• Record Label: Reprise
  • Release Date: May 6, 2022
Metascore
80

Generally favorable reviews - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 8
  2. Mixed: 0 out of 8
  3. Negative: 0 out of 8
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  1. May 26, 2022
    80
    The hardcore will need these and it’s hard to argue with the performances and the sound quality. Both shows find Young introducing new material from Harvest, released later that year, and beyond.
  2. May 6, 2022
    80
    Royce Hall, 1971 is a solo acoustic gig, recorded in January of that year on the UCLA campus, while Dorothy Chandler Pavilion, 1971 is a similarly executed performance, with Young on vocals, guitar, piano and harmonica, on the last US show of his solo tour. While these first two may seem redundant in the wake of the aforementioned prior releases, they are also a testament to the consistently high level of Young’s performances (not to mention a sunny state of mind, then and now, to which he alludes in the abbreviated liner notes to Chandler).
  3. Mojo
    May 5, 2022
    80
    Professionally recorded with a slightly altered song order (no Down By The River). There is a definite air of victory lap. [Jun 2022, p.96]
  4. 80
    The setlist is expanded and the sound quality is more than adequate to ensure Young is spotlighted in fine form. Taken in tandem with his other live recordings, Dorothy Chandler Pavilion 1971 ranks among the more essential offerings of Young’s current crop of releases.
  5. Uncut
    May 5, 2022
    80
    Dorothy Chandler is the one to get; the 8+-minute “Sugar Mountain”, with numerous spoken-word digressions, is Neil at his most hilariously droll. [Jun 2022, p.43]
  6. Classic Rock Magazine
    Jun 1, 2022
    70
    Suffering a little from the transition from live set to bootleg to official release. [Jul 2022, p.87]
  7. May 6, 2022
    70
    This might not be as an essential album, but it’s one that definitely requires your respect and an hour of your life.
  8. May 5, 2022
    70
    Less obsessive fans might not see the necessity in seeking out more than one live recording from a window of time when a lot of Young's shows were fairly similar. Young completists will of course need to hear the clarity of this recording, and will appreciate the subtle nuances in every joke, slight variation in delivery, and minor shift in presentation that separate this show from any other.

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