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Moore has a great set of pipes, a mix of the throaty take charge style of Toni Braxton and the soft vulnerability of Janet Jackson, an undeniable sexiness, and a real emotional conviction that lends the songs an authenticity absent in many current releases. Still, with all that she has going for her, Exposed only manages to be a hit and miss record.
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Entertainment WeeklyA sweet throwback to sophisticated '70s soul divas like Angela Bofill and Deniece Williams... [11/17/2000, p.127]
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While Moore has retained her attractively demure vocals, which have a Diana Ross classic pop-soul quality, Exposed subtly updates the sound she's honed since her 1992 debut, Precious.
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But trying to be something you are obviously not does have its downfalls, the main one being - true colours are never easy to hide. Early on, songs such as 'Take Care Of Me', and 'I'm Keepin' You', have a guarded and helpless feel to them. She sounds even less confident and seems to provide a glimpse of inner pain.