon Redux doesn't offer uninterrupted talk but the stress is placed firmly on the words, to the point that "The Great Gig in the Sky" now doesn't float weightlessly: it's now about a letter Waters wrote to the assistant to Donald Hall when the poet was in his last days. It's a subtle change but it's a substantial one, turning Dark Side of the Moon into a voyage inward, not outward.