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C88 [Box Set] Image
Metascore
84

Universal acclaim - based on 5 Critic Reviews What's this?

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  • Summary: The third box set from Cherry Red of British indie pop bands features both familiar names such as The Stone Roses, The Mock Turtles and The Poppyheads as well as relatively unknown bands in the three-disc compilation.
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Score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5
  1. Sep 7, 2017
    100
    There are plenty more excellent guitar janglers like The Pooh Sticks doing my favorite tune “On Tape” plus Pale Saints doing the dreamier “Colours and Shapes” and Choo Choo Train (Ric and Paul from Velvet Crush) doing the righteous “High,” all of which is one disc one. Moving right over to disc two The House of Love start things off with “The Hill.”
  2. Sep 7, 2017
    90
    Picking out highlights from a treasure chest overflowing with golden nuggets is a tough call, but Inspiral Carpets' 'Theme From Cow' off their unsurpassed and impossible to find Plane Crash EP, *8Kitchens Of Distinction's shoegaze prototype 'Prize', Thrilled Skinny's introduction to fraggle 'So Happy To Be Alive' and Mancunian oddballs King Of The Slums**' 'The Pennine Spitter' are just four of many reasons why this compilation should be high on every music completist's shopping list.
  3. Sep 7, 2017
    80
    There is a wealth of brilliant pop on C88 ripe for the picking, enough to keep anyone smart enough to check it out satisfied for a long time, or at least until C89 arrives.
  4. Sep 8, 2017
    80
    Divorced from the times, though, it’s always the torpedo-damning oddballs who really stand out in any self-respecting compilation and here C88 comes up trumps in digging out Scottish proto-shoegazers Prayers’ gritty Sister Goodbye and cranky Mancunians King Of The Slums’ (literally) bile-soaked The Pennine Spitter.
  5. Uncut
    Sep 7, 2017
    70
    Though jangly sounds abound on the 71 songs collected here (so much so that there's an inevitable degree of twee fatigue), the contents demonstrate a shift away from the original shambling scenesters' distaste for displays of ambition, and a new eagerness to grab hold of the brass ring that The Smiths had surrendered to other contenders. [Aug 2017, p.50]