Oct 21, 2013Self-help and sauce remain the remit, which might have been less tiring if “Roar”, “Walking on Air” and “This Moment” offered forms fresher than, respectively, the robo-stutter of Rihanna’s “Umbrella”, weary Italo-house pianos and strenuous stadium bluster to enliven their empowerment-speak.
Oct 23, 2013‘PRISM’, the follow-up to the blockbuster sophomore album ‘Teenage Dream’ by the international pop star, Katy Perry proves that she’s not just another bubblegum pop princess by showing artistic growth. She described in a recent interview that PRISM is an effort that emphasises on self-reflection and she indeed delivered. After the shocking divorce with Russell Brand, Katy steered away from despair and turned all her somber moments into empowering yet heartfelt mid-tempos. One might expect an entirely dark album due to the impact of the failed marriage, but the artist stayed strong and determined to spread her optimism in countering this landslide of emotions.
In the lead single, ‘Roar’, Katy brushes off the dust of the times when she sat quietly and agreed politely to her ex-husband. The ‘Oh-oh-oh-oh-ooh’ hook highlights the brightly coloured tune. Even when some critics negatively compares it to Sara Bareilles’ ‘Brave’, she fearlessly dances through the fire, smashing her way to be the queen of not only the jungle, but the charts worldwide as well.
‘Legendary Lovers’ is a refreshing dive into the Eastern musical influences. Its bridge features a tribal instrumental breakdown that climaxes the song and makes you wanna dance along. ‘Birthday’ is one of the lighthearted tracks in which Katy sexily seduces the listeners to celebrate with her like its their birthday every day. The mischievous innuendo and whispers of ‘Happy Birthday!’ will undoubtedly be mesmerising.
‘Walking On Air’, one of the promotional singles off the album, while having an extremely repetitive chorus, is a straight-up 80′s house track that gets you bopping. The second official single, ‘Unconditionally’, isn’t a song that you’ll immediately get addicted to. This slow burner sees Katy exclaiming her universally spreading the love that channels in all kinds. Its all rounding appeal owes largely to the lyrics which are applicable not only in relationships, but also between parents and children, siblings and friends.
‘Dark Horse’ is another experimental track that samples hip-hop elements. It is also the sole contender in the album that involves another artist’s vocal, which seems to be rather redundant. ‘This Is How We Do’ is the lowest point of the album. It recalls ‘Last Friday Night (T.G.I.F.) which sings about partying and having fun. ‘International Smile’ is a tribute to Katy’s friend Mia Moretti in which she compliments her as ‘someone who walks out of your dream’.
The second half of the album is where it gets personal. ‘Ghost’ tells a tale of how Russell sent a text to break up with her and ‘vanishes like a vapour’. In the pre-hook of the final chorus, she sings ‘So rest in peace/I’ll see you on the other side’, pronouncing that their love is over and she couldn’t care less. It sounds like a fitting song into her debut album ‘One Of The Boys’. ‘Love Me’ follows the footsteps of Roar. Katy leisurely sings about how she steps up her game towards insecurities which always get the best of her, and that she’ll be the one who defines who she’s gonna be. The cheesy ‘This Moment’ is where Katy’s vocal really shines. She advises her fans to cherish the moment as that’s all they have because ‘Tomorrow’s unspoken/Yesterday is history’. The booming, dramatic ending might potentially be tear-jerking.
The standard version of the album finishes in two ballads. ‘Double Rainbow’, co-written by Sia (who also penned Titanium and Diamonds), is less interesting yet able to showcase Katy’s versatility. ‘By The Grace Of God’ can remind you of ‘The One That Got Away’. Katy expresses her gratitude to her sister for ‘keeping her head above the water when the truth is like swallowing sand’. It definitely sounds better as a piano-only ballad. The studio production, however, makes it more radio-friendly.
The remaining tracks in the deluxe version are the reason why it is worth the buy. ‘Spiritual’, produced by Greg Kurstin (collaborated with P!nk) and Katy’s current boyfriend John Mayer, has gospel influences written all over it. ‘It Takes Two’ is an apologetic power ballad in which Katy sincerely regrets blaming her other half for all the wrongdoings and ending up to realise that she has a part to play too. She then announces that she is tired of fighting in ‘Choose Your Battles’.
Best tracks: Unconditionally, Roar, This Moment, It Takes Two.… Expand
Dec 1, 2013'Prism' is a frustrating album for diehard Perry fans. It's more great, radio friendly pop music from Katy that definitely uplifts and inspires... but it's frustratingly vague in the context of how she initially described the project "darker, edgier, moody". Following her high profile divorce, and the opening teaser trailer of Perry burning her 'Teenage Dream' at a funeral, it was to be expected that there would be some darker content here, or at least an artistic direction she hadn't taken before. That direction is nowhere to be seen or heard though. 'ROAR', the billion times platinum #1 hit paved the way for 'Prism' on the Billboard charts.... and sadly the album is more of the lead single.... and less of the edgier artist. Tracks like 'International Smile', 'The is How we Do', 'Birthday', and 'Love Me' all sound like they could pull perfectly off of the 'Teenage Dream' era. They don't bring anything new to the table. That being said, they're all quite good.
All in all for me, 'Prism' is an enjoyable listen... but ultimately just another Katy Perry album. There's nothing groundbreaking to be psyched about.
'Double Rainbow', 'Walking on Air' and the introspective ballad 'By The Grace of God' are my highlights.… Expand
Dec 15, 2013Katy Perry is one of the most basic artists out there. This album proves it again. Corny music and lyrics. Very repetitive as she can only do what she can with her voice (and I´m not even reviewing her real singing voice without the auto-tune). Only really good tracks are Legendary Lovers (still corny) and Dark Horse. The rest is just bad. The usual from this type of artists. Where are the real big talented names in mainstream music? Like it used to be in the 80s and 90s? Sad state music industry is in.… Expand
- By user score
|Your Arsenal [Definitive Master] - Morrissey|
|The Long Goodbye: Live at Madison Square Garden - LCD Soundsystem|
|Mandatory Fun - Weird Al Yankovic|
|Only Run - Clap Your Hands Say Yeah|
|Conversations - Woman's Hour|
|From Parts Unknown - Every Time I Die|
|Yes! - Jason Mraz|
|Led Zeppelin I [Remastered] - Led Zeppelin|
|Led Zeppelin II [Remastered] - Led Zeppelin|
|Nightclubbing [Deluxe Edition] - Grace Jones|
|First Mind - Nick Mulvey|
|∞ (Infinity) - Yann Tiersen|
|RetroHash - Asher Roth|
|Salad Days - Mac DeMarco|
|Range of Light - S. Carey|
|Piñata - Freddie Gibbs|
|Familiars - The Antlers|
|So It Goes - Ratking|
|To Be Kind - Swans|