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Don't Forget Me Image

Universal acclaim - based on 16 Critic Reviews What's this?

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  • Summary: The third full-length major label studio release from singer-songwriter Maggie Rogers was written over five days and was co-produced with Ian Fitchuk.
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Score distribution:
  1. Positive: 16 out of 16
  2. Mixed: 0 out of 16
  3. Negative: 0 out of 16
  1. Apr 10, 2024
    With Don’t Forget Me, Rogers sounds fully confident abandoning the glossiness of her earliest work—she doesn’t need studio flourishes to bolster her transcendent songwriting.
  2. Apr 11, 2024
    [Don’t Forget Me reveals] a rustic, more organic-feeling pop-rock sound. Upbeat tracks like “On and On and On” and “Never Going Home” are perfectly made for big-voiced sing-alongs in a way that brings to mind Michelle Branch’s early work. Meanwhile, the meditative high-note “All the Same” is raw and elemental. .... The sense of unguarded affection perfectly sums up Don’t Forget Me.
  3. Apr 10, 2024
    It's a sage document precisely because it embraces that which can’t be figured out: what life has next in store.
  4. Apr 11, 2024
    Each note feels necessary, each word feels heartfelt – in chipping away at the excess to reveal these personal snapshots, Maggie Rogers has unlocked something very special indeed.
  5. 80
    It’s always charming, but in its best moments, Don’t Forget Me is often phenomenally well-written, a solid show from an artist who’s likely to linger in your memory for a while.
  6. Record Collector
    Jun 10, 2024
    Drunk and Sick Of Dreaming carry over Surrender's sophisticated playlist-friendly infectiousness, with Never Going Home's pared-back Nashville mood still as accomplished as it is catchy. [May 2024, p.105]
  7. Apr 12, 2024
    Don’t Forget Me is, in many ways, its inverse: It inhabits parties and frantic nights out, yet the tracks carry the steady, guitar-backed propulsion of a road movie. Rogers, at last, sounds sure of her destination.

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