Record Collector's Scores
- Music
For 1,895 reviews, this publication has graded:
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53% higher than the average critic
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4% same as the average critic
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43% lower than the average critic
On average, this publication grades 1 point higher than other critics.
(0-100 point scale)
Average Music review score: 74
Highest review score: | The Apple Drop | |
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Lowest review score: | 180 |
Score distribution:
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Positive: 1,239 out of 1895
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Mixed: 650 out of 1895
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Negative: 6 out of 1895
1895
music
reviews
- By Date
- By Critic Score
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- Critic Score
Singer and band are in perfect synch throughout, the benefits of a lengthy and approaching telepathic relationship obvious for all to hear.- Record Collector
- Posted Oct 12, 2017
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The swaggering beasts of Wall Of Glass and Bold kick it off and Greedy Soul waves a musical truncheon in your face as producers Greg Kurstin and Dan Grech- Marguerat find the jugular on songs powered by riffs, choruses, hooks and lashings of attitude to keep up with their swaggering frontman.- Record Collector
- Posted Oct 12, 2017
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A unique, wide-eyed feeling of awe and wonder underpins all the lush melodies (see I Am Learning), but with The Kid’s lyrics offering a thoughtful counterpoint to all the loved-up ambience.- Record Collector
- Posted Oct 12, 2017
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The understated closer Admiral Of Upside Down is evidence that somewhere beneath all the sonic experimentation he’s inherited at least a modicum of his famous father’s ear for melody.- Record Collector
- Posted Oct 12, 2017
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- Record Collector
- Posted Oct 12, 2017
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Mary Casio is another cohesive collection, glued together by the slightly silly yet still thought-provoking storyline, which regards the life story of an obscure imaginary electronic composer, who is set upon space travel.- Record Collector
- Posted Oct 12, 2017
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Produced by David Foster, it’s largely tremendous fun, even if the path on which it walks is rather well worn.- Record Collector
- Posted Oct 5, 2017
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If you ever liked Spain, Galaxie 500 or Mazzy Star, this is for you. Smoky, reverb-heavy melodies that gently noodle off nowhere slowly, this compilation of released tunes and salvaged demos contains much for the heads.- Record Collector
- Posted Oct 3, 2017
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The album is streaked through with intelligent string orchestrations that don’t feel bolted onto the songs to pad out or prettify them but increase their psychological intensity.- Record Collector
- Posted Oct 3, 2017
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Their fourth album’s trembling vocals address mortality, heartbreak, collapse, resilience, different extremities of weather, running to someone and leaving the city at night. Such earnestness is offset nicely by jaunty synthesizer sounds and admirably expressive drum work. It remains unfortunate that Wolf Parade have never reached the fascinating twitchiness of their heroes Modest Mouse.- Record Collector
- Posted Sep 29, 2017
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Part of Death's triumph is its unadornment, which allows the songs to glimmer as rough diamonds.- Record Collector
- Posted Sep 26, 2017
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Angular but well-rounded; Pere Ubu remain as paradoxical as ever.- Record Collector
- Posted Sep 26, 2017
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Truth be told, Strange Peace’s series of succinct bludgeonings are more a case of ain’t-broke-don’t-fix and the appointment of likeminded racket fetishist Steve Albini as producer comes less as a surprise than foregone conclusion.- Record Collector
- Posted Sep 18, 2017
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Though he’s undoubtedly an anachronistic anomaly whose idiosyncratic style (think Tom Waits meets Edith Piaf in a 19th Century music hall) appears out of kilter with convention, he has, nevertheless, produced an essential soundtrack to our times.- Record Collector
- Posted Sep 15, 2017
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Like most covers albums, though, this collection isn’t designed to bear serious analysis, so have some fun with God Save The Queen, Cat Scratch Fever and what have you. The real Motörhead is to found elsewhere.- Record Collector
- Posted Sep 15, 2017
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The songs, all from Nelson’s pen, are what really sells this terrific record, knocked into shit-kicking shape by a drum-tight band who effortless play with delicacy or venom, and all points in-between.- Record Collector
- Posted Sep 15, 2017
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Danilova’s most accessibly gothtastic numbers bear worrying resemblance to a pitch for a songwriting credit on the next Evanescence or Lorde album. Yet there’s no denying that tracks such as Veka and Wiseblood are bangerz of the highest, and indeed saddest, order.- Record Collector
- Posted Sep 14, 2017
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Ultimately, The Source, offers indisputable proof that the man from Lagos is thriving in what are supposed to be his twilight years. Like a vintage bottle of Château Lafite, he just seems to improve with each passing year. Long may he continue to do so.- Record Collector
- Posted Sep 14, 2017
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The ambition and scope of these 23 songs is undeniably impressive, Scott still with a firm grip on the country and folk-minded tropes of his best back pages, augmented by (mostly) successful detours into the arenas of soul, funk, even hip-hop.- Record Collector
- Posted Sep 14, 2017
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With enough reference points for old heads to spot and enjoy, but enough invention and melody to stand entirely on its own two feet, To The Bone--with its tales of paranoia and love in the fake news era--is thoroughly recommended.- Record Collector
- Posted Sep 14, 2017
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While it may not be the long overdue and richly deserved breakthrough to a mass global audience, it’s another reassuring set of solidly crafted, intelligent adult pop.- Record Collector
- Posted Sep 14, 2017
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Spooky Action is all a bit like an ambitious sixth-form production--and I mean that in the absolute best way--the sheer excitement of experimentation with the requisite chutzpah to banish any gaucheness.- Record Collector
- Posted Sep 14, 2017
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In 1983, OMD threatened to derail their career with the defiantly leftfield Dazzle Ships. A sense of that adventurous spirit permeates this 12-track collection but Andy and Paul’s flair for infectious melody actually steers this comfortably away from the chillier extremes of that earlier well-regarded but commercially-limited opus.- Record Collector
- Posted Aug 29, 2017
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- Record Collector
- Posted Sep 14, 2017
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[The] process of sonic expansion is continued apace on this latest effort.- Record Collector
- Posted Sep 14, 2017
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- Record Collector
- Posted Sep 14, 2017
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Electric Trim is a missed opportunity. The emphasis on meandering acoustic balladry is a real shame.- Record Collector
- Posted Sep 14, 2017
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Old sweetens the deal, with tracks as good as anything from previous releases. However it’s New that intrigues, confuses, saddens and ultimately tempts you back with its sheer vulnerability--this is far deeper than the cash grab landfill this reunion could’ve spawned.- Record Collector
- Posted Sep 14, 2017
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There’s not a sound out of place or misstep, just swooning narcotic allure and bad attitude throughout what will be one of the year’s major debuts.- Record Collector
- Posted Sep 14, 2017
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The duo’s drone-driven proclivities loosen these tunes from their secular shackles, freeing them from the earthly confines of time and place.- Record Collector
- Posted Sep 14, 2017
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