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Jan 11, 2011Eight satisfying songs of rhythm and groove later, Underworld pulls a fast one, yanking the cord with album finale "Louisiana," which features beautiful keys, languid vocals and a gentle, time-keeping beat that lulls listeners into the blissful ether.
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UncutWith experiments in disco, dubstep and drum'n'bass all unmistakably Underworld, Barking is the sound of veterans re-energised. [Oct 2010, p.
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Thirty years into their collaboration, Underworld's Rick Smith and Karl Hyde continue to sit at the forefront of dance music innovation. Barking is just further proof that Underworld isn't going anywhere.
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Even the forecast backlash from fans of the trance era can't dent Barking's relentless enthusiasm, and given the sufficient exposure and time, everyone should be able to party to it. It's just that for an Underworld album it sounds distinctly un-Underworld, and more like someone's asked Smith and Hyde to ghost-write a Now! compilation.
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Where Underworld was once a dark foil to what was generally a culture of peace, love and hedonism, in these grim times, Barking is a relatively upper's affair, and something of a techno's-greatest-bits.
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They may not be sticking their necks out as pioneers now but it's not important --they are never less than themselves, and superficial quibbles aside this is the sound of musicians with nothing to prove and everything to give.
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Underworld is freed up to focus on crafting memorable tunes that hark back to their electronica heyday, as well as more personal, coherent lyrics. Earnest emotions surprisingly suit these dance-floor surrealists.
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Alternative PressThe album can't sustain the energy of early tracks like "Bird" and "Scribble," but while the blaze lasts, it's definitely worth warming yourself up on. [Oct 2010, p.120]
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Underworld's new album is distinctly Underworld, and has a greater cohesiveness than those previous two full lengths, as well as a greater appeal.
User score distribution:
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Positive: 8 out of 10
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Mixed: 2 out of 10
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Negative: 0 out of 10
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Mar 30, 2016