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While the mostly mid-tempo, mostly acoustic continues the trajectory from college rock to radio-ready adult alternative, Gomez has yet to succumb to anything resembling blandness. The album’s best songs are its most experimental, which will continue to frustrate those who want these Southport boys to more frequently embrace the strange.
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Gomez ups the musical ante with A New Tide, a brilliant 11-song collection of lyrical jewels embellished by colorful and unusual textural arrangements that a dynamics-loving jazz band could admire.
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Their latest, A New Tide, is their most accessible set yet.
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Album-closer 'Sunset Gates' gives Ottewell the final word, one he shares with promenading stand-up bass, pulsing guitar counterpoints, and a climactic jam crescendo driven by Peacock’s eternal fills and blaring horns that sputter like wounded hawks plunging from the hardscrabble sky. And so ends another Gomez album, a very fine one.
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On the laidback, spaced-out strength of A New Tide, they’re still as pleasantly beguiling as they were 11 years ago.
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Recorded in Chicago and Charlottesville, Virginia, A New Tide cobbles together elements of those scenes, but it ultimately lacks identity; it strives for diversity at the cost of imagination and quality songwriting.
User score distribution:
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Positive: 15 out of 20
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Mixed: 4 out of 20
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Negative: 1 out of 20
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RayBApr 9, 2009
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MeanMrMonkeyApr 18, 2009
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sorenkApr 17, 2009