Glide Magazine's Scores
- Music
For 863 reviews, this publication has graded:
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67% higher than the average critic
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7% same as the average critic
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26% lower than the average critic
On average, this publication grades 6 points higher than other critics.
(0-100 point scale)
Average Music review score: 79
Highest review score: | We Will Always Love You | |
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Lowest review score: | Weezer (Teal Album) |
Score distribution:
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Positive: 825 out of 863
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Mixed: 38 out of 863
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Negative: 0 out of 863
863
music
reviews
- By Date
- By Critic Score
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- Critic Score
A fun, invigorating ride through the carefree minds of DOMi Louna and JD Beck.- Glide Magazine
- Posted Aug 4, 2022
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One of the more melodic tracks here “Days Like These” chooses not to bog the listener down in platitudes but instead affirm the feelings and exasperation of the audience. Low have toed that line particularly well, while still expanding the breadth of their sound to contribute another truly great album, one that ranks among their very best.- Glide Magazine
- Posted Sep 10, 2021
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What it might lack in energy, Anaïs Mitchell generally makes up for in the beauty of the songwriting and performances. Mitchell’s voice never fails to deliver, wandering fairy-like through each melody while inhabiting the all-too-human yearning in her lyrics. There’s not a note or an instrument on this record that feels out of place, each little horn line or guitar twinkle is intentional and it all comes together into something with all the warmth and coziness of a winter night sitting by the fire watching the snow fall outside.- Glide Magazine
- Posted Jan 28, 2022
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Deafheaven have always been a challenging band and this album seems to work as a direct challenge to fans who might be intent to just pigeonhole them into a singular style. Fans willing to do the work, however, will find a lot of reward in Infinite Granite, even if the initial shock is off putting. ... Infinite Granite feels like the exact album Deafheaven wanted to make, and their commitment shines through in every track.- Glide Magazine
- Posted Aug 20, 2021
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Waldon has a sharp combination of songwriting craft and requisite twang delivery. ... Waldon is genuine and we need more artists like her that not only rail against current culture but do it unpretentiously from a perspective that’s as real as it gets.- Glide Magazine
- Posted Oct 4, 2019
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11:11 is an album that’s sure to please longtime fans of the band, but it also serves as a prime document of the cultural atmosphere in the United States in 2022.- Glide Magazine
- Posted Jan 27, 2022
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For those of you who haven’t been acquainted with Sergio Mendes since the glory days of AM Radio, and for others that are in the know, this may prove both surprising, and yes, joyful.- Glide Magazine
- Posted Feb 21, 2020
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Auerbach captured an energy and fire in Holmes that’s never been heard on record, and remarkably, was able to do so in a studio setting.- Glide Magazine
- Posted Dec 17, 2019
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The second half of Downhill From Everywhere reaffirms how Jackson Browne has mastered the art of uniting issues personal and political, then turning the dual meaning(s) universal (albeit not without some difficulty, circa 1986’s Lives in the Balance).- Glide Magazine
- Posted Jul 22, 2021
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In itself songs is a soft companion to Big Thief’s two albums from 2019 and an album that effortlessly captures the aimless desperation of quarantine. It’s not so much that this work pales in comparison to the work with her band, even considering their outsized reputation; it’s more that Lenker achieves something completely different on her solo albums. songs like abysskiss provides insight and context to the broad beauty of Big Thief, and when being herself, Lenker proves successful.- Glide Magazine
- Posted Oct 23, 2020
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Capricorn by Eddie 9V is proof that his aptitude for soul music is just as strong as his aptitude for the blues. He shows that he can sing the slow smooth songs just as well as he can shout with the best of them. Be ready to do some dancing when you hear this one. Also, be ready to feel better at the end than you did at the beginning of this mood-boosting album.- Glide Magazine
- Posted Aug 29, 2023
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Baroness has carved out its own niche within the metal landscape. On Stone, that landscape is thoroughly explored, from the depths of the dirtiest sludge to beautiful rootsy vistas to the expanse of the cosmos.- Glide Magazine
- Posted Sep 14, 2023
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Freewave Lucifer F>ck F^ck F<ck addresses the full spectrum of human emotion, it has a loose feeling without straying too far away from Barnes’ initial vision. While it may take a couple of listens to fully grasp what Of Montreal is portraying on this album, the result is a scary yet gorgeous album filled with off-kilter instrumentals and soul-stirring songwriting that will leave you feeling bewildered and enticed.- Glide Magazine
- Posted Aug 23, 2022
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Whether it’s McKenna’s most personal album yet is up for debate. After all, she has ten of them. What’s not debatable are her well-crafted songs and this being another gem that joins her last two.- Glide Magazine
- Posted Jul 28, 2020
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Whether or not you grew up with gospel music, you’ll find that this collection of songs is both warm and heartfelt. And if you did grow up with gospel music, this album gives you plenty of opportunities to sing along.- Glide Magazine
- Posted Jan 25, 2022
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A worthy follow-up to Strangers To Ourselves. Though more controlled than the band has been of late, The Golden Casket still has its share of outlandish moments. From its amalgamation of influences to its raucous rhythms to its bizarre lyrics, there is plenty of Modest Mouse to go around.- Glide Magazine
- Posted Jun 22, 2021
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McKagan is an interesting artist. He seems to have no trouble moving between musical genres and he’s equally good at writing in different styles. ... Tenderness isn’t just good for a hard rock guy or a member of Guns N’ Roses. It’s a good album, regardless of whomever, McKagan has played with.- Glide Magazine
- Posted May 31, 2019
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From the few singles they’ve released to the soon to be hits off of Cave World, they are no doubt trying to widen their audience. But you can’t help but think they just don’t care, in the best way. They’ve unsubscribed to a version of punk or rock that places any sort of limitations on itself. They just want to make weird shit and command crowds with it every night.- Glide Magazine
- Posted Jul 6, 2022
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Somebody’s Knocking could be a lost 1980s New Wave album. A really good one. ... What’s impressive about the album is that while the mode of delivery is electronic, there’s a live heartbeat beneath all of the songs that consistently reveals Lanegan’s humanity.- Glide Magazine
- Posted Oct 18, 2019
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Auerbach and Finley stick closely to the format of Sharecropper’s Son – a mix of raw blues, gospel, soul, and funk. This one does feel a tad more personal and musically more on the swampy side, weighted that way by “Alligator Bait,” as memorable a story as you’ll hear, where Finley’s anger seeps through convincingly.- Glide Magazine
- Posted Oct 25, 2023
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The power pop of Quasi is awash in distortion throughout the album, keeping hips shaking, heads bobbing and nerves rattling.- Glide Magazine
- Posted Feb 9, 2023
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These songs touch on solitude, fading love, trying to grow up and some bleak topics, but their sweet sound together makes listening to them a joy.- Glide Magazine
- Posted Jun 23, 2023
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These are richly bombastic horn arrangements, dancing grooves, and high powered performances from a band that loves taking it at full throttle.- Glide Magazine
- Posted May 2, 2019
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Working with producer Mitchell Froom, Wainwright has crafted 12 melodic artistic pop tunes that are some of the finest of his career.- Glide Magazine
- Posted Jul 8, 2020
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Michaela Anne has been on a steady rise since her 2014 debut Ease My Mind. Desert Dove will certainly steepen this trajectory. She is deservedly a major emerging voice in country and Americana circles.- Glide Magazine
- Posted Dec 20, 2019
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While Gabriels wear their influences on their sleeves, they are able to melt them down to form their own forward-thinking take that is as free and courageous as the genre has sounded in a long time.- Glide Magazine
- Posted Jul 10, 2023
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The perfect backyard, sunset watching summer folk album, Rolling Holy Golden faces west as Bonny Light Horseman enjoy those tender fleeting moments while they float through our collective consciousnesses, smiling the whole time.- Glide Magazine
- Posted Oct 6, 2022
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His major shift in styles may not be for all of King’s fans, but it is hard to find much fault in his new, raw, soul-drenched efforts, as King clearly has struck a rich vein when it comes to his songwriting and recording style on Mood Swings.- Glide Magazine
- Posted Apr 8, 2024
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Heaven Is A Junkyard marks the most powerful and personal album from Powers yet.- Glide Magazine
- Posted Jun 12, 2023
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With the help of Lopatin’s production and mixing, Sometimes, Forever takes a different approach, creating dense sonic landscapes packed with various analog and electronic sounds. It’s Allison’s biggest risk to date but one that comes with plenty of rewards.- Glide Magazine
- Posted Jun 24, 2022
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