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- Record Label: Heavenly
- Release Date: Apr 13, 2018
- Summary: This is the debut full-length release for the Australian dance-pop band that includes Janet Planet, Sugar Bones, Reggie Goodchild, and Clarence McGuffie.
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- Record Label: Heavenly
- Genre(s): Pop, Pop/Rock, Alternative/Indie Rock, Club/Dance, Alternative Dance, Dance-Rock, Left-Field Pop
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Score distribution:
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Positive: 6 out of 7
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Mixed: 1 out of 7
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Negative: 0 out of 7
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May 8, 2018Confident Music For Confident People is exactly what it says on the tin. It's also the most unashamedly addictive record you'll hear all year.
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Apr 13, 2018They certainly aren’t subtle, but Confidence Man’s broad brush strokes belie a sophisticated and skilful distillation of dance-pop joy.
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Apr 13, 2018With a Balearic pulse and horizontal attitude throughout, this record is ready-made sunshine--MDMAzing pretension-free fun for the masses. This is the album we need in these hard times, even if we don’t deserve it. Put this record on, dance until sunrise, gurn through Brexit and rave until war is over.
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Apr 13, 2018Even if listeners lack that namesake self-assurance that the band seem to care so much about, by the end of Confident Music for Confident People, they might believe they can achieve anything with this album as their effortlessly cool soundtrack.
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May 10, 2018Confidence Man create an album that does more for the listener than the electronic genre, which is a good thing. Listeners put themselves in the shoes of these characters whose control streams from all of these lively beats and vocables.
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Apr 19, 2022Tilt is the music they are dragging you onto the dancefloor for, and with most of these songs playing over the speakers, you’ll happily join them.
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Q MagazineApr 13, 2018Confident Music for Confident People largely succeeds in maintaining the hi-NRG entertainment. ... It comes unstuck, though, when the sugary fun becomes simply irritating, as on the bratty C.O.O.L Party. [Jun 2018, p.109]
Score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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Jan 23, 2020One of my favourite albums ever. Dripping with satire which boomers often confuse as truth.
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May 11, 2018
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