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Generally favorable reviews - based on 4 Critic Reviews What's this?

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  • Artist(s): Stephen Brodsky
  • Summary: The debut full-length collaboration between Marissa Nadler and Stephen Brodsky was recorded in home studios.
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Score distribution:
  1. Positive: 2 out of 4
  2. Negative: 0 out of 4
  1. Jun 20, 2019
    Droneflower not only leaves me wanting more but confident that there is much more to grow from Brodsky and Nadler's communal sonic garden
  2. The Wire
    Jun 20, 2019
    Droneflower is both the most persuasive release Nadler has put her name to since 2014’s July and one of Brodsky’s finest efforts outside of Cave In. It gestures at a beautiful future, should the duo choose to pursue it. [Jul 2019, p.52
  3. Q Magazine
    Jun 20, 2019
    A record that lurks around the same eerie corners as Dead Can dance, or White Chalk-era PJ Harvey. [Summer 2019, p.112]
  4. Uncut
    Jun 20, 2019
    Brodsky shows himself to be a sensitive oil, shadowing Nadler's mournful keening with desolate country licks on "Dead West," or wreathing a straight-faced cover of Guns N Roses' "Estranged" in banks of dreamy fuzz. [Jun 2019, p.32]
Score distribution:
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  2. Mixed: 0 out of
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