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Entertainment WeeklyLost improves on the first disc at least five times over, partly because its starker focus might really take you back to...well, certainly not a club, but maybe an AM radio-equipped kid's bedroom circa 1973. [21 Sep 20007, p.80]
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Here's a set that suggests rock has got its head screwed on straight again, that the path to real feelings need not necessarily be led by Norah Jones.
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He shows the abandon and confidence of a long-term artist, not just a one-hit wonder.
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But snobbery apart, this is a terrific album.
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It will seduce anybody already won over by his 2005 debut, "Back to Bedlam," since it's a tighter, more assured record than that. But chances are, they were seduced by Blunt already.
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Blunt has turned his attention away from his sound hole and his sensitive soul, refocusing his energies on the '70s and unearthing a measure of depth and ingenuity.
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There's plenty to scorn on All the Lost Souls; Blunt loves a well-worn phrase, and his attempts at humor can be surprisingly crude. But he's onto something. He's not making background music.
Awards & Rankings
User score distribution:
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Positive: 64 out of 98
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Mixed: 6 out of 98
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Negative: 28 out of 98
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RobbieCSep 27, 2007It sucks.
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StefanVFeb 21, 2008
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Jul 27, 2017