Metascore
64

Generally favorable reviews - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 13
  2. Negative: 0 out of 13
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  1. Oct 4, 2011
    80
    The result is a strong, confident record that's his best solo effort to date.
  2. Feb 17, 2012
    74
    The result is his best and most kinetic solo album yet.
  3. Oct 4, 2011
    70
    Whilst it's obviously no Dog Man Star, Brett Anderson's tenth round rings the bell for a local hero with spirit reborn, heart aflame, trash talkin' and eyeing the prize once more.
  4. Sep 29, 2011
    70
    While a good half of the album demonstrates a genuine songwriting nous, other elements hint at a mere rehashing of old Suede ideas. More's the pity, as the opening three tracks alone are worth the price of admission.
  5. Black Rainbows isn't all-out kick-ass noise but, by turns, spindly and fuzzy, smooth and angular.
  6. 70
    The record boasts maybe his finest solo single to date in 'Brittle Heart', plus a clutch of mid-tempo rockers that scrub up nicely--even if the seedy Soho glam of yore is replaced by a leadenly earnest tone.
  7. Q Magazine
    Nov 8, 2011
    60
    Black Rainbows is the right album at the right moment. With its rich, layered sound and its hugely enjoyable preening, it is unashamedly Suede-esque. [Nov. 2011, p. 127]
  8. Mojo
    Oct 5, 2011
    60
    Black Rainbows is a pretty good dress rehearsal. [Oct 2011, p.97]
  9. 60
    While imparting a palpable sense of immediacy to the performances, there are some tracks that could do with more work.
  10. Sep 29, 2011
    58
    While Black Rainbows may represent more of a flickering flame than a raging inferno, it at least yields some evidence that Anderson's once-fiery persona has not been completely extinguished.
  11. Sep 29, 2011
    50
    The mid-section lets him down, slumping into the bad habits of his debut solo album.
  12. Sep 29, 2011
    50
    Nearly twenty years on from Suede's debut and he sounds pretty much unchanged.
  13. Uncut
    Oct 3, 2011
    40
    Anderson's songs still find him leading a herd of misunderstood waifs but offer little to tempt the uninitiated. [Oct 2011, p.81]

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