Rolling Stone's Scores

For 5,910 reviews, this publication has graded:
  • 34% higher than the average critic
  • 4% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 6.1 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 Magic
Lowest review score: 0 Know Your Enemy
Score distribution:
5910 music reviews
    • 77 Metascore
    • 60 Critic Score
    Singing, rapping and spoken-word float through these tracks, as do soulful improvs from Adjuah, Glasper and others, but what lingers is the overall aura: a no-seams-showing blend of jazz, R&B and hip-hop, with a spontaneous "3 a.m. in the studio" feel.
    • 77 Metascore
    • 60 Critic Score
    What emerges is a basement-punk groove band where you're never quite sure where the groove will take you.
    • 77 Metascore
    • 60 Critic Score
    Pop-punk trio deliver glittery hooks and raw feminine energy. [Jul 2020, p.87]
    • Rolling Stone
    • 77 Metascore
    • 60 Critic Score
    Sweet, solid collection about fatherhood and quitting cigarettes, sounding like the National. [Apr 2020, p.87]
    • Rolling Stone
    • 77 Metascore
    • 60 Critic Score
    Brad Paisley's latest is so well-meaning it's tempting to forgive how overwrought it is.
    • 77 Metascore
    • 60 Critic Score
    It delivers the ramshackle, ritualistic, druids-at-Stonehenge mood that campfire crusties at U.K. festivals like Glastonbury aspire to. Convinced Armageddon is upon us, the Mekons are determined to get in some mournful Earth worship first, and for fans who feel the spirit, songs will emerge.
    • 77 Metascore
    • 50 Critic Score
    When Jonathan Davis sings "I know this all sounds so cliché," on "Lost In The Grandeur," he's pretty much right. [Feb 2022, p.72]
    • Rolling Stone
    • 77 Metascore
    • 60 Critic Score
    His latest features his own zonked singing on tracks like the loopy, Tom Petty-referencing elegy "Feel the Lightning" and the head-spinning backwoods goof "When I Was Done Dying."
    • 77 Metascore
    • 60 Critic Score
    This is a surprisingly crisp live LP, even at two discs: taut and driving, full of Celtic and country flourishes, held together by richly melodic tunes.
    • 77 Metascore
    • 60 Critic Score
    LP3
    When their trio of guitarists aren't busy auditioning for Ozzy or Springsteen, they summon dynamic, smartly-shaded echo caverns more reminiscent of Sunny Day Real Estate and Modest Mouse.
    • 77 Metascore
    • 60 Critic Score
    Beachwood Sparks do their Sixties So-Cal thing so well, you kind of wish they'd stick with it and leave the genre blending and apocalyptic disillusionment to Radiohead.
    • 77 Metascore
    • 60 Critic Score
    The stark, minimalist production by TV on the Radio's Dave Sitek is so cool and aloof that these snacks never feel fully cooked.
    • 77 Metascore
    • 50 Critic Score
    She sounded more like a star when she cameoed in Zero 7 than she does on most of her own album.
    • 77 Metascore
    • 60 Critic Score
    At her best, she is pop's most galvanizing tough broad, but her sixth LP devolves into self parody.
    • 77 Metascore
    • 60 Critic Score
    Sacred Fire succeeds more as a history lesson than as music.
    • 77 Metascore
    • 60 Critic Score
    As mild as the music might often sound, this is an album that cuts deep.
    • 77 Metascore
    • 60 Critic Score
    As always, frontwoman Marissa Paternoster's winding guitar solos and dogged vibrato vocals steal the show.
    • 77 Metascore
    • 60 Critic Score
    The arena-huge tunes can get a little overbearing, but cuts like the title track â?? where Gabel yearns to smash white crosses displayed by anti-abortion activists â?? are righteous, churning gut-rollers.
    • 77 Metascore
    • 60 Critic Score
    This solo album isn't dramatically less low-fi than his last four, but it does incorporate legible, likable tunes into his ragged guitar rave-ups.
    • 77 Metascore
    • 60 Critic Score
    The result is a set of forlorn ballads that start spare and gather beauty as they grow.
    • 77 Metascore
    • 60 Critic Score
    The memorable, politically minded tunes are a testament to the band's bighearted collective spirit.
    • 77 Metascore
    • 60 Critic Score
    Full of familiar noises and aimless melodies.
    • 76 Metascore
    • 60 Critic Score
    With help from producer Atticus Ross, Reznor has made a solid soundtrack to David Fincher's movie by doing what he's always done: creating grand industrial rock.
    • 76 Metascore
    • 60 Critic Score
    [A] sense of distance permeates the music: dark, mutable, likably repetitive synth whirr that recalls artfully creepy bands like the Knife.
    • 76 Metascore
    • 60 Critic Score
    Time Skiffs splits the difference between the pop and the avant, spaced-out family-pad music with solid drumming, deep-distance percussion, wobbly melodies, and harmonies somehow more blissed out than anything else.
    • 76 Metascore
    • 60 Critic Score
    When Los Lobos hook up with songwriters like ex-Grateful Dead lyricist Robert Hunter, things start to go downhill in a hurry.
    • 76 Metascore
    • 60 Critic Score
    More of a mood piece than a collection of commercial hooks.
    • 76 Metascore
    • 60 Critic Score
    South Carolina rapper Danny Swain shoots clever satiric spitballs from the hip-hop margins.... But eighty minutes of gripes about label persecution and insufficiently positive reviews feels like celeb whining from someone who isn't famous.
    • 76 Metascore
    • 60 Critic Score
    There's an army of voices inside Tori Amos, and the girl knows how to use them.
    • 76 Metascore
    • 60 Critic Score
    It's as close to emo as hip-hop gets.