• Record Label: Rhino
  • Release Date: Nov 26, 2021
Metascore
81

Universal acclaim - based on 9 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 9
  2. Negative: 0 out of 9
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  1. Nov 29, 2021
    92
    Although you won’t find an overlooked “Life on Mars?” or “The Man Who Sold the World” here, it’s still Bowie, challenging himself again after those years in the wilderness, with the familiar haunting refrains, the unusual chord changes, the verses in Cockney accent, the Syd Barrett and Ray Davies-esque melodies, and most of all his still-stunning voice. Nearly all of the albums here have at least glimpses of that greatness and a couple of killer songs or moments.
  2. Classic Rock Magazine
    Nov 29, 2021
    80
    A rich feast for connoisseurs, a rewarding research project for curious casual fans. [Dec 2021, p.78]
  3. Mojo
    Nov 29, 2021
    80
    It's a daunting but ultimately rewarding listen. [Jan 2022, p.92]
  4. Nov 29, 2021
    80
    Covering Black Tie, White Noise, The Buddha of Suburbia, 1.Outside, Earthling and ‘hours…’, this box set is a welcome opportunity to re-evaluate that period with a more forgiving spirit and historic context. Because (as they say in sport) form is temporary, class is permanent. And Toy is further proof that Bowie was always a class act.
  5. Uncut
    Nov 29, 2021
    80
    The pick of the bunch are the two recordings made in 2000. The first is a live set recorded shortly after Glastonbury at the BC Radio Theatre featuring Bowie's well-drilled band on a post-Glasto high, working through the hits. The second is Toy. [Jan 2022, p.38]
  6. Nov 29, 2021
    80
    Toy features Bowie revisiting a bunch of songs he wrote in the '60s, most written and recorded prior to "Space Oddity." Hearing Bowie apply Hours aesthetics to swinging, mod-ish material is odd but mildly appealing; it's a slight record but it's nice to have it as part of the official discography. The rest of the box follows a familiar and comforting pattern, confirming that the '90s were a bit of a creative resurgence for Bowie.
  7. Nov 29, 2021
    80
    While the Toy highlight Shadow Man introduces “… a man back a-ways/Who believes at where he is”, at this stage of his career, David Bowie could reflect on where he’d been with pride – including, as Brilliant Adventures shows, another decade of committing to himself.
  8. Dec 13, 2021
    76
    The resultant record [Toy] is a mixed bag. Bowie and his band gel well. ... But these seasoned pros often fail the material, losing the ramshackle charm of the originals. ... The 1990s albums reissued here, however, tell the story best.

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