Keszler has been able to turn the overwhelming nature of urban life into something beautiful, and it's one of his best records as a result.

Throughout Honey, the pure, raw emotion that has always defined Robyn's music is still there. Now, she's just dancing to a different beat.

Like Seeds Of Destiny, Life After Death is an unsettling work with glimmers of positivity.

Holter has always taken pop and presented her own masterful version of it. But her desire to break through the distressing clatter of the present is what makes Aviary her most captivating album yet.

The Drought is compelling because Hoffmeier is so clearly in charge.

Working Class Woman is special because it looks beyond the personal highs and lows of touring to the cracks in the foundation of a lucrative club culture that requires constant, exhausting effort to achieve some semblance of stability.

Throughout the record, there are gestures toward what has already passed and what will eventually come. With its constant shifts in energy, Ecce Homo succeeds in opening up new temporal and textural dimensions.

Though Autobiography may seem like a departure from Jlin's past work, many of its themes have been present throughout her catalogue. The LP succeeds in challenging expectations for a ballet score while expanding the possibilities for the artist's post-footwork sound.

With Born Again In The Voltage, Barbieri goes deeper into undressing familiar timbres, this time with human voice and string instruments. With them, she's able to guide us on an introspective trek through the expanse of our own brains and the cosmos alike.

Fabriclive 100 is without a doubt an inspired effort, an ambitious and highly creative attempt at capturing its selectors' musical lineage. But it's also a bit of a mess. It feels like the wild second-to-last draft of a creative project.

[Blood Rain is] the track on Bodied that best reflects the influence of soundtrack work on Myson, music that feels powerful without being obvious or obtrusive. The rest of Bodied feels like a film score made for a blockbuster that isn't there. The LP's sculpted sound, dreamy sketches and haughty melodrama rarely feels like more than the sum of its often stunning parts.

Burn Slow isn't the most original or exciting work. But it's a thoughtful and personal album that allows Liebing to move beyond his techno reputation with grace.

Like staring at a laptop screen for so long the glut of information makes you feel sick, Another Life is a complete sensory overload you can't turn away from. It's the duo's most triumphant release yet.

You might also hear the elegiac rise and fall of Stars Of The Lid, an emotional Hollywood score or William Basinski's sound of decay. However, as Konoyo unspools, you may look back and realize that this all combines to sound like no one other than Hecker.

In losing sight of the dance floor, Battle Lines does away with Bob Moses' greatest strength, and the quality that made them stand out from countless other pop and rock acts.

The slow-motion throbs of Davachi's warm, uncluttered electronic pieces achieve something intensely serene. On her new album, Gave In Rest, the music occupies the peaceful spaces she found lying between religious and secular realms.

Scattered brilliance makes Shelly's On Zenn-La a compelling listen. At its best, the LP showcases a composer with an uncompromising will to experiment, even if it yields mixed results.

On his Warp Records debut, Safe In The Hands Of Love, Yves Tumor joins the ranks of Arca and SOPHIE at the millennial generation's pop vanguard, a group whose fluid approach to music and imagery is eradicating the gap between underground and mainstream.

The endorphin-rush techno of "Forgive Me," meanwhile, is sure to ignite one of his main stage festival sets. That's the setting in which Boratto shows his energy and confidence as an artist. Too much of Pentagram, by contrast, feels tired or confused.

Overall, little of This Behavior has the mystery or subtlety of touch suggested by the gloved magician's hands on the cover. Rather, this is ADULT. showing their iron fist, and not every punch lands.

Darby has always had a good grasp on what makes this music so addictive. EPHEM:ERA just looks at it from a different perspective, highlighting the curvatures of grime's fundamentals.

F for all its lofty intentions and complex construction, it is a remarkably easy listen.

Hauschildt's minimal electronica here works its way into those ambient soundscapes and offers a singularly calm fusion of both genres. No longer caught between oppositional impulses, Hauschildt seamlessly channels freeform ambient and regimented synth tones into the same space, and produces some of his most cohesive, conceptually sound work to date.

hej! is one of PC Music's most well-rounded records yet.

It's striking how simple and affecting Devotion is as a whole. At a time when so much music is political and intellectualized, Tirzah's sincerity and candor is a breath of fresh air.

Something about its bleary-eyed shuffle, smooth jazz accents and chipmunk vocals is ineffably familiar and intimate. By drawing on memories and relationships for inspiration, Weatherall conveys emotion more convincingly than ever before.

On Filo Loves The Acid, Dozzy has held back his more radical approach, as well as his typically subtle use of the 303, to deliver an exemplary acid toolkit.

The sheer number of different tools and skills they bring to the job is staggering. That's a big reason why, nearly a decade after the scene's initial explosion, they're still propelling the sound forward.