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Memento Mori Image
Metascore
85

Universal acclaim - based on 19 Critic Reviews What's this?

User Score
8.2

Universal acclaim- based on 85 Ratings

  • Summary: The latest full-length release from British electronic band Depeche Mode was produced by James Ford and Marta Salogni and is its first without Andy Fletcher who unexpectedly died in May 2022.
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Score distribution:
  1. Positive: 19 out of 19
  2. Mixed: 0 out of 19
  3. Negative: 0 out of 19
  1. Mar 24, 2023
    100
    Memento Mori is an absolute triumph. It’s almost the real songs of faith and devotion that they’d spoke of thirty years ago. Universal themes of mortality, love, anxiety; a handful of pop gems and what feels like an economical stripping back of the stadium-ness of previous works, making it their best long player this side of the century.
  2. 90
    Depeche Mode are still at the top of their game and ready to explore their vulnerabilities in new and intense ways. Memento Mori is not a one-listen album; take a few rounds to wrap your head around all the little details and let your favourite song change with every listen.
  3. Mar 31, 2023
    90
    While much of Memento Mori is thoughtful, and some of it visits the dark side, there is a great deal of positivity underpinning Depeche Mode’s work as a duo.
  4. Mar 20, 2023
    80
    Their most powerful work this century. It's the sound of a band entering a final act with a renewed sense of purpose, and sharp, sober new focus. [May 2023, p.26]
  5. 80
    ‘Memento Mori’ is comfortably their best album this side of the millennium, and, most importantly, a testament to creativity and friendship. The music world is richer for it.
  6. Mojo
    Mar 22, 2023
    80
    These songs have an impressive vehemency, whether showcasing uncanny AI balladry on Soul With Me, industrial wall-of-sound on Speak To Me and People Are Good, electro-pop dissociation on My Favourite Stranger, or hydraulically pumped Brel-drama on Don't Say You Love Me. [May 2023, p.85]
  7. 70
    Lavish production disguises thin songwriting on a few tracks, but overall this voluptuous sonic feast feels like a fitting epitaph to departed friends. [Jun 2023, p.72]

See all 19 Critic Reviews

Score distribution:
  1. Positive: 36 out of 44
  2. Negative: 5 out of 44
  1. Mar 25, 2023
    10
    Very powerfull peace of music! Gahan in good vocal shape, very fresh composition of sounds
  2. Mar 25, 2023
    10
    An utterly cohesive, magnificent electronic masterpiece that references Kraftwerk, Bowie and Moby, while self-referential to the bestAn utterly cohesive, magnificent electronic masterpiece that references Kraftwerk, Bowie and Moby, while self-referential to the best creations in Depeche Mode history, of which Memento Mori definitely ranks. The best tracks are People Are Good, Never Let Me Go, Before We Drown, Speak To Me, My Cosmos Is Mine, Don't Say You Love Me and My Favourite Stranger. Expand
  3. Apr 2, 2023
    10
    This is their best record since "Ultra" (1997). The boys from Basildon did it yet again. Well done, lads.
  4. Mar 27, 2023
    9
    Memento Mori is a definite step up from the last three albums, sound production wise. Textured, layered, reverb(ed)... Glad the distortion onMemento Mori is a definite step up from the last three albums, sound production wise. Textured, layered, reverb(ed)... Glad the distortion on Dave Gahan's voice was finally dialed back for this record. The presence of Marta Salogni as sound engineer -- who had experience working with electronic artists such as Björk and Goldfrapp -- likely played a huge part in this renewed Depeche Mode sound. (Quality headphones, people!)

    If Black Celebration, Ultra and Sounds of the Universe had a threesome baby, this might be the result. SOTU's B-side "Ghost" would've been a good fit for this record for the similarity in sound to some of the tracks. No songs are immediate crowd pleasers such as Enjoy the Silence (Violator), I Feel You (SOFAD) or It's No Good (Ultra), and Martin's guitar gets little action here, but most songs do hold your attention and bring you inside their dark, gloomy world... with hints of hope and warmth.

    Favorites: My Cosmos is Mine, Ghosts Again, Before We Drown, Always You, People Are Good, Speak to Me
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  5. Mar 24, 2023
    9
    Having been there since the Vince Clarke fuelled Speak and Spell and everything since, I wasn't too sure what to expect after the fairly tepidHaving been there since the Vince Clarke fuelled Speak and Spell and everything since, I wasn't too sure what to expect after the fairly tepid Spirit album of 2017.

    Mode seemed to be a group calling time on their tenure as pathfinders in various genres of music. With Fletch's unexpected death I was surprised Gore and Gahen colluded on a new album, but I'm ecstatic they did. Gahan's mellifluous voice juxtaposed with Gore's obvious expertise leaves them with a fantastic album that Fletch would've been proud of. "Ghosts again" is their best single for years and the ethereal "My cosmos is mine" set the tone for a journey into the macabre but there are elements of" Violator" and" Music for the Masses" in this album, yet Memento Mori still somehow maintains a singular identity. Gahan has co- written a few of the songs and seems be honing his skills in this art form. Memento Mori seems full of angst and pragmatic life lessons and within this lie gems such as "My favourite stranger", a song which harks back to the group's halcyon days. Gore's still seemingly youthful tones massage sentiment on "Soul with me" and "Caroline's Monkey" is unique and may be viewed as the weakest track on the album but gets better after a few listens. Every song invites you in, making this the best Depeche Mode album for a long while and well worth the wait. I only hope it isn't their swansong.
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  6. Apr 11, 2023
    8
    Depeche Mode deep inside their soul. They go over and write and produce new masterpice
  7. Apr 25, 2023
    0
    I can't even say this album is depressing. That would require actual emotion, which this album is completely devoid of. First, nothing standsI can't even say this album is depressing. That would require actual emotion, which this album is completely devoid of. First, nothing stands out anywhere. There are sounds that remind of older Depeche Mode. However, no melodies that make DM so great. Yet even if remove ourselves from the pop magic that no longer exists, there is nothing truly moving, intimate, dark, introspective, otherworldly, emotive, broken, or even truly melancholy or sad. Every song occupies the exact same space, there is no dynamic or ebb and flow, or highs and lows. It is an even plateau from start to finish, and goes nowhere. Lyrically it is broad, generic, and with no character. It is all empty word "art" that you find at a chain store, in cursive. Superficial and lacking in any personal nuance, question, or inward examination. Note that the lyrics are all static proclamations - Dont Play, You are, I won't. The few departures are songs like Before We Drown - "I've been thinking I can come back home
    So how would that be, you and I alone?
    All alone?
    I have a feeling, you're not on my side
    There's a distance, between you and I
    You and I"
    every line paints the exact same idea... actually scratch that. "paint" is far too generous and descriptive, for such generic on-the-nose flat statements."Painting" would imply that there is some sort of picture, image, mood, atmosphere, story, none of which exists. As a side note, it is interesting (I'm being nice with that word) that there is no indication of staying afloat or being overwhelmed, which conjure the imagery of drowning, which is in the title of the song, and only comes up at the end. It doesn't even have to be blatantly water related, at least some sort of feeling of being inundated or suffocated. No, Standing "naked, standing on the shore" does not do this. It is beach related, it elicits exposure or vulnerability, not drowning.
    The music follows suite in its directionless static nature. choruses and verses blur together with little distinction. You can literally sing along or hum to most DM songs, even the moody melancholy ones, Not every song/album has to have that. But it doesnt have any interest in term of arrangement, different soundscapes, atmosphere, or musical exploration. It is just as flat and lifeless as the monotone droning of vocals and stagnant lyrics.
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See all 44 User Reviews