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MojoJun 23, 2021There's a pleasing, Bowie-ish swagger to Elfman's vocals and a steam-punk thrust to Big Mess's heavy, junkyard percussion, the album's caustic, chaotic arrangements utterly fearless throughout 18 rather exhausting songs. [Aug 2021, p.86]
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The WireJun 29, 2021Most of the songs here work in pairs, or groups of three, as if Elfman couldn’t decide where to finish an idea and instead offers a few variations on a theme, diluting the punch of each individual track. ... The best tracks here are the ones where Elfman acknowledges his own limits and fears, without hedging or flippancy. [Jul 2021, p.59]
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Jun 14, 2021Many of these tracks don't even have much in the way of guitar riffs or interesting drum rhythms, even though studio aces like drummer Josh Freese and guitarist Robin Finck (both veterans of Nine Inch Nails) are doing excellent work with their playing throughout the album. Combined with Elfman's lack of vocal color, this makes the album sound like a buzzing, pounding collection of white noise punctuated by occasional bursts of interesting string themes or the odd downtempo track.
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UncutJun 11, 2021It's a long, convoluted, tiresome listen. [Jul 2021, p.25]
User score distribution:
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Positive: 8 out of 9
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Mixed: 0 out of 9
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Negative: 1 out of 9
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Jun 11, 2021
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Jul 3, 2021Álbum muito genérico.
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Jun 18, 2021