Viva La Vida - Coldplay
Viva La Vida Image
Metascore

Generally favorable reviews - based on 32 Critics What's this?

User Score

Generally favorable reviews- based on 313 Ratings

  • Summary: The fourth album for the English band was produced by Brian Eno and Markus Dravs.
Score distribution:
  1. Positive: 22 out of 32
  2. Negative: 0 out of 32
  1. The confident majesty of the music, however, belies how he and his bandmates have invigorated their rock-lite reign. [20 June 2008, p.65]
  2. Well, reports of the death of the old Coldplay have been much exaggerated.
  3. Itâ??s in its latter stages that Viva... truly goes stratospheric: on the magnificent orchestral pop title track, where Martin imagines himself as a deposed French king reduced to sweeping the streets; on the bruised â??Yesâ??, like Dandy Warhols and Depeche Mode lost in a desert duststorm; on the Satanic blues hymnal of single â??Violet Hillâ??.
  4. What they’ve given us is an exquisitely polished blur, enjoyable at times, mildly challenging at others, but nothing that you couldn’t feel comfortable piping in as background for the Sunday barbeque with the Petersons.

See all 32 Critic Reviews

Score distribution:
  1. Positive: 95 out of 120
  2. Negative: 16 out of 120
  1. I still think this is their finest effort yet. First they wanted to be Radiohead and then they wanted to be U2 (the band said it themselves), but I believe they came into their own on this one. Sure, there are hints of Joshua Tree throughout. That doesn't need to be said. Well, maybe it does. I wonder if Chris Martin has ever written a song better than "Lovers in Japan"? I doubt it. Great album. Their best yet. Expand
  2. While I can say, as a Coldplay fan, this is NOT their best record (that would go to A Rush Of Blood To The Head), it's up there. This album, as produced by Brian Eno of U2 production fame, brings many experimental elements to the album, giving the band all new sounds to utilize like soaring string sections (almost the and combining that with their pre-existing sound. You get excellent songs like "Violet Hill", "Yes", and "Lovers in Japan". I praise Coldplay and Brian Eno for experimenting their sound. So at this point you're wondering why this hasn't got a 9 or 10. Well, honestly, I can say that my problem is that the album covers almost too much; I have to keep resetting my mind that "Wait, 'Viva La Vida'? That's Coldplay right?" Some songs are too far from their sound. Overall, It deserves a thorough listen, and if you're a fan of Radiohead (or experimental rock in general) this album would appeal to you more than their others. Expand
  3. Nothing special I'd say. Much better than "X&Y", but not even close to the synthesis band made with their debut. Of course, there are some good songs: "Cemeteries of London", "42" or "Lost". Expand
  4. JoeS.
    4
    After 3 or 4 complete listens, I'm afraid I'm just not feeling this album like I have older Coldplay releases. Unlike most albums I actually spend money on, there's not a single song on the entire album that I feel driven to put on repeat, listen over and over to, etc. Both musically and regarding emotional impact, I feel like this is the weakest of their albums to date. Expand

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