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Q MagazineJan 2, 2019In spite of an occasional sense of deja vu, this is a spacious, raw record that sees Tonra trying something new while holding on to the core that's propelled her thus far. [Feb 2019, p.111]
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Jan 2, 2019Lyrically, it’s a scattered series of ruminations on the end of an era, with anger, guilt and sadness all permeating its fabric. Musically, though, it expands the singer’s palate, transmitting these feelings via new, punchier textures.
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UncutJan 2, 2019The overall effect is immersive, wallowing, sad but often beautiful. [Feb 2019, p.27]
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Jan 2, 2019Though they include sentiments like "Romance is dead and done/And it hits between the eyes," songs such as "Romance" and "I Can't Keep You" are more up-tempo and incorporate drum kit and multi-part accompaniment, but the album's sound, on average, is less sustained and more frail than Daughter's, and the lyrics more personal.
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Jan 2, 2019While there isn't always a tonne sonically to separate this from Tonra's day job, it must be applauded for its brutal honesty and moments of pure poetry.
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MojoJan 2, 2019She stands sonically naked, palettes limited and claustrophobic in their unrelenting mono-focus, in this fascinating but demanding debut. [Feb 2019, p.91]
User score distribution:
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Positive: 10 out of 11
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Mixed: 1 out of 11
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Negative: 0 out of 11
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Jan 7, 2019
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Oct 12, 2020Its like a chronicle, sung by a ex-lover who is more worried about herself then her ex. Very sad, but incredibly written and melodically built.