Mixer's Scores
- Music
For 110 reviews, this publication has graded:
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60% higher than the average critic
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4% same as the average critic
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36% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
Highest review score: | Original Pirate Material | |
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Lowest review score: | Slicker Than Your Average |
Score distribution:
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Positive: 85 out of 110
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Mixed: 24 out of 110
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Negative: 1 out of 110
110
music
reviews
- By Date
- By Critic Score
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- Critic Score
Erasure transforms each number into something tailor-made for a staged musical. [Jan 2003, p.74]- Mixer
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- Critic Score
Other than two noteworthy tracks, the first disc is essentially filler. [Jan 2003, p.73]- Mixer
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- Critic Score
[A] slick, street-smart album of sassy party tracks and sensitive slow jams. [Jan 2003, p.73]- Mixer
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- Mixer
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- Critic Score
Some compared Simian's debut to the Beta Band, but this is much more retro, raw and rockin'. [Jan 2003, p.76]- Mixer
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- Mixer
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- Critic Score
The disc comes across like the best B-sides compliation you've never heard. [Nov 2002, p.77]- Mixer
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- Critic Score
What Cruelty Without Beauty lacks in originality it more than makes up for with sheer wit. [Oct 2002, p.81]- Mixer
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- Mixer
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- Critic Score
If you liked previous Nightmares On Wax material, this one won't do it for you, as Evelyn's music has grown more vocal-based and less "stony."- Mixer
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- Mixer
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- Critic Score
The well-produced sheen of Gusgus' biggest club hits may be gone, but longtime fans should be open-minded enough to accept these mostly interesting, and danceable, explorations of techno's funky roots. [Sep 2002, p.80]- Mixer
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- Critic Score
Its simple structures create memorable and identifiable songs. [Sep 2002, p.76]- Mixer
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- Critic Score
As a document of solid, if not always spectacular, post-modern hip-hop that dips into soul and R&B, Trinity is worth the money. [Aug 2002, p.82]- Mixer
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- Critic Score
The cutesy factor may necessitate an insulin shot before repeated listening. [July 2002, p.80]- Mixer
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- Mixer
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- Critic Score
Enveloping, winding, shape-shifting jams that stick together like a deep headphone jam session more than they stick out as noodly jazz guys. [Apr 2002, p.78]- Mixer
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- Critic Score
Boasts the same predictable guitar riffs and unengaging listening experience as the outfit's other recent works. [May 2002, p.72]- Mixer
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- Critic Score
Some cuts get too enamored with their own groove to acutally go anywhere. [Apr 2002, p.77]- Mixer
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- Critic Score
This record is neat and all, but Buzzkunst doesn't add to the collective legacy of Shelley and Devoto. [June 2002, p.88]- Mixer
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- Critic Score
As perfectly all-over-the-place as Air's Moon Safari and as stick-to-your-ribs as any electro record this year. [May 2002, p.76]- Mixer
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- Critic Score
The tracks are often tuneful, but they're too downtempo for anything but the chill room. [May 2002, p.74]- Mixer
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- Critic Score
The result is confused, equal parts avant garde, rock and electronic. [Sep 2001, p.90]- Mixer
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- Critic Score
Quite an experiment in not only the limits of drum 'n' bass, but listenability as well. [Jul 2001, p.81]- Mixer