DIY Magazine's Scores

  • Music
For 3,091 reviews, this publication has graded:
  • 54% higher than the average critic
  • 4% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.1 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Not to Disappear
Lowest review score: 20 Let It Reign
Score distribution:
3091 music reviews
    • 68 Metascore
    • 80 Critic Score
    Four is better [than debut album, Silent Alarm]. Or at the very least as good.
    • 70 Metascore
    • 80 Critic Score
    There's enough variances in the sound, with the tracklisting set up in such as way that you notice the changes in style, to make sure you pay attention to every minute.
    • 78 Metascore
    • 90 Critic Score
    Warm and opening yet still dazzlingly inventive.
    • 82 Metascore
    • 80 Critic Score
    As with all Dan Deacon albums, 'America' is a challenging listen and at times the sheer amount of things going on becomes a bit much, however it is also a supremely powerful album from a musician at the very top of his game.
    • 71 Metascore
    • 80 Critic Score
    [Tracer] is more expansive and impressive than their previous output.
    • 85 Metascore
    • 80 Critic Score
    For the most part this is a flawless, breathless lap around both pop and "underground" music. 'Devotion' is the sound of modern pop, modern love - and heartbreak.
    • 71 Metascore
    • 80 Critic Score
    Between sombre tones and esctasy highs, and with tracks like 'Folk Hero Shtick' and 'Reagan's Skeleton', this will leave you with a grin on your face and a confidence music will keep going.
    • 75 Metascore
    • 70 Critic Score
    'I Was A Cat From A Book' is a good album with top-class musicianship and production, that deserves your ear at least once even if folk is not your thing.
    • 66 Metascore
    • 70 Critic Score
    Just Tell Me That You Want Me does suffer from the lack of coherency caused by the inclusion of so many different artists and styles but fortunately, when the subject and the songs are so good, this matters little.
    • 72 Metascore
    • 70 Critic Score
    [The album is] a reminder of musically, just what a great band the Flips themselves actually are.
    • 65 Metascore
    • 70 Critic Score
    This album is dizzyingly uplifting, as camp as a weekend at Butlins and effortlessly iridescent.
    • 76 Metascore
    • 90 Critic Score
    'Shrines' is a joy from start to finish, with a sticking power that so many others seem to lack.... It would be no surprise to see Purity Ring top the end of year round-ups.
    • 71 Metascore
    • 90 Critic Score
    The lyrics are a little more personal, the band a little more developed - it seems that this is the start of a new and exciting chapter for The Gaslight Anthem.
    • 76 Metascore
    • 70 Critic Score
    While this second album seems genuine, and at times very good, it just doesn't excite and satisfy in quite the same way as the spontaneous creativity of the debut. 'Gossamer' is one giant juxtaposition that can't quite sit comfortably.
    • 75 Metascore
    • 80 Critic Score
    'MTMTMK' may not quite carry the same dazzling shock of hearing something truly different in the way their debut did but it is certainly an album that carries on the spirit of the debut while progressing their sound at the same time.
    • 80 Metascore
    • 80 Critic Score
    It's the sound of Dirty Projectors just being themselves and fully justifying the royalty status Longstreth and Co. now enjoy.
    • 76 Metascore
    • 80 Critic Score
    It's one of the best rock albums of the year and shows there's no age limit on kicking up dust and splitting ear drums.
    • 76 Metascore
    • 80 Critic Score
    There are strokes of brilliance on Twin Shadow's second full length, 'Confess', as Lewis Jr. blends 80s influences with dashes of funk and pop to create a largely cohesive record that is steeped in lustful atmosphere.
    • 73 Metascore
    • 70 Critic Score
    A collection that is perfectly pitched between old and new with nothing too challenging. It hangs together very well for both a casual listen or as a soundtrack to a night out.
    • 51 Metascore
    • 80 Critic Score
    Reptar have pieced emotions together, both euphoric and heartbreaking, to create a debut that, although perhaps too varied in places, is a great starting point for the quartet.
    • 74 Metascore
    • 80 Critic Score
    It's a patchy but rich tapestry of sounds whose strange shape bewitches you.
    • 71 Metascore
    • 70 Critic Score
    >> is not a pleasurable listen and it is not an easy listen, but it is an incredible one.
    • 73 Metascore
    • 80 Critic Score
    'The Tarnished Gold' is a tighter, more familiar album from a band that have always done their own thing, and it's a very well-worked compromise – this is fantastic stuff.
    • 80 Metascore
    • 80 Critic Score
    'Mutual Friends' is an album that just gets better and better with every listen.
    • 76 Metascore
    • 80 Critic Score
    The perfect soundtrack to the festival season and those long days when you sit in the shade with a cool drink.
    • 64 Metascore
    • 80 Critic Score
    A lot of the songs are solid hits in the making.
    • 81 Metascore
    • 80 Critic Score
    An album that immerses you into its world, a headphones record that is at once both their most accessible and their most challenging, revealing new layers after every listen. Unpredictable, in the very best way.
    • 74 Metascore
    • 90 Critic Score
    In a contemporary pop age of increasingly tired homogeneity, AlunaGeorge are a very welcome breath of fresh air.
    • 81 Metascore
    • 90 Critic Score
    It's entirely possible that by proving they can make anything their own, they've become one of Britain's best bands.
    • 79 Metascore
    • 80 Critic Score
    [In Our Heads] is another joyous triumph.