Cracks

The LP’s stunning centrepiece is the 10-minute Cruising, where Giske plays fast, florid, extended arpeggios, sometimes adding or subtracting notes, like Philip Glass’s additive process, while his fingers tap out a machine-like rhythm. All the time, Bratten is manipulating sympathetic drones and harmonics, creating a spectral shroud around Giske’s ecstatic burbles.