Rock Sound's Scores

  • Music
For 497 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.4 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 That's the Spirit
Lowest review score: 20 Bright Black Heaven
Score distribution:
  1. Negative: 2 out of 497
497 music reviews
    • 74 Metascore
    • 70 Critic Score
    Even if it doesn’t all hit the bullseye, at least they’ve dared to stray from the beaten path.
    • 87 Metascore
    • 80 Critic Score
    Possessing more jagged edges than a shed full of rusty chainsaws, You Will Never Be One Of Us is 21 minutes of frenzied, guttural hardcore of the highest calibre.
    • 66 Metascore
    • 60 Critic Score
    [The production by Danger Mouse] doesn’t make much difference--they still sound exactly the same.
    • 82 Metascore
    • 80 Critic Score
    Beartooth are a band that truly deliver songs for the disenfranchised.
    • 81 Metascore
    • 80 Critic Score
    Lonely The Brave haven’t just succeeded in proving they were no one trick wonders here, they’ve gone and pulled another rabbit from the hat.
    • 83 Metascore
    • 80 Critic Score
    In Our Bones is a versatile, ballsy take on modern pop-rock, and it’s impossible not to sit back and admire as Chrissy, Dan and Will take another step on the way to superstardom.
    • 78 Metascore
    • 80 Critic Score
    There may be fewer hooks and a lack of a real fist-in-the-air anthem, but on The Home Inside My Head, these sad boys become men. Gracefully.
    • 78 Metascore
    • 80 Critic Score
    In short To Be Everywhere... is another triumphant step for a band whose two-decade growth from able but impetuous riff merchants to purveyors of truly ambitious art has been nothing short of inspiring.
    • 82 Metascore
    • 90 Critic Score
    This cements their position as one of the world’s most exciting, vital bands, and it’s unlikely you’ll hear many (if any) more impactful records in 2016.
    • 82 Metascore
    • 70 Critic Score
    A sterling second outing shot through with the admirable spirit of never tapping out.
    • 74 Metascore
    • 70 Critic Score
    This album sets the band on their surest footing for years and proves that Anthony Green and friends can still hang. After all this time away, that’s more than enough.
    • 70 Metascore
    • 70 Critic Score
    It’s another richly woven tapestry of dark-hearted fare which draws on influences as disparate as The Pet Shop Boys and Ministry with aplomb.
    • 86 Metascore
    • 80 Critic Score
    This album does ooze quality though and has enough flourishes of originality to keep the quartet moving forward, but perhaps even more importantly for the band, their fans (and us, for that matter), the wait is over.
    • 83 Metascore
    • 80 Critic Score
    The Shadow Side contains some of the best material the man has been responsible for and proves Mr Biersack is one of the most captivating figures in music today.
    • 73 Metascore
    • 70 Critic Score
    The resulting sound is one of wistful melancholia, designed for dark rooms, loud headphones and the flickering feeling that while life can be shitty at times, there’s always a chance to find happiness.
    • 81 Metascore
    • 70 Critic Score
    The dweeb-core champs’ songs might as well come with a ‘kick me’ sign pinned to them, but the depth and quality of Holy Ghost is an exercise in kicking back and refusing to be defeated.
    • 72 Metascore
    • 80 Critic Score
    This is a worthy follow-up. Its 12 sultry, sumptuous songs see Brennan Greaves and Britty Drake swap turns singing over a wash of fuzzy, forlorn guitars.
    • 65 Metascore
    • 40 Critic Score
    It’s a disappointing, day and night affair compared to the soaring triumph of last year’s ‘Joy, Departed.’
    • 80 Metascore
    • 80 Critic Score
    The Wilderness is the perfect title, too; the album’s nine songs exploring an expansive, evocative range of sounds, grooves, peaks and valleys. Which is to say, this is something really quite special.
    • 81 Metascore
    • 80 Critic Score
    Dragging their new wave and post-punk influences to the fore, the Sacramento crew have produced their most dynamic, adventurous and downright strange album in years.
    • 90 Metascore
    • 80 Critic Score
    The elephant in the room though, is new vocalist Denis Stoff, and the questions over his ability to replace a gifted albeit difficult frontman. Largely, his quest is a triumphant one, and he turns in an admirable performance.
    • 74 Metascore
    • 80 Critic Score
    This album seamlessly flits from one brilliantly bold idea to another with no dips in quality.
    • 72 Metascore
    • 70 Critic Score
    The Summer Set have conjured up a bubblegum-stained blast of modern pop rock that sounds just as good at the start of the weekend as it does at the end.
    • 71 Metascore
    • 70 Critic Score
    No, this isn’t Weezer at their world-altering best, but it is the sound of a band who have at least re-opened the door to the cupboard where their magic formula is kept.
    • 78 Metascore
    • 70 Critic Score
    An alluring, seductive listen that might take a while to get under your skin, but once there will point blank refuse to leave.
    • 68 Metascore
    • 70 Critic Score
    It’s bracing, familiar and flat-out exhausting all at the same time.
    • 78 Metascore
    • 80 Critic Score
    Though nowhere near the monolithic, bottled lightning of ‘The ’59 Sound’, this is a return to the Brian Fallon the rock world fell trucker caps over Chuck Taylors in love with.
    • 57 Metascore
    • 90 Critic Score
    This Is War is passionate, rousing and astonishingly focused.
    • 69 Metascore
    • 80 Critic Score
    Every note here sounds like the logical conclusion to the evolution of each preceding record--a remarkable achievement.
    • 67 Metascore
    • 80 Critic Score
    Rather than feeling like a mash-up of their favourite bands--which is no bad thing--album two finds the four-man phenomenon firming up their identity and becoming their own band.