The 15th album for the British grindcore band was produced by Russ Russell.

The second album for the singer, who recently lost her father, explores themes of grief and was produced by Luther Russell.

The indie-pop duo releases its twenty-first album.

Hatfield's fourth solo disc (and first since 2000) finds her working with producers and engineers David Way (Pink, Madonna), David Leonard (Avril Lavigne, Prince) and Dave Cook (Nick Cave).

Will Oldham's latest album under his Bonnie "Prince" Billy moniker features appearances by such guest as Wilco's Leroy Bach and Mekons' Jon Langford.

The fourth album for the British group is its first without cofounder Sam Genders.

The fourth full-length release for the British pop singer features guest appearances from Burna Boy, Giggs and Lady Chann.

Elvis Perkins returns with the follow-up to his debut album with a full band.

The first full-length studio release in nine years for the Swiss electo-pop duo of Dieter Meier and Boris Blank features guest appearances from Malia and Fifi Rong.

The second full-length studio release for the Philadelphia rapper features guest appearances from Chris Brown, Jeremih, Nicki Minaj, Rick Ross, and The Weeknd.

The second solo album for the alt-country singer who was one-half of Freakwater was produced by Tara Jane O'Neil.

This is the seventh album for the New Zealand rock quartet.

This is the third studio album for the Toronto collective headed by Joel Gibb.

The 10th release for the German electronic music duo of Andi Toma and Jan St. Werner is their first album since 2006's Varcharz.

The seventh studio release for the California alternative rock band led by Adam Durvitz was produced by Brian Deck.

In spite of being diagnosed with Alzheimer's Disease, the country pop musician releases a new album.

The acronym for the eight-track second studio release for the R&B singer stands for Keep That Same Energy and was produced by Kanye West.

The first studio release for the band in four years sees Buzz Osborne and Dale Crover joined by Butthole Surfers' Paul Leary and JD Pinkus.

Influenced by early 1980's romantic/new wave, LA's Abe Vigoda's fourth album continues to re-create synth pop and post punk, comparable to The Cure and David Bowie.

The debut full-length release for the Brooklyn pop duo was recorded in New York and London.

The London-based artist releases his follow-up to his Mercury Prize-nominated debut album.

The third full-length release for the South Carolina duo of Michael Trent and Cary Ann Hearst was home-recorded.

The debut full-length studio release for the hip hop producer features guest appearances from such artists as 2 Chainz, Big Sean, Fabolous, Lil Wayne, Rick Ross, Ty Dolla $ign, Yo Gotti, Young Jeezy, and Wiz Khalifa.

The second album by Katy Goodman of Vivian Girls was produced by Rob Barbato.

Weller's latest--his first disc of new material in three years-- is louder and rock-ier than other recent efforts.

The third full-length release from London-based indie-pop trio Girl Ray is said to be inspired by disco and the FX TV series Pose.

The fourth full-length release for the singer-songwriter features contributions from Jedd Hughes, Parker Millsap, Aoife O'Donovan, Luke Reynolds, Joey Ryan, and Sara Watkins.

The third full-length album for the Scottish electronic producer was a surprise release.

The seventh full-length release for the Norwegian pop singer-songwriter was written after his divorce from Mona Fastvold.

Thomas Meluch's latest release as Benoît Pioulard was inspired by religious iconography and cathedrals in Europe.

'Black' finds the Danish duo expanded to a more melodic, less noisy trio, with new bassist Anders Christensen joining vocalist Sharon Foo and guitarist Sune Rose Wagner. Also appearing are Velvet Underground drummer Maureen Tucker, Suicide's Martin Rev, and Ronnie Spector.

The second full-length release for the Texas soul artist was executive-produced by Ricky Reed.

The Mountain Goats' latest album was produced by Scott Solter and John Vanderslice.

The French electronica band returns with its long-awaited follow-up to its hit 1998 debut, Homework.

The Chicago post-rock outfit fronted by Sam Prekop switches producers (from John McEntire to Brian Paulson) for this latest 10-track set.

The first release of new songs from the British post-punk band in 35 years was produced by Paul Epworth.

The singer's second 2005 release is sung entirely in English, and includes two tracks originally sung in Spanish on Fijacion Oral Vol. 1.

This is the third full-length studio release for the Buffalo indie punk-pop trio.

The British rock quintet releases its debut full-length album produced by Ken and Jolyon Thomas.

The latest solo album for the singer-songwriter includes one track co-produced by Mark Ronson.

The debut full-length release for the band led by Chad Ubovich of Fuzz and Mikal Cronin was recorded with Eric King.

Arif Mardin produced this follow-up to the singer's hugely successful 2002 effort 'Come Away With Me.' Dolly Parton guests.

Tool vocalist Maynard James Keenan's side project returns with a second LP on which he's backed by Jeordie "Twiggy Ramirez" White (Marilyn Manson), Billy Howerdel (Tool's guitar tech) and Josh Freese (Guns N' Roses).

This sophomore LP for the Reading, England band continues the retro-futuristic pop sound (frequently compared to Stereolab) from their debut, with vocals sung in English, Spanish and French.

The fourth album for the alt-country trio (whose song "Moment in the Sun" is the theme for NBC's "Ed") was produced by Joe Chiccarelli (American Music Club).

This is the second album from the post-punk outfit, one of the edgier, less-mainstream bands on the current New York underground circuit.

This self-titled release is the fourth studio album for the California alt-metal outfit.

Another member of the new generation of neo-art-punkers (think Interpol or Liars, perhaps), this Los Angeles-based British four-piece makes its debut with 'Chat & Business,' which comes with a complimentary set of stickers with which to decorate the album cover.

This Sub Pop debut for the British Columbia band falls into the 80s/punk revival category occupied by the likes of French Kicks and Radio 4, although Cure comparisons are more likely (since lead singer Steve Bays' voice sounds, at times, almost identical to Robert Smith's).

This is the second album for the eclectic indie-rock band fronted and founded by John Schmersal (Brainiac). For this outing, the band has expanded to a four-piece, with new members Matt Schultz and former Blonde Redhead bassist Toko Yasuda (who replaces Steve Calhoon and handles some vocals).

The latest release for the soul artist was produced by Poliça's Ryan Olson (with assistance from Bon Iver's Justin Vernon) and features guest appearances from Bon Iver and Guitar Shorty.

The third release for the Oregon duo of Matt Carlson and Jonathan Sielaff was recorded over two years.

The Canadian indie rock band's mellow fourth album.

This is the electronic band's first album since its 2002 album, "Neon Golden."

The second full-length release for the Georgia trio was recorded in a cabin and produced by ex-Carnivore Nathaniel Higgins.

This is the first solo release for Cleveland-based electronic artist since the Emeralds disbanded in 2013.

The latest album for the Japanese quartet is the band's first release since 2006's "Taiga."

The debut full-length release for Ice Age's Elias Bender Rønnefelt's side project with Loke Rahbek of Sexdrome, Kristian Emdal of Lower, and Lukas Højland of Redflesh was recorded in New York.

Bonnie Raitt returns after seven years with her first studio album since 2005's Souls Alike.

The second full-length release for the British pop singer-songwriter was produced by Benny Blanco and Two Inch Punch.

This self-released effort for the Los Angeles-based singer-songwriter (and former Til Tuesday frontwoman) is her first release since the twin 2000 critical successes of 'Bachelor No. 2' and the soundtrack to "Magnolia."

The seventh full-length studio release for British rock band Kasabian is the first with Serge Pizzorno as lead singer.

The sixth full-length studio release for the British pop group features contributions from such artists as Kamille, MNEK, Tayla Parx, and TMS.

The fourth full-length release for the singer-songwriter from Texas was self-produced with some co-production from Al Carlson, Dan Duszynski, and Shane Renfro.

The second full-length release for the band led by ex-Replacements bassist Tommy Stinson was recorded live in studio.

A portion of the sixth full-length release for the experimental electronic trio was recorded in a church.

The debut solo release for Foxygen drummer Shaun Fleming was recorded in two weeks while he was at home recovering from the flu.

The second full-length release for the Danish singer-songwriter was recorded in Berlin and self-produced.

The fourth full-length studio release for the Scottish singer-songwriter was produced with Howe Gelb and includes a guest appearance by PJ Harvey.

The second full-length release for the British indie folk-rock group was produced by Tobi Gmur.

The fourth full-length studio release for the son of late Malian bluesman Ali Farka Touré includes appearances by Sidiki Diabáte and Idan Raichel.

The EP for the electronic artist also known as Hugo Manuel moves away from chillwave to a pop sound.

The third album from the L.A. band is indie pop with an emotional edge.

"A Thing of the Past" also features guest appearances by Vashti Bunyan, the Chapin Sisters and Michael Hurley

This is the second LP for the Chicago-based avant-pop outfit.

The DFA produced this full-length debut for the unconventional rap outfit consisting of MC Jesse Levine and a live five-piece backing band.

Adam Kasper again co-produced the band's belated follow-up to 2002's 'Riot Act.' It is Pearl Jam's eighth studio album overall.

The third full-length release for the indie rock band led by Jack Tatum was recorded in Los Angeles and Stockholm.

This is the debut album for the singer from Norway.

The second album for the British trio was produced by Jim Abbiss and features Peaches as a guest singer on one track.

The debut non-soundtrack release for the director best known for his horror films was improvised instrumental music with his son Cody.

The fifth full-length release for the Seattle sludge metal band now composed only of Jared Warren and Coady Willis was recorded in Joshua Tree with Dave Curran.

The fourth full-length studio release for the electronic artist/producer features guest appearances from Björk, Rosalía, Shygirl, and SOPHIE.

The first full-length studio release in five years for the British indie rock band was produced with John Congleton.