Pitchfork's Scores
- Music
For 12,015 reviews, this publication has graded:
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41% higher than the average critic
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6% same as the average critic
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53% lower than the average critic
On average, this publication grades 2.9 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | Sign O' the Times [Deluxe Edition] | |
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Lowest review score: | nyc ghosts & flowers |
Score distribution:
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Positive: 9,830 out of 12015
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Mixed: 1,878 out of 12015
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Negative: 307 out of 12015
12015
music
reviews
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If allowing Jagger to touch up those vocals was the price to pay to allow Exile receive the tribute it deserves, it's still a bargain.- Pitchfork
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In the end, Charles didn’t just fit in; he revolutionized the genre by sparking a rush of Nashville/pop crossover acts. This music remains a tribute to and rejoinder of the futile divisions we so often take for granted.- Pitchfork
- Posted Feb 25, 2019
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Years removed from its source, its impact is multiplied tenfold. In 1996, it was a path towards adult-contemporary pop radio; today, it’s an exquisitely faded Polaroid.- Pitchfork
- Posted Jun 22, 2017
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The influence of Pinkerton led to hundreds of mostly regrettable bands, but what ultimately distinguishes Weezer is how they sonically mirror the unhinged and private mental terror of its narrator.- Pitchfork
- Posted Dec 8, 2010
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A quarter-century after its first release, London Calling is still the concentrate essence of The Clash's unparalleled fervor.- Pitchfork
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For die-hards, the most alluring part of the package may be the second compact disc, which features 18 mostly instrumental demos recorded in Gaye's post-What's Going On honeymoon period, when his vast artistic ambitions and abilities were being embraced by the greater public. These somewhat experimental demos--deep, in-the-pocket funk in the vein of Sly Stone, George Clinton, and Jimi Hendrix--clearly laid the groundwork for much of his subsequent 70s material.- Pitchfork
- Posted Aug 2, 2011
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They were called the World's Greatest Rock'n'Roll Band for entirely too long, but if that designation ever applied it was here.- Pitchfork
- Posted Jun 19, 2015
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The rare record that has come to define its era while also existing outside of it, a masterpiece that immediately precedes the albums Prince fashioned, conspicuously, as masterpieces.- Pitchfork
- Posted Dec 2, 2019
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As good as the remaster sounds, the primary attraction of this edition is its second disc, 11 tracks from Prince’s vault of unreleased songs, all cut between 1983 to 1984. ... The vault tracks sound like fully-formed Prince songs—animated, vibrant, reflexive, fluid, almost vehicular in their design and velocity.- Pitchfork
- Posted Jul 14, 2017
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What remains so great about Tim, and is emphasized over and over again on this new remix, is how Westerberg delivers each song as if it’s the last thing he’s ever going to do.- Pitchfork
- Posted Sep 29, 2023
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It's a colossus of an album, the product of a band that was thinking huge, pushing itself to its limits, and devoted to breaking open its own understanding of what rock music could be.- Pitchfork
- Posted Dec 9, 2011
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Morrissey’s words and delivery were never more deftly idiosyncratic or grandly moving; Johnny Marr’s guitar overflows with sparkling melody while his arrangements sustain a balance between spareness and intricacy. Rhythm section Andy Rourke and Mike Joyce supply foundation and frolic, proving once again how indispensable they were to the group’s magic. ... The demos contain differences that will interest the diehards.- Pitchfork
- Posted Oct 23, 2017
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It’s an overwhelming amount of material. ... The Dream Factory songs unearthed from the vault are staggering.- Pitchfork
- Posted Oct 2, 2020
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At its heart, jazz thrives on bold, sensitive interaction in the moment, and Live in Europe 1967 represents the pinnacle of that practice.- Pitchfork
- Posted Oct 18, 2011
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[The “Underdubbed” version is] not a finished product but a working mix, one that nevertheless captures how Wings interacted as a band. .... Paul McCartney is surely the driving spirit behind Band on the Run—it distills his gifts as well as any album could—but the peculiarly warm, loving camaraderie of Wings is the reason it’s endured over the decades.- Pitchfork
- Posted Feb 8, 2024
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Ranging from the tightly wound “Brown Earth” to the sprawling “Christmas in My Soul,” it is the album of hers I would recommend to newcomers. The surrounding records are also strong.- Pitchfork
- Posted Nov 19, 2021
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It’s sexy like the Stones, and, in moments, unbearably tender. But it’s also funnier than anything the Stones ever did, and infinitely more self-deprecating.- Pitchfork
- Posted May 8, 2018
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As one of classic rock's foundational albums, it holds up better than any other commercial smash of that ilk.- Pitchfork
- Posted Feb 14, 2013
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This super deluxe edition—complete with a 49-minute album pressed as a double-LP at 45rpm--encourages exploration of the original album, because even with the bright, discordant new remix, there remains a mysterious core that can not be explained but only experienced.- Pitchfork
- Posted Sep 4, 2018
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The Cutting Edge is music of the present, but not the '60s present, an eternal present; the songs are about observation and they exist in a place where it's always now, in sound and word.- Pitchfork
- Posted Nov 5, 2015
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If anything, the elucidating peek behind the curtain that Bangs’ documentary provides makes the album feel like an even more singular, remarkable achievement.- Pitchfork
- Posted Apr 16, 2014
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- Posted Dec 7, 2016
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The Velvet Underground's stunning simplicity and unflinching honesty presented an even more accessible model of DIY aspiration, free of Warholian conceptualism and Cale’s classically schooled chaos.- Pitchfork
- Posted Nov 26, 2014
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Frankly [add-ons would] just be a distraction from the underlying theme that becomes clear once you get absorbed into the music, which is that Blue Lines is still Blue Lines, and most of the world is still trying to catch up to it.- Pitchfork
- Posted Nov 30, 2012
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[Graceland] was unique in its total, and totally natural, synthesis of musical strains that turned out to be not nearly as different from each other as its listeners might have expected, and the result resonated strongly around the world and across generations.- Pitchfork
- Posted Aug 1, 2012
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Fiona Apple’s fifth record is unbound, a wildstyle symphony of the everyday, an unyielding masterpiece. No music has ever sounded quite like it.- Pitchfork
- Posted Apr 16, 2020
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III is, indirectly, Led Zeppelin’s own version of Pink Floyd's Meddle--the folky, pretty early record that was never too popular and hence a favorite of indie types skeptical of such a massive mainstream band.... III has easily the best bonus material too.- Pitchfork
- Posted Jun 12, 2014
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Physical Graffiti is Zeppelin's best album ultimately because it felt like a culmination.- Pitchfork
- Posted Feb 24, 2015
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Picture of Bunny Rabbit offers the chill of encountering more of a beloved artist’s classic work in the moment they made it. There’s something near-holy about overhearing Russell in this magic half-light again.- Pitchfork
- Posted Jun 29, 2023
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The end result is a great album, albeit one more lighthearted than its myth would suggest.- Pitchfork
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Van Lear Rose is remarkably bold, celebratory and honest. It's a homecoming for a small-town musician gifted with poise, humor and compassion, but at its very heart, it's happy to be just a kick-ass country record.- Pitchfork
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The ark-like box should provide serious leisure-time satisfaction for both longtime Floyd freaks and aspiring heads alike.- Pitchfork
- Posted Dec 14, 2016
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None of the bonus material on Kid Amnesiae, the third “bonus” disc accompanying the two studio albums, has the same revelatory quality as the inclusions on OK Computer OKNOTOK 1997 2017. ... It was the indelible sounds they made on Kid A and Amnesiac, more than any of the album’s digital age paranoia or its baleful view of the future, that comprise the band’s enduring legacy. Those sounds break free of anything you might want to attach to them.- Pitchfork
- Posted Nov 5, 2021
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Led Zeppelin is one of music's most assured and fully realized debuts; individually, Jimmy Page, John Paul Jones, and John Bonham were great players, but the whole of their sound somehow exceeded the sum of its parts. But even above the instrumental virtuosity, Led Zeppelin is a triumph of production, each part clear and forceful but adding up to something even more powerful.- Pitchfork
- Posted Jun 12, 2014
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How the West Was Won serves up their muscle, sweaty heart and golden grandeur in an exhaustingly persuasive light. That, and a hundred of the best riffs you've ever heard.- Pitchfork
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Lamar’s new album, To Pimp a Butterfly, doesn’t explicitly bill itself as a movie like good kid, m.A.A.d city did, but the network of interlocking dramas explored here feels filmic nonetheless, and a variety of characters appear across the album’s expanse.- Pitchfork
- Posted Mar 19, 2015
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You don’t need to be an expert in Cave’s wider cosmology to be swept inside of Ghosteen, to be devastated by its despair and lifted higher by its humanity. You only need the ability to suffer and the desire to survive.- Pitchfork
- Posted Oct 9, 2019
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The Little Match Girl Passion is as much a devotional piece as the Bach Passion it is modeled on, and with it, Lang has produced the most profound and emotionally resonant work of his career.- Pitchfork
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These four discs ultimately do what any good box set should do: In tracing the band's trajectory from power-pop progenitors to post-pop tinkerers, Keep an Eye on the Sky presents a history of the band that could not be gleaned from the albums themselves, using finished studio tracks along with demos and rarities to give a fuller picture of the musicians, their dynamic, and their songs.- Pitchfork
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If the demos collection presents the fables of R.E.M.’s deconstruction, its concert-disc complement—capturing the only show they performed in support of Automatic for the People—is an essential document of their onstage chemistry. ... It’s an album that—in surveying a fraught political landscape, the fragility of our mental health, and the fate of our planet—still speaks emphatically to our current condition.- Pitchfork
- Posted Nov 14, 2017
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The Sabbath may be Black indeed, but there’s room for both light and shade, and Vol. 4 is a masterful evocation of both by the band that did it better than anyone.- Pitchfork
- Posted Mar 4, 2021
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Siamese Dream's songs don't blend into each other, but some transitions exist; each stands out in a brilliant sequence, forming perhaps the best concept album they ever made.- Pitchfork
- Posted Nov 29, 2011
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The best and most essential part is the fifth disc: Townshend’s solo demos, scratchy and awkward, like a novelty private press album by someone with far too many ideas to capture on tape, on his own. The good news is that it all holds up. Minus the eternal “I Can See for Miles,” none of these songs found a permanent home on classic rock radio and so they belong entirely to this album, unburdened by decades of overplay.- Pitchfork
- Posted Apr 23, 2021
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The first half of CD2 is the apex of Burial’s dancefloor material, truly as good as it gets.- Pitchfork
- Posted Dec 6, 2019
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This reissue on luxuriously hefty vinyl is the first time the album's been released in the U.S.--a superb opportunity to hear a record that's been occasionally imitated but never matched.- Pitchfork
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What's here is brilliant, beautiful, and, most importantly, finally able to stand tall on its own.- Pitchfork
- Posted Nov 2, 2011
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- Posted Jun 12, 2023
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The first three discs of The Smithsonian Folkways Collection are as fine a retrospective as you can find for Lead Belly, showcasing the diversity of his repertoire and the precision of his playing and singing. What distinguishes this collection is its scope.- Pitchfork
- Posted Mar 20, 2015
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Kendrick Lamar has proven he’s a master storyteller, but he’s been saving his best plot twist this whole time, waiting until he was ready, or able, to pull it off.- Pitchfork
- Posted Apr 17, 2017
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Sprawling and spectacular. .... The songs are immediate and inviting in ways that Cindy Lee’s previous discography has only hinted at.- Pitchfork
- Posted May 29, 2024
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The bonus disc is a mildly interesting amalgam of alternate mixes and rough takes--the kind of stuff anyone but the most dedicated obsessives will listen to only once--and there’s little advance here lyrically from the debut, but II is still close to perfect.- Pitchfork
- Posted Jun 12, 2014
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The numerous early takes and rough demos have a diehard appeal (there’s a reason Metallica has a dedicated archivist on their payroll), though the live recordings present a band going through its most monumental transition punctuated by monumental tragedy. Recording a masterpiece was the easy part. Genius does not appear out of thin air and Puppets was a culmination of Metallica’s influences and forward direction, so yes, it will give you a more rounded sense of how a masterwork came to be.- Pitchfork
- Posted Dec 5, 2017
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It results in a gorgeous and meticulous record. The lyrics are striking—dense enough to inspire a curriculum, clever enough to quote like proverbs.- Pitchfork
- Posted Jun 18, 2020
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Black Messiah pulls together disparate threads few predecessors have had the smarts or audacity to unite.- Pitchfork
- Posted Dec 19, 2014
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It is a joy to hear, and a reminder that the struggle for a better world is a beautiful and worthwhile endeavor, despite the many powerful voices that work daily to convince us otherwise. branch fought the good fight until the very end.- Pitchfork
- Posted Aug 29, 2023
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Despite the length (70 songs across 5 hours, in its longest version), it feels designed to be played from front-to-back. For casual fans, all you need is the standard set, which pairs Wildflowers with the 10 outtakes on All the Rest. But there’s no element that feels superfluous, and the very essence of the album is palpable through each part.- Pitchfork
- Posted Oct 19, 2020
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Sometimes the single versions here are superior to the album edits, 12-inch mixes, and other edits, but not always. It is also possible to imagine a more nuanced and inventively sequenced gloss of Pet Shop Boys’ career than this chronological survey. But there is particular value to this nerdy historicism.- Pitchfork
- Posted Jun 22, 2023
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Definitely Maybe is the sound of people who feel like they need to scream to be heard—and even then, the chances of anyone actually listening seems depressingly unlikely. And yet, not wholly impossible.- Pitchfork
- Posted May 22, 2014
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Lovely Creatures presents the definitive display of these anguished labors and sweet fruits they bore over twenty years--an unmovable feast, immortalized.- Pitchfork
- Posted May 15, 2017
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Homecoming is an important document of those [Coachella] performances, with careful mixing and engineering that render each track with stunning lucidity.- Pitchfork
- Posted Apr 19, 2019
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Singles offers a wide-ranging but accessible route to his unearthly sounds.- Pitchfork
- Posted Dec 5, 2016
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The sequencing shapes the album beautifully, creating a sense of emotional fatigue while only hinting vaguely at redemption. Thematically, however, that cycle implies a romantic fatalism, as though every relationship is doomed to end painfully. That’s what makes Gentlemen at 21 such a compelling and necessary reissue, even if the album has never been terribly hard to find.- Pitchfork
- Posted Dec 10, 2014
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This great unknowing serves as the album’s guiding principle. In Cave’s wounded voice, you hear him grapple in real-time with the incidental prophecies of his lyrics and his need to get the job done.- Pitchfork
- Posted Sep 14, 2016
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[The Merge reissues of Copper, Beaster, and FU:EL] are a wonderfully presented document of a punk legend [Bob Mould], starting over creatively and emotionally in a brief window he helped open, and succeeding beyond his and anyone's expectations.- Pitchfork
- Posted Jul 30, 2012
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Its genesis, development, and creation are extensively chronicled in Who’s Next | Life House, an 11-CD box set that beautifully communicates the spirit of the original project by opening up the vaults and inviting everybody inside.- Pitchfork
- Posted Oct 2, 2023
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Offering passes that test, it’s both an “important” jazz release and one that’s actually enjoyable to listen to.- Pitchfork
- Posted Oct 29, 2014
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This streamlined set, Start Together, captures that dichotomy, archiving the Sleater-Kinney canon with care: from the ideological-punches of thirdwave feminism to their post-riot grrrl classic rock revisionism, all seven albums have been remastered and paired with a plainly gorgeous hardcover photobook, as well as the surprise of a reunion-launching 7" single.- Pitchfork
- Posted Oct 28, 2014
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Dopesmoker is an infinitely explorable listen, the kind of record that will goad your attention through miniscule rabbit holes whether or not you're as stoned as the people who made it.- Pitchfork
- Posted May 15, 2012
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The struggle between salvation and damnation has rarely sounded so lively or so gloriously conflicted.- Pitchfork
- Posted Feb 14, 2012
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The Promise is also a good demonstration of how Springsteen mines his unused songs from material, and shows how many ways he tried to record things before figuring out how they worked best.- Pitchfork
- Posted Dec 8, 2010
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With his music and persona both marked by a flawed honesty, Kanye's man-myth dichotomy is at once modern and truly classic.- Pitchfork
- Posted Dec 7, 2010
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This self-fulfilling fatalism is at the heart of innumerable rock songs by innumerable bitter young men, but it is rarely expressed with the introspective clarity that Bachmann displays throughout Icky Mettle.- Pitchfork
- Posted Aug 5, 2011
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Tragically ignored during its time, the album takes its rightful place it alongside Love’s Forever Changes, Judee Sill’s Heart Food, or Van Morrison’s Astral Weeks, bringing together the conflicted, clashing aspects of Gene Clark’s art into a cohesive whole.- Pitchfork
- Posted Nov 14, 2019
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It’s alarming how many of the issues cited by artists and presenters persist today—police violence, systemic racism, poverty, cultural erasure—yet that makes the music sound fresh, lively, relevant in its celebration and commiseration. Both the film and the soundtrack bear that weight of history gracefully and jubilantly.- Pitchfork
- Posted Feb 1, 2022
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It remains exceptional because it captured a moment when a premiere showman worked his hardest to win over new fans. Decades later, these 1966 concerts at the Whisky A Go Go still possess the power to convert skeptics so seems that Otis Redding did indeed get his wish: He made one of the greatest albums that ever came out.- Pitchfork
- Posted Nov 4, 2016
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One of the many great things about Liquid Swords is that while it's an unimpeachable work of lyrical mastery, of fierce intellect and sound morals, it's in no way a record for prudes.- Pitchfork
- Posted Sep 7, 2012
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It feels rare to hear an album that’s so experimental, that aspires to stretch itself out across genres and play with form, and that attains exactly what it sets out to achieve.- Pitchfork
- Posted Mar 18, 2022
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The album’s production veers from trip-hop to new wave, trance to flamenco, demonstrating an innate understanding of the pop archive in pursuit of a new personal style. Each creation seems marvelously its own.- Pitchfork
- Posted Feb 14, 2023
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Madvillainy is inexhaustibly brilliant, with layer-upon-layer of carefully considered yet immediate hip-hop, forward-thinking but always close to its roots.... Good luck finding a better hip-hop album this year, mainstream, undie, or otherwise.- Pitchfork
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Rise’s “You Know It Ain’t” expands the spoken-word interludes of Black Is into a full song. While these moments can feel heavy-handed at other times, here the humor is welcome and specific.- Pitchfork
- Posted Dec 24, 2020
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It's both epilogue and prologue, yet these songs retain their own specific flavor, as R.E.M. map the borders between small clubs and large venues, between underground and mainstream, between rhythm and melody, between outrage and hope. That in-between quality still sounds invigorating so many years later.- Pitchfork
- Posted Jul 15, 2011
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So simple, so tactile, so deceptively real are these songs. Their cumulative effect is that they become wobbly with metaphor, forcing the listener into the kind of magical thinking that transforms everything in the living world into a sign of the dead, only to snap back into a reality that for better and worse means nothing.- Pitchfork
- Posted Mar 24, 2017
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Room 25 is quarter-life crisis turned breakthrough, a balm through which Noname offers a taste of the simple sort of heaven that she's still searching for herself.- Pitchfork
- Posted Sep 19, 2018
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So while two straight discs of Fela is exhausting, it's probably the most suitable way to digest him.- Pitchfork
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Nearly twenty years later, GAS still assaults our presumptions about electronic music.- Pitchfork
- Posted Dec 9, 2016
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Of course, Grace Jones is the star here. Five of the original album’s nine songs are covers, though rather than fealty to the source material, Jones sounds as if she’s shredding the songbook with her bare teeth.- Pitchfork
- Posted May 22, 2014
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Live at Reading effectively grants you side-stage access to the band in their mosh-pit-stoking, drum-set-toppling, putting you as close to the action as the band's mysterious friend Tony, who's seen flailing onstage throughout the show like an epilpetic Bez.- Pitchfork
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The result is both the best career-spanning snapshot of and single-purchase introduction to Talking Heads-- odd accolades for a live record-- and a treat for longtime fans.- Pitchfork
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The worthy additions in this "super deluxe edition" are nearly all visual.- Pitchfork
- Posted Nov 9, 2011
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Though omissions are certain to be an issue for cratedigging obsessives, this collection is as flawless a primer as has ever been made available on a single disc.- Pitchfork
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Essentially perfect... It remains a landmark that hasn't aged a day.- Pitchfork
- Posted May 11, 2012
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Cinema takes in Czukay’s solo and collaborative work outside of Can, the iconic avant-rock quintet he co-founded in 1968. Starting in the early 1960s and ending in 2014, the set lights a path through his sprawling, winding oeuvre and confirms Czukay’s status as one of the great weirdo geniuses of the 20th century.- Pitchfork
- Posted Mar 29, 2018
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A classic tour from start to finish, the set’s only drawbacks owe more to the format than the music: Various incomplete or missing songs, a few over-saturated vocal tracks, five CDs worth of grotty audience tapes, and the fact that Dylan performs nearly the same set lists in nearly the same order at every stop of the tour, from Long Island to Stockholm. Thoroughly consistent, especially by Dylan’s later live standards, the repeated performances from the 22 represented shows might be seen as feature, not a bug.- Pitchfork
- Posted Dec 15, 2016
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Where Singles the movie was a romantic comedy with Seattle rock as its backdrop, its soundtrack, for anyone outside of the Pacific Northwest or the college radio universe, was a revelation. The 25th-anniversary reissue of the compilation revisits and further contextualizes this moment, with a bonus disc of demos, live versions, and other film ephemera never before issued on CD or vinyl.- Pitchfork
- Posted May 23, 2017
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By dividing the sessions into what amounts to an overview of his career, My Dusty Road detracts from the recently discovered source material, making it both an incredible find and a missed opportunity.- Pitchfork
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Coltrane reaches at once into the future and the place where music began. He touches the primeval and follows along with the changes.- Pitchfork
- Posted Aug 1, 2023
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Each note and phrase on the album is colored to depict this struggle. The instrumentation is bracing, almost as if played live for a crowd, but it has the intimate tenor and tone of Saba recording the entire thing alone in his basement.- Pitchfork
- Posted Apr 12, 2018
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Spontaneity is woven into the fiber of every track; it's easy to hear how some of them may have begun with the same sounds and patterns before the musicians' hands worked their magic on the filters, EQ, and delay, rendering each take unique and unrepeatable.- Pitchfork
- Posted May 10, 2012
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It has a distinctive blend of magic and might, the sound of a band who knows they’ve hit their stride and still gets giddy at the noise they make. It’s a bar band delivering communion.- Pitchfork
- Posted Nov 23, 2021
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