Spin's Scores

  • Music
For 4,264 reviews, this publication has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Highest review score: 100 To Pimp A Butterfly
Lowest review score: 0 They Were Wrong, So We Drowned
Score distribution:
4264 music reviews
    • 85 Metascore
    • 83 Critic Score
    Gruff stuff... A few rockers lighten the load, but not by much. [Sep 2004, p.120]
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    • 72 Metascore
    • 83 Critic Score
    Supercharged, furious, hopeful. [Jun 2004, p.107]
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    • 85 Metascore
    • 83 Critic Score
    As ornate and bloated as West's ego. [Sep 2005, p.99]
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    • 86 Metascore
    • 83 Critic Score
    They add enough kinks to the old herky-jerk formulae to make their half-hour in the sun blaze by like nobody's business. [Dec 2004, p.124]
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    • 72 Metascore
    • 83 Critic Score
    This completely non-shitty '70s-Nashville country record reminds you why Adams was once a big deal. [Nov 2005, p.101]
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    • 80 Metascore
    • 83 Critic Score
    She doubles the weird factor. [Feb 2004, p.104]
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    • 79 Metascore
    • 83 Critic Score
    Juicing fragile melodies with weeping George Harrison guitar, frontman Luke Steele is pretty even-keeled for a spaced-out pop maestro. [Nov 2003, p.117]
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    • 77 Metascore
    • 83 Critic Score
    The ballads are still as pretty as her fan base of shy piano students and unicorns. [May 2005, p.110]
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    • 76 Metascore
    • 83 Critic Score
    Always charmingly dour and deathlessly romantic. [Jul 2003, p.110]
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    • 78 Metascore
    • 83 Critic Score
    Crimson... still has its share of macabre wordplay... but the real attraction here is the music, which sounds just as dramatic as the imagery. [Jun 2005, p.105]
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    • 85 Metascore
    • 83 Critic Score
    [Fox Confessor] shows that for all her versatility, she has a singular vision when it comes to her own music. And Lordy, it is dark. [Mar 2006, p.92]
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    • 85 Metascore
    • 83 Critic Score
    Albini, drummer Todd Trainer, and bassist Bob Weston lock in together one last time—a wiry whirlwind of concision, all jokes and referents (including a wink to the late Mark E. Smith of the Fall) and honed dynamics on their leanest LP, at 28 minutes.
    • 78 Metascore
    • 83 Critic Score
    You just wonder how songs this miserable can sound so excruciatingly gorgeous. [Jul 2005, p.104]
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    • 82 Metascore
    • 83 Critic Score
    While Vitalic may add little to electronic music or its various subgenres, he interweaves effortlessly their prevailing styles into complex arrangements that are neither kinked-up innovation nor neutered homage.
    • 82 Metascore
    • 83 Critic Score
    Goes for basic sun-dappled guitar pop. [Nov 2004, p.118]
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    • 73 Metascore
    • 83 Critic Score
    They find a woolly warmth and loopy generosity few English art-rockers have stumbled upon since the first Beta Band record. [Dec 2004, p.124]
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    • 73 Metascore
    • 83 Critic Score
    Even more '80s than its predecessor. [Jul 2004, p.105]
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    • 79 Metascore
    • 83 Critic Score
    i
    Merritt's wordplay has never been slicker. [Jun 2004, p.105]
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    • 65 Metascore
    • 83 Critic Score
    He's more grounded... and his evasive, abstract beats underpin his vocals less randomly. [Dec 2004, p.124]
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    • 78 Metascore
    • 83 Critic Score
    Frontman Ricky Wilson is an average singer but an extraordinary melodist. [May 2005, p.102]
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    • 78 Metascore
    • 83 Critic Score
    Cryptic and cutting. [Aug 2004, p.108]
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    • 80 Metascore
    • 83 Critic Score
    Like a Postal Service for hippies living off the grid. [May 2004, p.108]
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    • 70 Metascore
    • 83 Critic Score
    All texture and no text. [May 2004, p.108]
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    • 86 Metascore
    • 83 Critic Score
    Optimistic, ambient indie rock that floats between the bubble bath and the deep blue sea. [Sep 2003, p.115]
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    • 85 Metascore
    • 83 Critic Score
    Tankian remains the sort of agitprop trickster whom partisans on both side so fthe aisle are wise to distrust. [Jul 2005, p.101]
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    • 72 Metascore
    • 83 Critic Score
    Each track follows the Rage Against The Machine model: Make music for the masses without diluting it for the bosses. [Nov 2005, p.101]
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    • 73 Metascore
    • 83 Critic Score
    Tonally challenged singing, spastic electro beats, and boldly nonlinear, ideologically sharp rhyming. [May 2003, p.116]
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    • 72 Metascore
    • 83 Critic Score
    Grohl wrote the riffs, and he hammers like a god, letting his hero singers write the lyrics and man the bellows. [Mar 2004, p.91]
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    • 71 Metascore
    • 83 Critic Score
    Only later do you realize the cotton candy you've been enjoying is wrapped around a dildo. [Nov 2004, p.118]
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    • 72 Metascore
    • 83 Critic Score
    X&Y
    By ratcheting up their guitars and still singing about everyday themes, Coldplay are recasting their nerdy-student Britpop as Important Rock Music without sacrificing the homespun vibe that allowed Martin's fans to believe that he wrote a song for each one of them and called it "Yellow." [Jun 2005, p.99]
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