The Independent (UK)'s Scores
- Music
For 2,194 reviews, this publication has graded:
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47% higher than the average critic
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4% same as the average critic
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49% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | Hit Me Hard and Soft | |
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Lowest review score: | Donda |
Score distribution:
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Positive: 1,177 out of 2194
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Mixed: 988 out of 2194
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Negative: 29 out of 2194
2194
music
reviews
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- Critic Score
For better or worse, Duster sounds as though it was created by humans. Imperfections are packed into structures that are more comprehensible, and far less nebulous. Each crackle, echo and strained vocal makes the limitations of being human seem not only clear, but beautiful in its vulnerability.- The Independent (UK)
- Posted Dec 13, 2019
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Some are perfectly matched: the cycling strings of the poignant “The Electricity Goes Out And We Move To A Hotel” are like waves lapping at a wall, while the darting bricolage of scraping bow and “close-up” violin brings a real sense of desperation to “Dawn Of The World”. Anderson’s characteristic air of matter-of-fact wonder, meanwhile, lends a gentle charm to the epiphanies of “Everything Is Floating” and “Nothing Left But Their Names.”- The Independent (UK)
- Posted Feb 15, 2018
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After releasing all the pent-up adrenaline in the album’s first half, Paramore’s melodies lumber likeably to a sludgier, shoegazier speed after that. But the band keep things interesting by accessorising that sound with a synth flute (on “Big Man, Little Dignity”); a rattle stick tap (on “You First”); a twinkling keyboard; and low horn effect (on “Figure 8”).- The Independent (UK)
- Posted Feb 10, 2023
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Ultimately, it’s his own, most career-defining work to date. ... The record progresses--in every sense of the word---he allows himself to become more vulnerable, more considerate.- The Independent (UK)
- Posted Aug 6, 2018
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Close your eyes as you listen to Montero and you can almost feel the rainbow confetti falling from the ceiling and sticking to your tears. This album isn’t the creation of a gimmick-spinner. It’s an album bursting with technicolour heart.- The Independent (UK)
- Posted Sep 17, 2021
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On this, Gillian Welch's fifth album, the familiar blending of traditional sounds and moods with modern sensibilities is effortlessly sustained through songs like the mordant "The Way It Goes" ("Betsy Johnson bought the farm, stuck a needle in her arm, that's the way that it goes").- The Independent (UK)
- Posted Jun 24, 2011
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There’s been a lot of hype surrounding her since she made it on to BBC’s Sound of 2018 list. Miss Universe justifies it.- The Independent (UK)
- Posted Mar 21, 2019
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Making perfect pop isn’t easy, but Troye Sivan is a star who’s done his homework. With one foot in pop’s past and another in its present, Bloom is a record that could turn its considerate maker into one of mainstream music’s most revered and fascinating talents.- The Independent (UK)
- Posted Aug 30, 2018
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Her vocals – and the album itself – are dextrous, flexing between those high notes and lower registers at the most unexpected moments.- The Independent (UK)
- Posted Sep 24, 2021
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Swift has said she has no idea where she’s going from here. She doesn’t need to. But it’s a Christmas treat to hear her enjoy creating a whole magical, mystical world away from the spotlight. No reinvention required.- The Independent (UK)
- Posted Dec 14, 2020
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By avoiding clutter, both in lyrics and in instrumentation, each song feels like inhaling a gulp of cold, crisp air.- The Independent (UK)
- Posted Mar 23, 2023
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Here, Lewis does what she does best: adds the glossy sparkle of Hollywood and a sunny Californian sheen to melancholy and nostalgia, with her most luxuriantly orchestrated album yet.- The Independent (UK)
- Posted Mar 21, 2019
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This 111-track set does a commendable enough job, reflecting the extraordinary creative tumult happening behind the headline crap about gobbing and safety-pins.- The Independent (UK)
- Posted Jan 3, 2017
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Amo won’t satisfy all of BMTH’s fans, but it’s certainly accomplished, catchy and eclectic enough to bring in some new ones.- The Independent (UK)
- Posted Jan 24, 2019
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Grunge-rinsed, feminist-flipped, upcycled Fifties guitar an’ all: Crushing is a triumph.- The Independent (UK)
- Posted Feb 21, 2019
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On Everything Hits at Once, the Austin-formed indie veterans have compiled a glimmering collection of songs that date back to 2001’s Girls Can Tell, or are as recent as to come from 2017’s Hot Thoughts. There’s also a brand-new song, closer “No Bullets Spent” (built using parts from “Dracula’s Cigarette” of their Get Nice! EP), which is a low-simmering take on power and corruption.- The Independent (UK)
- Posted Jul 29, 2019
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In its commitment to euphoria, Dance Fever is an album that looks forward to the release of all the pandemic’s pent-up energy at this summer’s festivals. ... I hope she never learns to keep a lid on her wonderful wildness.- The Independent (UK)
- Posted May 12, 2022
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A blunt, bold album on which Hackman’s beatific voice sits atop methodically messy instrumentals.- The Independent (UK)
- Posted Aug 7, 2019
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It’s a relief then, to find that – despite Fontaines DC’s own misgivings – they still have plenty more of note to say.- The Independent (UK)
- Posted Jul 30, 2020
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Brimming with intensity and the analgesic hypnotism that is Pierce’s signature, And Nothing Hurt would make a suitably majestic final Spiritualized album.- The Independent (UK)
- Posted Sep 6, 2018
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Karine Polwart’s latest album draws together several narrative and observational threads--avian behaviour, the boggy moorland landscape near her home, problematic procreation, and a tragic early 20th century romance – into a taut allegorical message about community and progress, all set to vividly evocative arrangements by soundscaper Pippa Murphy, employing harp, celesta, balofon and percussion as required.- The Independent (UK)
- Posted Nov 22, 2017
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Providence Canyon is more muscular than its predecessor and, for the most part, a heck of a lot of fun: an 11-song LP recorded in Nashville with Cobb’s Grammy-winning producer/cousin Dave Cobb.- The Independent (UK)
- Posted May 11, 2018
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What comes across perhaps more strongly in this audio version of Before The Dawn is the subtly contrasting nature of the two suites, their disparate characters--entrapment versus liberation, petrifying terror versus exultant joy--reflected in the music.- The Independent (UK)
- Posted Nov 23, 2016
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Flower Boy presents a surprisingly sensitive, thoughtful, even pleasant personality.- The Independent (UK)
- Posted Jul 26, 2017
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If such bittersweet reflections came packaged on a solo Albarn release, they’d probably be set to sorrowful, detached, acousto-electronic sounds. But his old friends have alchemised those sentiments into songs that elevate his suburban tristesse into moments of sheer ecstasy.- The Independent (UK)
- Posted Jul 20, 2023
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- Critic Score
Blending Cline originals and recent covers with reimagined standards by the likes of Jerome Kern and Rodgers & Hart, all realised in beautifully enigmatic arrangements which wrap woodwind, horns, strings and tuned percussion around Cline’s guitar. Throughout, atmosphere is paramount.- The Independent (UK)
- Posted Aug 18, 2016
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- The Independent (UK)
- Posted Feb 21, 2019
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In the past, Obert’s fractured lyricism has sounded too blunt against such stark instrumentation; here it’s as though his words are being bathed in moonlight, coaxed softly into being. A wonderful, lucid dream of a record.- The Independent (UK)
- Posted Aug 19, 2021
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- The Independent (UK)
- Posted Aug 13, 2020
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Perhaps their greatest album since their Mercury Prize-winning breakthrough The Seldom Seen Kid, released over a decade ago.- The Independent (UK)
- Posted Oct 10, 2019
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