Slant Magazine's Scores

For 3,121 reviews, this publication has graded:
  • 35% higher than the average critic
  • 3% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Who Kill
Lowest review score: 0 Fireflies
Score distribution:
3121 music reviews
    • 52 Metascore
    • 40 Critic Score
    Stylish and confident to a fault, Pharrell's success as a solo artist is, unfortunately, pretty much where the album title says it is.
    • 72 Metascore
    • 40 Critic Score
    Another Fine Day is blandness personified: syrupy vocals and forgettable melodies stretched out over 15 tracks and 65 dull minutes.
    • 75 Metascore
    • 60 Critic Score
    The album is a black hole of pomp and nothingness, a perfect document of the times. So, to fully enjoy it, it's best to turn your brain off and let yourself get sucked in.
    • 74 Metascore
    • 50 Critic Score
    Peaches goes easy on the syrup and heavy on the flavor and hands listeners a delectable, if slight, cherry bomb of an album.
    • 76 Metascore
    • 50 Critic Score
    If anything, The Eraser more than proves that Yorke, no matter how intriguing or forward-thinking his ideas, needs the democracy of Radiohead to ground his more angular artistic impulses.
    • 61 Metascore
    • 60 Critic Score
    The Return isn't the return we were waiting for, but it's another explosive collection of anti-hits from hip-hop's most unique voice.
    • 75 Metascore
    • 60 Critic Score
    Phillips's husky tenor makes this collection of college radio staples feel less like ironic cash-in and more like a genuine, affectionate nod of gratitude.
    • 69 Metascore
    • 60 Critic Score
    Rae's amiable competence marks her as a talent worth keeping tabs on, but the strength of Corinne Bailey Rae is fleeting, a triumph of mood over tangible substance.
    • 80 Metascore
    • 60 Critic Score
    It's easy enough to listen to the album as a whole, but roughly a third of the songs are clunkers.
    • 78 Metascore
    • 60 Critic Score
    The River In Reverse is a dark, passionate work that channels its rage toward redemptive joy.
    • 70 Metascore
    • 60 Critic Score
    An arresting collection... The only real criticism you can level at the sisters is that about halfway through the album, everything begins to sound the same.
    • 81 Metascore
    • 60 Critic Score
    The Obliterati is underwhelming not because it's bad, or weak, or mediocre, because it's none of those: it's just not essential.
    • 69 Metascore
    • 40 Critic Score
    Really, all there is to be said about The Wreckers is that, in playing country star dress-up, they're reasonably pleasant and inoffensive, which puts them a bit ahead of a good deal of what's currently popular in country music.
    • 76 Metascore
    • 60 Critic Score
    It's a compelling, forward-thinking album that's as likely to please fans of melodic indie-pop and roots-rock as it is fans of the current crop of folk troubadours.
    • 81 Metascore
    • 50 Critic Score
    Ultimately, the problem with Beast is that both its concept and its performance are so defined by their academic removes that it's impenetrable.
    • 57 Metascore
    • 40 Critic Score
    While Goodbye Alice In Wonderland is a return to form for Jewel, said form is bland, mostly colorless, and devoid of any truly memorable cuts that elevate the album to a disc worth spinning more than once.
    • 72 Metascore
    • 60 Critic Score
    Skinner goes with the flow but the flow isn't pretty, and though dissonance is his strong suit, the conflict in these songs isn't so much located within them as it is in the space that separates them.
    • 78 Metascore
    • 60 Critic Score
    [Riley's] lyrics are simultaneously clever and uninteresting: he rarely transcends an ABAB or AABB rhyme scheme, practically never rhymes within the lines, and his meter and diction lack intricacy.
    • 80 Metascore
    • 60 Critic Score
    Animal Years sounds unsettled: the arrangements are far too bombastic for this record's purposes.
    • 51 Metascore
    • 60 Critic Score
    Todd Smith's slow songs... kill the album's momentum early on.
    • 75 Metascore
    • 50 Critic Score
    Whereas You Are The Quarry was a welcome return to form, Ringleader Of The Tormentors makes you wonder if seven-year gaps between albums are necessary.
    • 70 Metascore
    • 60 Critic Score
    Pink's rhymes still rely too heavily on adolescent clichés and there's an air of contrived confessionalism throughout the album.
    • 65 Metascore
    • 60 Critic Score
    A version of Coldplay's X&Y for the Hot Topic set, Meds finds a successful band doing just a little to tinker with their proven formula--in this case, bombastic melodic hooks supporting straightforward, repetitive lyrical turns-of-phrase--and attempting to pass off a few too many soundalike tracks as thematic coherence.
    • 66 Metascore
    • 60 Critic Score
    Adventures is a bright, beautifully wrapped package filled with nothing but styrofoam packing peanuts.
    • 69 Metascore
    • 40 Critic Score
    While his ambition on Both Sides Of The Gun is just another of Harper's many likable qualities, ambition alone doesn't make the kind of statement that the album's scope and structure demands.
    • 72 Metascore
    • 50 Critic Score
    What ultimately makes the album something of a chore is its one-joke premise, a preaching-to-the-choir broadside against the Evangelical right's ongoing assault on individual liberties and rational thought.
    • 74 Metascore
    • 60 Critic Score
    A cohesive whole that bursts at the seams with a barely contained exuberance, Bring It Back finds a happy family unleashing sonic sunshine, spilling out of the speakers with unchecked abandon.
    • 68 Metascore
    • 50 Critic Score
    Slick and propulsive, the quintet needs a little meat on their songs to help elevate their slavish '80s enthusiasm into something a little more memorable.
    • 69 Metascore
    • 60 Critic Score
    While the hooks don't reach out and grab you the way you long for them to, and though the lyrics aren't as smart as we've come to expect from a composer who once claimed to literally write songs in his sleep, 3121 is a wholly listenable and consistent(ly funky) addition to the catalog of one of music's pop pioneers.
    • 78 Metascore
    • 60 Critic Score
    Cannibal Sea is a mellow concoction well-suited to fans of cerebral indie pop.