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Mar 2, 2018Passionate, eccentric and unafraid of speaking out or baring his ever-beleaguered soul, Moby remains a welcome presence in modern times and certainly does himself no harm with this highly personal statement.
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Mar 1, 2018Too often--as on ‘The Last Of Goodbyes’, with its limp rap and doleful Burialisms--it sounds like Moby pastiching his old self. On the flip side, ‘Welcome To Hard Times’, a sunny Balearic soul shuffle, is lovely, and the ghostly piano haunting ‘The Tired And The Hurt’ contains the muscle memory of his masterpiece ‘Porcelain’, but they’re isolated sparkles.
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Mar 1, 2018Moby returns to form, honing in on the sounds that helped him rise through the ranks of the New York City club scene. Weaved in between the 12 tracks is a pastiche of trip hop, soul, electronics and gospel.
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Mar 12, 2018The impulse to luxuriate in despair, to find the lushness in it, rather than shut it down and shove it away. He does that well on Everything Was Beautiful, but he’s already done it better.
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Mar 6, 2018Despite these fine individual performances, Everything Was Beautiful, And Nothing Hurt overall is an interminable slog.
User score distribution:
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Positive: 31 out of 42
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Mixed: 3 out of 42
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Negative: 8 out of 42
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Mar 9, 2018
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Apr 6, 2018Moby surpassed himself with this album, the production envelops you in a magical atmosphere, manages to capture a unique essence.
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Mar 10, 2018