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UncutToo much of it is lost in homogeneous country balladry more often associated with Trish Yearwood and all the other Nashville guff. A pity, because Moorer's voice is an expressive thing. [Mar 2010, p.94]
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Moorer's handsome voice is remarkably twangless here. Also remarkable is that the most indelible of her goth-chick musings is the happiest-sounding.
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Crows isn’t without merit—Moorer’s voice is beautiful, and the themes are on an emotional canvas that anyone over 13 with a normal amount of chromosomes has experienced, making her album relatable if not particularly memorable.