Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.5 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Major/Minor
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 69 Metascore
    • 60 Critic Score
    At its best, Arms is a pleasant album, one that sounds good on the surface or as background music. For most bands, that's perfectly acceptable. But for a group like Band Of Horses--whose ambitions have always intersected with being meaningful and transcendent, too--somehow just being acceptable makes Arms fall short.
    • 69 Metascore
    • 60 Critic Score
    About as riveting as a glass of water. [Jun 2004, p.97]
    • Alternative Press
    • 69 Metascore
    • 50 Critic Score
    Pyramids can sound like several songs playing at once, a psychedelic instrumental played backward, or the muffled recording of a session two rooms away. [July 2008, p.155]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Here, vocalist Yuki Chikudate's stacked, reverberating vocals sparkle like the glint of light off of fresh morning dew. [Apr 2009, p.134]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Del wisely keeps things simple on the audio front, lubricating many of his basic, old-school beats with the good old P-Funk bottom of his early years. [Mar 2008, p.147]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    It's not bad, but it's no zobie romance, that's for sure. [Mar 2009, p.113]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    VI
    Yeah, they've been putting out pretty much the same album for the last 10 years. [Jun 2007, p.158]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Somewhere Else is only rewarding if you can stay awake. [Feb 2013, p.90]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    The Sneak Attack proves this pioneer and innovator's run is far from over. [Aug 2001, p.90]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Speakers and Tweeters is an admirably varied effort from a band whose Two-Tone jones is just the starting point. [June 2008, p.137]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Sleep Forever is a fine album, but you get the sense that if the band focused on their pop sensibilities as much as they do their more seemingly aesthetic inclinations, it would have been a great album.
    • 69 Metascore
    • 60 Critic Score
    All too often it feels like the band are ignoring the part of their name that gives them carte blanche to experiment and toy with expectations.
    • 69 Metascore
    • 60 Critic Score
    Despite the obvious problems with continuity and flow (not to mention the general concept of time, as in the amount of actual time it takes to comb through 99 tracks), there's still a lot of good music on Occupy This Album.
    • 69 Metascore
    • 60 Critic Score
    Contributions from Chuck D... and Dan The Automator... elicit[s] enough blips on the heart monitor to keep the album from flatlining. [Dec 2004, p.158]
    • Alternative Press
    • 69 Metascore
    • 40 Critic Score
    This doesn't say the labum doesn't have its moments, but when you consider the amount of time and patience it takes to get to tthat point, it's hardly worth the payoff. [Apr 2008, p.153]
    • Alternative Press
    • 69 Metascore
    • 50 Critic Score
    It feels safe and too familiar.
    • 69 Metascore
    • 60 Critic Score
    It's a great album to have on hand for a wild party, but piping it through your headphones will have you skipping tracks. [Feb 2011, p.89]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Tellingly, 'Angelika' and 'Maria Leonza' only get comfortably loose and silly when halfway finished. With a Strokes-y guitar part and a driving backbeat, the innovative '16th & Valencia, Roxy Music' is hopefully what Banhart will be in the future. [Dec 2009, p.108]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Electrified certainly isn't the most original album you'll hear this year, but crunchy pop like this doesn't have to work very hard to impress the indie set. [Jul 2005, p.176]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    The album's best moment is "You've Got So Far To Go," which is straightforward without sacrificing nuance or energy. If only the rest of Damnesia could have been on that same wavelength. [Aug 2011, p.112]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Plays out like a sequel to BF5's last album... with one key element missing: humor. [May 2005, p.172]
    • Alternative Press
    • 69 Metascore
    • 50 Critic Score
    Tori Amos fans will be thrilled, but those hoping to continue on a hard-rock bender will be left puzzled. [May 2015, p.100]
    • Alternative Press
    • 69 Metascore
    • 40 Critic Score
    Amon Tobin and Joe "Doubleclick" Chapman have created some truly interesting sounds, but the end result is sadly just another trip-hop excursion with lame rapping over the top. [May 2009, p.123]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    A record of bittersweet delights that resonates with the brain and the heart. [Nov 2004, p.149]
    • Alternative Press
    • 69 Metascore
    • 50 Critic Score
    After blowing out of the gate with the blondie-tinted delight 'Ecstatic Appeal,' Pearl ends up coasting on fumes. [Nov 2009, p.114]
    • Alternative Press
    • 69 Metascore
    • 40 Critic Score
    The ladies aren't ready to carry an album by themselves. [Oct 2004, p.146]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Coheed's fourth album simply doesn't deliver on the suspense that's been loaded into it. [Nov 2007, p.155]
    • Alternative Press
    • 69 Metascore
    • 50 Critic Score
    For now, it just comes off like an unnecessary retreat.
    • 69 Metascore
    • 40 Critic Score
    Bull drags on with minimal memorable hooks and far too much guitar feedback. [Jun 2012, p.76]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    Admittedly, this kinder, gentler Half Japanese lack the shambling brilliance of earlier incarnations, but, hey, we all lose a step with age. [#155, p.76]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    The abundance of derivative electronic tricks diminishes Beautiful's successful updates of Garbage's sound. [Nov 2001, p.73]
    • Alternative Press
    • 69 Metascore
    • 60 Critic Score
    There's enough classic songcraft here to ensure Forgetting isn't forgotten. [Mar 2012, p.97]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    The Southern-rock grit that used to make Band Of Horses spellbinding is in dangerously short supply, but there's nothing else there to replace it. [Oct 2012, p.84]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    It's light, airy, soothing--and imminently forgettable. [Apr 2009, p.135]
    • Alternative Press
    • 68 Metascore
    • 50 Critic Score
    There's some decent stuff in the second half. [Sep 2005, p.164]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Their newfound nods to pop music... overshadow the expected balls-out rockers. [Apr 2006, p.220]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Much of the disc is business as usual. [Oct 2007, p.169]
    • Alternative Press
    • 68 Metascore
    • 50 Critic Score
    The 13 tracks here are improbably edgeless, all love-me-do/love-me-don't plaints that evaporate on impact. [Sep 2001, p.91]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Li(f)e's musical concept is great, but he's been better on the mic. [Jun 2010, p.105]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Tennis offer a solid but unspectacular album by a band capable of great beauty but one who seem to struggle translating that into great songs.
    • 68 Metascore
    • 40 Critic Score
    Hal
    Doesn't make many lasting impressions. [Jul 2005, p.182]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Mohager ultimately forgets there's a fine line between homage and aping, but if your dream gift is a time capsule from the Reagan Years get ready to discover your new favorite record. [Jul 2011, p.107]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    This batch of cobbled-together love songs and lullabies makes for instantly likable pop regardless of its source material. [#155, p.77]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Herren's gift for finding order--and even melody--amid such chaos is too strong to allow this collection to be written off as self-indulgent. [Apr 2006, p.224]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    This 18-song, one-hour compilation is a spawling, hit-or-miss affair. [Jan 2011, p.90]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    The riff-roaring arena anthems "Racon Eyes" and "The Firebird" are among the most infectious tracks Priestess have ever written. Elsewhere, the band's retro-fuzz machinations don't fare so well. [Mar 2010, p.98]
    • Alternative Press
    • 68 Metascore
    • 50 Critic Score
    The disparate pieces of Melvins Lite don't quite line up. [Jul 2012, p.98]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    But under the ill-fitting vocals, Deep Down & Dirty has some dubby, dark tracks that work if only because they don't try so hard to be "Connected" sequels. [Jul 2001, p.85]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    There’s enough inventive, Jamaican-inspired music on Free The Universe to make it worth hearing--but here’s hoping Diplo keeps things Kingston-centric again next time around.
    • 68 Metascore
    • 60 Critic Score
    The net effect is unsettling distance, not pointed commentary. [Apor 2009, p.134]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    It's a shame that in those rare moments Lacuna Coil do stick out their necks, the results are the uninspired, tepid radio rock of Shalow Life's 'Unchained' and 'The Pain.' [Jun 2009, p.104]
    • Alternative Press
    • 68 Metascore
    • 50 Critic Score
    Ellipse is balanced but doesn't break ground. Fans of her past work will likely find little to quarrel with, but they won't be challenged, either. [Sep 2009, p.105]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    With primarily organic instrumentation and warm, low-fi production, nothing is forced--although in some instances, the tracks feel a little too barren, and overall there's not much to distinguish between the songs. [Sep 2009, p.108]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    At times, Iwrestledabearonce could almost pass for In This Moment. Whether that's a compliment or not is your call. [Sep 2013, p.90]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    If you’re in the market for something sullen, you could do a lot worse. But if you’re yearning for any of what likely drew you to Moving Mountains in the first place, you probably need to hope it happens the next time around.
    • 68 Metascore
    • 60 Critic Score
    It's something they've done better before. [May 2007, p.158]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Ably backed by bassist Michael Cotterman (ex-the Loved Ones) and Andrew Black on drums, if there's any flaw to the Title Tracks formula, it would be that they could make a few moments more flawed. But that's just the Q And Not U fan talking.
    • 68 Metascore
    • 40 Critic Score
    There's no trace of the zany sass that made the Go-Go's an institution to begin with. [Jul 2001, p.68]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    A perfectly pleasant background score for pasta-making, garden work, and other stuff 40-something yuppies waste their time on. Which makes it my definition of hell, actually. [Jul 2001, p.60]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    A dozy dud. [Jun 2004, p.98]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    Easy like a Sunday morning, and just as dull. [May 2004, p.110]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Pariah isn't without its merits, and diehard fans will likely find few flaws anywhere. But for the casual listener, the album might seems a little less "Of The Room" and a little more "Rent." [Jul 2009, p.126]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Sadly, the electro-plated Evil Heat is neither evil nor particularly molten. [Jan 2003, p.99]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    Dominated by sparse instrumentation and lyrics that are merely good... relatively lifeless tunes. [12/2000, p.115]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Undoubtedly his catchiest record so far. [Feb 2007, p.122]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Although memorable hooks are few and far between... there's no denying the album's ferocity. [Mar 2005, p.132]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    The Church's languid melancholy sedates rather than seduces. [Feb 2004, p.88]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    Though there's little here to entice newcomers, fans should rejoice. [Mar 2002, p.77]
    • Alternative Press
    • 68 Metascore
    • 40 Critic Score
    Bland and undistinguished. [Aug 2005, p.178]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    One can only wonder how Sinners Never Sleep would have fared had it been more consistent. [Nov 2011, p.98]
    • Alternative Press
    • 68 Metascore
    • 60 Critic Score
    The 15 songs here chart a typical course through the American songbook, with paradoxically straight-faced camp, morose show tunes and orchestral chamber pop without the aid of an actual orchestra. [Apr 2012, p.96]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    Though their sometimes generic juddering occasionally dulls the impact, it's still clear the Color Morale are trying to be more than just "another one of those bands." [Apr 2013, p.88]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    Instead of cleverness, the polished songs indulge here sentimental broken heart. Bandmate M. Ward is mostly content to stay out of the way vocally, but he builds up a castle of retro-instrumental heartbreak for Deschanel. [Jun 2013, p.102]
    • Alternative Press
    • 67 Metascore
    • 40 Critic Score
    Today, yet another album filled with introverted hip-hop instrumentals--even one with occasional moments of beauty radiating from the murk--is doomed by comparison to the more innovative work the label has been offering lately. [Mar 2006, p.138]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    It's rad that Finch are back together sounding sharp, but the creative differences that led to this album being nearly a decade in the making remain apparent. [Oct 2014, p.100]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    Sounds rather pedestrian. [Jan 2006, p.142]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    The least pretentious--and most accessible--thing AYWKUBTTOD have ever released. That's probably because it sounds a lot like your record collection. [Feb 2005, p.92]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    This restless, rootless disc suggests Cex hasn't settled on his future destination just yet. [Aug 2006, p.222]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    God Says No is the sound of a band heading toward the charts, full-speed.... This is a disappointing record for longitme fans; maybe new ears will dig it. [#153, p.81]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    Teetering between genius and madness, Repo is a few hooks shjort of a successful fishing trip for experiemental music, left mostly with "experiemental" and not much in the way of traditionally defined "music." [Jun 2009, p.102]
    • Alternative Press
    • 67 Metascore
    • 50 Critic Score
    While it's enjoyable for what it is, you can't help but wonder where all the songs went when after an half-hour or so, you recall literally nothing. [Oct 2012, p.92]
    • 67 Metascore
    • 40 Critic Score
    A dispirited, half-baked record. [Jun 2007, p.156]
    • Alternative Press
    • 67 Metascore
    • 50 Critic Score
    When the twins harmonize, the results are sweeter than sugar-dipped honeysuckle. What they really need, though, is some fire in their bellies. [July 2008, p.151]
    • Alternative Press
    • 67 Metascore
    • 50 Critic Score
    There’s passion cooked into each Antemasque song, but it is curiously unmoving.
    • 67 Metascore
    • 40 Critic Score
    Even Westerberg knows that he can do better. [Jan 2004, p.108]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    Much of Dust is nearly indistinguishable from the British trip hop Muggs' tripped-out productions helped inspire. [Apr 2003, p.82]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    Gone are the Mary Poppins samples and the rest of the duo's anything-goes ethos; Breakfast is filled instead with Cap'n Crunch-y nuggets of pure, sweet, mainstream hip-hop. [Mar 2012, p.97]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    While there are moments of buzzing, high-flying bliss on Githead's third LP, one can't escape the sensation of horizon-hugging deja vu. [Jan 2010, p.94]
    • Alternative Press
    • 67 Metascore
    • 40 Critic Score
    An album full of songs so lethargic, it sounds like it needs a nap halfway through. [Apr 2002, p.71]
    • Alternative Press
    • 67 Metascore
    • 40 Critic Score
    While there are some nice moments of orchestral pop here, that's hardly enough to carry an entire album. [Aug 2006, p.208]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    There are enough sparkly pop moments here to suggest Rooney could become, like the best Hollywood exports, a guilty pleasure. [Aug 2003, p.105]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    Their new EP, Middle States, is occasionally tedious, thanks to those meandering tendencies. [Jul 2011, p.106]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    The energy makes it feel like there's too much going on, leading to songs blending structurally, downplaying hooks.
    • 67 Metascore
    • 60 Critic Score
    Only the blindly in love will fully appreciate Suitcase, which is chock-full of bruised and blemished tracks, though it's not all throwaways. [#147, p.94]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    While dissonant noise is the main component of the duo's slacker shoegaze, hidden beneath those layers of distortion are some moments of melody. [Jul 2014, p.102]
    • Alternative Press
    • 67 Metascore
    • 40 Critic Score
    Could pass for a set of lo-fi synth demos Sir Paul McCartney cooked up one long weekend for shits and giggles. [Feb 2006, p.130]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    Pleasant but edgeless. [Jun 2007, p.149]
    • Alternative Press
    • 67 Metascore
    • 40 Critic Score
    Hypnotic Nights has the feeling of an album created by Venn diagram, with the outer edges of glam, psychedelia, garage rock and hard rock connecting to create "the ultimate rock album…you know, for kids!"
    • 67 Metascore
    • 60 Critic Score
    These offerings feel uncharacteristically flat. [Apr 3015, p.92]
    • Alternative Press
    • 67 Metascore
    • 60 Critic Score
    There are way too many cooks in this kitchen. [May 2011, p.91]
    • Alternative Press