Mixer's Scores

  • Music
For 110 reviews, this publication has graded:
  • 60% higher than the average critic
  • 4% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 90 Original Pirate Material
Lowest review score: 30 Slicker Than Your Average
Score distribution:
  1. Positive: 85 out of 110
  2. Negative: 1 out of 110
110 music reviews
    • 65 Metascore
    • 90 Critic Score
    His most refined sound to date. [Jul 2001, p.80]
    • Mixer
    • 70 Metascore
    • 60 Critic Score
    Quite an experiment in not only the limits of drum 'n' bass, but listenability as well. [Jul 2001, p.81]
    • Mixer
    • 68 Metascore
    • 80 Critic Score
    Maybe the stint scoring music for the acclaimed film The Virgin Suicides helped them segue their too-atmospheric-for-the-room lingerings into something more tangible. [May 2001, p.76]
    • Mixer
    • 76 Metascore
    • 70 Critic Score
    Everybody Got Their Something has something for almost everybody... [Jul 2001, p.86]
    • Mixer
    • 74 Metascore
    • 70 Critic Score
    In stark contrast to his previous experiments with computer sound artifacts and process-driven minimal click arias, Commers barrels out with harsh walls of thrashing interference and feedback in track after track. [Aug 2001, p.78]
    • Mixer
    • 73 Metascore
    • 70 Critic Score
    A pretty solid IDM-goes-funky effort. [May 2001, p.78]
    • Mixer
    • 68 Metascore
    • 80 Critic Score
    While not weighty or moody or even all that original at times, you can say one thing: Leroy's Beck-cum-brit-pop at least knows how to entertain better than most of what Carl Craig's put out lately. [Jul 2001, p.82]
    • Mixer
    • 74 Metascore
    • 80 Critic Score
    The duo's ingenuity and willingness to push the envelope shines as brave and completely commendable. [Apr 2001, p.90]
    • Mixer
    • 67 Metascore
    • 80 Critic Score
    The sonic equivalent of a stolen gun with its numbers sanded off: sexy, groovy, mysterious, scary. [Apr 2001, p.94]
    • Mixer
    • 73 Metascore
    • 70 Critic Score
    Unrestrained by the limits of producing a radio-friendly album, Mirwais produced an excellent album that can be appreciated by both fans and critics of Madonna. [Apr 2001, p.92]
    • Mixer